In London in the 1970s, Scotland Yard police investigators think they have uncovered a case of vampirism. They call in an expert vampire researcher named Van Helsing (a descendant of the ...
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A young man, Paul Carlson, is on a trip and spends the night at count Dracula's castle. Needless to say, he is murdered. After some time has passed, the young man's brother Simon comes to ... See full summary »
Roy Ward Baker
Three middle-aged distinguished gentlemen are searching for some excitement in their boring bourgeois lives and get in contact with one of Count Dracula's servants, Lord Courtley. In a ... See full summary »
Son grows up with father, leaves to go to big city in 1979. Father follows and tries to survive as a vampire in a modern world. Son finds girl, decides not to be a vampire anymore. Great ... See full summary »
In London in the 1970s, Scotland Yard police investigators think they have uncovered a case of vampirism. They call in an expert vampire researcher named Van Helsing (a descendant of the great vampire-hunter himself, no less) to help them put a stop to these hideous crimes. It becomes apparent that the culprit is Count Dracula himself, disguised as a reclusive property developer, but secretly plotting to unleash a fatal virus upon the world. Written by
Jonathon Dabell <J.D.@pixie.ntu.ac.uk>
When Jessica is attacked by the female vampires in the basement of the sinister cult house, the brunette vampire menacing her from the rear is missing an important bit of anatomy- vampire fangs. See more »
This is a much-maligned film that seems to have been tarred with the same brush as the dire Dracula A.D. 1972, simply because it updates the Dracula legend to the present day. Satanic Rites is an infinitely superior movie, however, and easily the best of the Hammer Dracula sequels. Previous sequels had seen the Count resurrected only to lurk in the shadows and momentarily reveal himself to take his revenge on his foes, reducing Christopher Lee's Dracula to little more than a glorified extra. Satanic Rites is different because it uses Lee's scant appearances to its advantage, keeping Dracula aloof and mysterious and instead concerning itself with the disease of vampirism, which is compared to a plague. Because of it's science fiction overtones, this feels more like an instalment of The Avengers or Doctor Who than a typical Hammer film. In its present-day setting and apocalyptic storyline, it also seems to be a definite influence on the highly-regarded TV series Ultraviolet. For the fan of classic Hammer Gothic Horror, this is probably best avoided, but for those who enjoy British telefantasy it's an absolute must see.
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