In 16th century Venice, when a merchant must default on a large loan from an abused Jewish moneylender for a friend with romantic ambitions, the bitterly vengeful creditor demands a gruesome payment instead.
A man wanders out of the desert after a four year absence. His brother finds him, and together they return to L.A. to reunite the man with his young son. Soon after, he and the boy set out ... See full summary »
Harry Dean Stanton,
Max is an ex-con who's been saving money to open a car wash in Pittsburgh. Lionel is a sailor who's returning home to the midwest to see the child born while he was at sea. They form an unlikely pair as the brawling Max learns a little how Lionel copes with the world: Lionel believes that the scarecrow doesn't scare birds, but instead amuses them - birds find scare-crows funny. Written by
Gary Dickerson <email@example.com>
I saw this film many years ago. It has that early 1970's charm and feel that we almost never see anymore. Hackman (Max) an ex-con on the rebound and Pacino (Lionel) a drifting ex-sailor meet randomly while hitchhiking. They spark an unlikely friendship and venture on a road trip. Max plans on owning his own carwash and chooses Lionel for his partner in business. This is a story of two losers with modest dreams. They may not be the winners of society, but they will definitely win your heart. Max is a mean and tough creep while Lionel is a lovable rogue. The ending is shockingly sad and all too real. With effective symbolic panning of the fountain's cherubs and the haunting background score make for an unforgettable experience. Pacino and Hackman deliver remarkable performances. This is more of a guy film in that I don't think it's any woman's cup of tea. But if you want to catch a glimpse of great natural acting and a taste of 70's melodrama, Scarecrow is worth every minute.
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