| Photos (See all 15 | slideshow) |
| Liv Ullmann | ... | Marianne | |
| Erland Josephson | ... | Johan | |
| Bibi Andersson | ... | Katarina | |
| Jan Malmsjö | ... | Peter | |
| Gunnel Lindblom | ... | Eva | |
| Anita Wall | ... | Fru Palm | |
| Barbro Hiort af Ornäs | ... | Fru Jacobi | |
| rest of cast listed alphabetically: | |||
| Lena Bergman | ... | Karin, syster till Eva | |
| Wenche Foss | ... | Modern | |
| Rossana Mariano | ... | Eva, 12 år | |
| Bertil Norström | ... | Arne | |
| Ingmar Bergman | ... | Fotografen / Speaker (voice) (uncredited) | |
Directed by | |||
| Ingmar Bergman | |||
Writing credits(in alphabetical order) | ||
| Ingmar Bergman | written by | |
Produced by | |||
| Lars-Owe Carlberg | .... | producer | |
Cinematography by | |||
| Sven Nykvist | |||
Film Editing by | |||
| Siv Lundgren | |||
Production Design by | |||
| Björn Thulin | |||
Costume Design by | |||
| Inger Pehrsson | |||
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| Together | Saraband | The Way We Were | The Best of Youth | Mildred Pierce |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Sweden section |
There are few other films that have the direct authenticity of this one. It is very frank, honest, tender, and heartbreaking. The performances of the two primary actors are amazing. Never once did I doubt their sincerity. In every single scene they overwhelmingly conveyed the intense and nuanced emotions of the couple. I use the word "overwhelmingly" because that is exactly what it is. At times it is hard to watch. Especially the scene in which Johan admits his infidelity. I could feel Marainne's hurt/anger/confusion. There are moments of intense tenderness, as in the last scene where Johan comforts Marianne after her nightmare. To be sure, the actors had some incredible material with which to work. Bergman knows human nature as much as any of modern writer. His dialog is poetic at times, and achingly authentic at others. They way the couple eviscerates and dissects each other is alarmingly, yet honest. Rarely is a character saying what they actually feel. Rarely do the characters know what they feel. They, like many people, really are "emotional illiterates." Bergman's direction is minimal, and that is what makes it so effective. The emphasis is completely on the characters and their existences. This is a powerful, evocative film. And I have seen only the theatrical version. I can imagine the full TV version is even more detailed.