In London in the 1970s, Scotland Yard police investigators think they have uncovered a case of vampirism. They call in an expert vampire researcher named Van Helsing (a descendant of the ... See full summary »
Three middle-aged distinguished gentlemen are searching for some excitement in their boring bourgeois lives and get in contact with one of Count Dracula's servants, Lord Courtley. In a ... See full summary »
A young man, Paul Carlson, is on a trip and spends the night at count Dracula's castle. Needless to say, he is murdered. After some time has passed, the young man's brother Simon comes to ... See full summary »
Roy Ward Baker
Count Dracula journeys to a remote Chinese village in the guise of a warlord to support six vampires who are dispirited after the loss of a seventh member of their cult. At the same time, ... See full summary »
Last of the Hammer Frankenstein films, this one deals with the Baron hiding out in an insane asylum, so that he may continue his experiments with reanimating the dead, along with inmate Dr.... See full summary »
Baron Frankenstein is once again working with illegal medical experiments. Together with a young doctor, Karl and his fiancée Anna, they kidnap the mentally sick Dr. Brandt, to perform the ... See full summary »
Penniless, Baron Frankenstein, accompanied by his eager assistant Hans, arrives at his family castle near the town of Karlstaad, vowing to continue his experiments in the creation of life. ... See full summary »
In London in the 1970s, Scotland Yard police investigators think they have uncovered a case of vampirism. They call in an expert vampire researcher named Van Helsing (a descendant of the great vampire-hunter himself, no less) to help them put a stop to these hideous crimes. It becomes apparent that the culprit is Count Dracula himself, disguised as a reclusive property developer, but secretly plotting to unleash a fatal virus upon the world. Written by
Jonathon Dabell <J.D.@pixie.ntu.ac.uk>
When Jessica is attacked by the female vampires in the basement of the sinister cult house, the brunette vampire menacing her from the rear is missing an important bit of anatomy- vampire fangs. See more »
Pretty good, considering some of the others in the series.
Saw Satanic Rites last night for the second time, and paid more attention this time. The film, if you`re waiting to see a lot of Dracula will be a bit of a let down (but let`s face it, since Taste the Blood of Dracula, I don`t think Christopher Lee has had 30 minutes screen time with all of the Dracula films joined together.) The movie starts slowly, with, for once, no Dracula resurrection scene. He`s just back, and does not appear until well into the film. (He appears in a scene obviously stuck in because they realized he had not made an appearance at all so long into the film). When Peter Cushing appears, you start to feel like this is a proper Hammer film after all. Peter Cushing really does this one justice. Then from the time he visits D.D.Denham, it is a pretty good Dracula picture. The action between our hero and villain gets going, and builds up to a reasonable finale. This is better than Dracula AD 1972, but as I have said before, the whole series should have stayed in Victorian times. Joanna Lumley is radiant as Jessica, who's character returns from the previous film. It is a pretty scary premise. Dracula, finally sick of being resurrected for 2 or 3 days at a time, wants to end it all, but in doing this, he wants to take everyone with him. THE WHOLE WORLD! It is a good plot which just happens to have Dracula as the figure-head. For once Christopher Lee gets a reasonably decent script and delivers his lines beautifully. A couple of points. In some of the Dracula films, we are introduced to new but apparently tested ways of dealing with the fanged one. Dracula, Prince of Darkness introduced clear running water, as used at the end of DPOD, in Dracula AD 1972, and in Satanic Rites. Then in AD `72 we are introduced to the fact that the good Count can be knobbled with a silver bladed knife. Handy, since Van Helsing has one. Then in this movie, Van Helsing introduces the Hawthorn bush, from which Christ recieved his crown of thorns. Guess where Drac ends up near the end? Do these things really work? Or is it just that sunlight and the old stake are boring now, and the writers just make these things up? I feel a bit cheated when someone like Dracula can be beaten by lightning, drowned in a moat (NOT running water), or overcome in a church (whereas he had already killed a girl and placed her body in a full blown God worshipping church.) This film, when it gets going, is a pleasing finale to the Christopher Lee years as Dracula, and to boot, Peter Cushing delivers a really good performance too.
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