Ten years of Marianne and Johan's relationship are presented. We first meet them ten years into their marriage. He is a college professor, she a divorce lawyer. They say that they are ... See full summary »
Harry Lund is a nineteen year old young man who meets Monika, a romantic, reckless and rebellious seventeen year old, and they fall in love. They leave their families and jobs in their ... See full summary »
19-year-old Tomek whiles away his lonely life by spying on his opposite neighbour Magda through binoculars. She's an artist in her mid-thirties, and appears to have everything - not least a... See full summary »
Mabel, a wife and mother, is loved by her husband Nick but her madness proves to be a problem in the marriage. The film transpires to a positive role of madness in the family, challenging conventional representations of madness in cinema.
An almost accidental romance is kindled between a German woman in her mid-sixties and a Moroccan migrant worker around twenty-five years younger. They abruptly decide to marry, appalling everyone around them.
Rainer Werner Fassbinder
El Hedi ben Salem,
Ten years of Marianne and Johan's relationship are presented. We first meet them ten years into their marriage. He is a college professor, she a divorce lawyer. They say that they are happily married - unlike their friends Katarina and Peter who openly fight, especially when under the influence of alcohol - but there is a certain detached aloofness in the way they treat each other. In the next ten years, as they contemplate or embark upon divorce and/or known extramarital affairs, they come to differing understandings at each phase of their relationship of what they truly mean to each other. Regardless of if it's love or hate - between which there is a fine line - they also come to certain understandings of how they can best relate to each other, whether that be as husband and wife, friends, lovers or none of the above. Written by
The made its US broadcast debut on HBO in May 1975. See more »
Sometimes you ask such goddamn silly questions.
Sorry. Are you angry with me?
I'm not angry, but I'm on the verge of tears. The trouble with me is that I can't get angry. I wish that for once in my life I could really lose my temper, as I sometimes feel I have every right to. I think it would change my life. But that's not the point. You spoke earlier about loneliness. That bit about being strong on your own. I don't believe in your gospel of isolation.I think it's a sign of weakness.
[...] See more »
The end titles are not shown on-screen, but are read by director and writer Ingmar Bergman, while "a beautiful picture of Fårö" is shown (different for each episode). Ingmar Bergman himself is in fact not credited at all. For the theatrical version, traditional on-screen credits were used, starting with "A film by Ingmar Bergman". See more »
Concerto for violin, strings & continuo in B flat major, Op. 10, No. 1
Written by Tomaso Albinoni
A short extract is played during the very beginning and end of each episode (it's not featured in the theatrical version) See more »
At once poignant, considered, bitter, painfully insightful
Bergman set the standard for commentary on relationships with this film. Liv Ullman & Erland Josephson are extraordinary as a couple viewed over the course of their marriage and breakup thereof. Bergman and cinematographer Sven Nyquist do an absolute masterful job following both -- Liv Ullman truly has one of the most expressive, beautiful faces in cinema, and Bergman's genius is that he captured every nuance of her perfect performance masterfully.
Don't expect a single extraneous, out-of-place shot. Expect the perfect cinema-plus-verite of long-term relationships that various others, including Woody Allen in his efforts (Annie Hall and onwards,) have tried to riff on -- but never as well.
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