Ten years of Marianne and Johan's relationship are presented. We first meet them ten years into their marriage. He is a college professor, she a divorce lawyer. They say that they are ... See full summary »
19-year-old Tomek whiles away his lonely life by spying on his opposite neighbour Magda through binoculars. She's an artist in her mid-thirties, and appears to have everything - not least a... See full summary »
Harry Lund is a nineteen year old young man who meets Monika, a romantic, reckless and rebellious seventeen year old, and they fall in love. They leave their families and jobs in their ... See full summary »
Mabel, a wife and mother, is loved by her husband Nick but her madness proves to be a problem in the marriage. The film transpires to a positive role of madness in the family, challenging conventional representations of madness in cinema.
An almost accidental romance is kindled between a German woman in her mid-sixties and a Moroccan migrant worker around twenty-five years younger. They abruptly decide to marry, appalling everyone around them.
Rainer Werner Fassbinder
El Hedi ben Salem,
Ten years of Marianne and Johan's relationship are presented. We first meet them ten years into their marriage. He is a college professor, she a divorce lawyer. They say that they are happily married - unlike their friends Katarina and Peter who openly fight, especially when under the influence of alcohol - but there is a certain detached aloofness in the way they treat each other. In the next ten years, as they contemplate or embark upon divorce and/or known extramarital affairs, they come to differing understandings at each phase of their relationship of what they truly mean to each other. Regardless of if it's love or hate - between which there is a fine line - they also come to certain understandings of how they can best relate to each other, whether that be as husband and wife, friends, lovers or none of the above. Written by
Ingmar Bergman has given options to the actors and crews to choose between receiving salary or percentage share from the TV series profit. Liv Ullmann chose salary since the earlier movie Cries & Whispers (1972) of Bergwan was financial failure, while Erland Josephson and other crews chose percentage share. Scenes from a Marriage (1973) ended up being internationally popular and financially successful. and according to the interview with Liv Ullmann, this was one of the things she regretted in her life. See more »
Sometimes you ask such goddamn silly questions.
Sorry. Are you angry with me?
I'm not angry, but I'm on the verge of tears. The trouble with me is that I can't get angry. I wish that for once in my life I could really lose my temper, as I sometimes feel I have every right to. I think it would change my life. But that's not the point. You spoke earlier about loneliness. That bit about being strong on your own. I don't believe in your gospel of isolation.I think it's a sign of weakness.
[...] See more »
The end titles are not shown on-screen, but are read by director and writer Ingmar Bergman, while "a beautiful picture of Fårö" is shown (different for each episode). Ingmar Bergman himself is in fact not credited at all. For the theatrical version, traditional on-screen credits were used, starting with "A film by Ingmar Bergman". See more »
Concerto for violin, strings & continuo in B flat major, Op. 10, No. 1
Written by Tomaso Albinoni
A short extract is played during the very beginning and end of each episode (it's not featured in the theatrical version) See more »
dissects the complexity of human relationships as an almost unbearable shrine to honesty
Ohmygod. Liv Ullman really deserved an Oscar for this one, as did Bergman. WOW- not many movies are this honest, this heartbreaking, this true, and this tumultuous- we see two people, in and out of a relationship over fifteen years, experiencing all the pain, loss, love, hate, anger, jealousy, denial, sadness, and so on that finding one's soul-mate brings, stretched out long-term.
Not many movies even come close to this one's brutality in its genuine awareness of people. Most modern films (and television, for that matter) cannot even come close to the psychological precision of Bergman's films. Perhaps "Scenes from a Marriage" is his best work- more accessible than "Wild Strawberries", more compelling than "Persona." This is definitely a film to seek out.
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