Total, a young bank cashier, has been wondering for some time if his life, with its grey, dismal prospect, is worth living. He is aware of the illicit careers and rise to riches of many of ...
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A conscientious factory worker gets his finger cut off by a machine. Although the physical handicap is not serious, the accident causes him to become more involved in political and revolutionary groups.
Gian Maria Volontè,
Enrico Mattei helped change Italy's future, first as freedom-fighter against the Nazis, then as an investor in methane gas through a public company, A.G.I.P., and ultimately as the head of ... See full summary »
Gian Maria Volontè,
Primary school teacher Mr. Mombelli, nevertheless satisfied with his life, is driven by his wife to resign and starting a new activity. He invest all his goodwill setting up a footwear ... See full summary »
Vito De Taranto
Total, a young bank cashier, has been wondering for some time if his life, with its grey, dismal prospect, is worth living. He is aware of the illicit careers and rise to riches of many of his clients. He decide to start a new life : new clothes, new cars, new women. His "new look" begins discreetly, a few small robberies in supermarkets, progressing to more important fraud.
If you want to know what marxism-madrakism is, don't miss this movie! A great example of smart and politicized Italian cinema of the seventies, a real cult in my opinion. The main character is a sort of modern times psychopathic robin-hood whom works as a clerk in a bank, but is allergic to money! At a certain point he is so exasperated that he decides that he must mine rich people's private property in order to give a shock to their lives. His main target is a rich butcher (Ugo Tognazzi), but he decides not to steal his money, but things that he needs more: his butcher knife, tool of his trade, his hat, his woman... In the meantime, he enters the dark world of delinquency meeting a professional thief which he manages to blackmail so that he can help him in his misdoings. Between the world of marxist idealism and pure delinquency, the whole story is fantastic and unreal, with references to Fromm's "Life between having and being". The character would like to "have" (money and things) but in the same moment he also wants to "be" (save his personality), but he undesrtands that it's impossible ("This is the problem!", he repeats) . The final is also fantastic, with the thief's funeral in which a great Gigi Proietti gives us a monologue on the importance of thiefs in society. A must for lovers of the genre.
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