In London in the 1970s, Scotland Yard police investigators think they have uncovered a case of vampirism. They call in an expert vampire researcher named Van Helsing (a descendant of the ... See full summary »
A young psychiatrist interviews four inmates in a mental asylum to satisfy a requirement for employment. He hears stories about 1) the revenge of a murdered wife, 2) a tailor who makes a ... See full summary »
Penniless, Baron Frankenstein, accompanied by his eager assistant Hans, arrives at his family castle near the town of Karlstaad, vowing to continue his experiments in the creation of life. ... See full summary »
The brilliant but misunderstood scientist Frankenstein builds a man made up of a collection of spare body parts. The monster becomes alive but he has mental capabilities much below par. The... See full summary »
A Victorian-age scientist returns to London with his paleontological bag-of-bones discovery from Papua New Guinea. Unfortunately, when exposed to water, flesh returns to the bones ... See full summary »
A cop chases two hippies suspected of a series of Manson family-like murders; unbeknownst to him, the real culprits are the living dead, brought to life with a thirst for human flesh by chemical pesticides being used by area farmers.
The residents of a suburban high-rise apartment building are being infected by a strain of parasites that turn them into mindless, sex-crazed fiends out to infect others by the slightest sexual contact.
In London in the 1970s, Scotland Yard police investigators think they have uncovered a case of vampirism. They call in an expert vampire researcher named Van Helsing (a descendant of the great vampire-hunter himself, no less) to help them put a stop to these hideous crimes. It becomes apparent that the culprit is Count Dracula himself, disguised as a reclusive property developer, but secretly plotting to unleash a fatal virus upon the world. Written by
Jonathon Dabell <J.D.@pixie.ntu.ac.uk>
This is a much-maligned film that seems to have been tarred with the same brush as the dire Dracula A.D. 1972, simply because it updates the Dracula legend to the present day. Satanic Rites is an infinitely superior movie, however, and easily the best of the Hammer Dracula sequels. Previous sequels had seen the Count resurrected only to lurk in the shadows and momentarily reveal himself to take his revenge on his foes, reducing Christopher Lee's Dracula to little more than a glorified extra. Satanic Rites is different because it uses Lee's scant appearances to its advantage, keeping Dracula aloof and mysterious and instead concerning itself with the disease of vampirism, which is compared to a plague. Because of it's science fiction overtones, this feels more like an instalment of The Avengers or Doctor Who than a typical Hammer film. In its present-day setting and apocalyptic storyline, it also seems to be a definite influence on the highly-regarded TV series Ultraviolet. For the fan of classic Hammer Gothic Horror, this is probably best avoided, but for those who enjoy British telefantasy it's an absolute must see.
31 of 45 people found this review helpful.
Was this review helpful to you?