| Photos (see all 18 | slideshow) | Videos |
| Christopher Lee | ... | Count Dracula | |
| Peter Cushing | ... | Prof. Lorrimer Van Helsing | |
| Michael Coles | ... | Insp. Murray | |
| William Franklyn | ... | Torrence | |
| Freddie Jones | ... | Prof. Julian Keeley | |
| Joanna Lumley | ... | Jessica Van Helsing | |
| Richard Vernon | ... | Col. Mathews | |
| Barbara Yu Ling | ... | Chin Yang | |
| Patrick Barr | ... | Lord Carradine | |
| Richard Mathews | ... | John Porter | |
| Lockwood West | ... | General Sir Arthur Freeborne | |
| Valerie Van Ost | ... | Jane | |
| Maurice O'Connell | ... | Hanson | |
| Peter Adair | ... | Doctor | |
| Maggie Fitzgerald | ... | Vampire girl | |
| Pauline Peart | ... | Vampire girl | |
| Finnuala O'Shannon | ... | Vampire girl | |
| Mia Martin | ... | Vampire girl | |
| John Harvey | ... | Commissionaire | |
| Marc Zuber | ... | Guard #1 | |
| Paul Weston | ... | Guard #2 | |
| Ian Dewar | ... | Guard #3 | |
| Graham Rees | ... | Guard #4 |
Directed by | |||
| Alan Gibson | |||
Writing credits | ||
| Don Houghton | (writer) | |
Produced by | |||
| Don Houghton | .... | associate producer | |
| Roy Skeggs | .... | producer | |
Original Music by | |||
| John Cacavas | |||
Cinematography by | |||
| Brian Probyn | (director of photography) | ||
Film Editing by | |||
| Chris Barnes | |||
Casting by | |||
| James Liggat | |||
Art Direction by | |||
| Lionel Couch | |||
Makeup Department | |||
| George Blackler | .... | makeup artist | |
| Maude Onslow | .... | hair stylist (as Maud Onslow) | |
Production Management | |||
| Ron Jackson | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Derek Whitehurst | .... | assistant director | |
| Chris Carreras | .... | second assistant director (uncredited) | |
| Graham Easton | .... | third assistant director (uncredited) | |
Art Department | |||
| Don Picton | .... | assistant art director | |
| Ken Softley | .... | construction manager | |
| D. Clarke | .... | stand-by carpenter (uncredited) | |
| J. Fleetwood | .... | stand-by rigger (uncredited) | |
| Wilf France | .... | props (uncredited) | |
| Arthur Jacobs | .... | chargehand dresser (uncredited) | |
| R. Race | .... | stand-by stagehand (uncredited) | |
Sound Department | |||
| Claude Hitchcock | .... | sound recordist | |
| Terry Poulton | .... | sound editor | |
| Dennis Whitlock | .... | dubbing mixer | |
| Keith Batten | .... | boom operator (uncredited) | |
| Chris Munro | .... | sound camera operator (uncredited) | |
Special Effects by | |||
| Les Bowie | .... | special effects | |
Camera and Electrical Department | |||
| Chic Anstiss | .... | camera operator | |
| Peter Carmody | .... | camera loader (uncredited) | |
| Peter Carmody | .... | clapper loader (uncredited) | |
| Stan Patton | .... | camera grip (uncredited) | |
| Malcolm Vinson | .... | focus puller (uncredited) | |
Costume and Wardrobe Department | |||
| Rebecca Breed | .... | wardrobe supervisor | |
Editorial Department | |||
| Larry Richardson | .... | first assistant editor (uncredited) | |
Music Department | |||
| Philip Martell | .... | music supervisor | |
Other crew | |||
| Elizabeth Wilcox | .... | continuity | |
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| The City of the Dead | The World Is Not Enough | Dracula A.D. 1972 | Dracula | V for Vendetta |
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| Full cast and crew | Company credits | External reviews |
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This is a much-maligned film that seems to have been tarred with the same brush as the dire Dracula A.D. 1972, simply because it updates the Dracula legend to the present day. Satanic Rites is an infinitely superior movie, however, and easily the best of the Hammer Dracula sequels. Previous sequels had seen the Count resurrected only to lurk in the shadows and momentarily reveal himself to take his revenge on his foes, reducing Christopher Lee's Dracula to little more than a glorified extra. Satanic Rites is different because it uses Lee's scant appearances to its advantage, keeping Dracula aloof and mysterious and instead concerning itself with the disease of vampirism, which is compared to a plague. Because of it's science fiction overtones, this feels more like an instalment of The Avengers or Doctor Who than a typical Hammer film. In its present-day setting and apocalyptic storyline, it also seems to be a definite influence on the highly-regarded TV series Ultraviolet. For the fan of classic Hammer Gothic Horror, this is probably best avoided, but for those who enjoy British telefantasy it's an absolute must see.