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Pat Garrett & Billy the Kid (1973)

An aging Pat Garrett is hired as a lawman on behalf of a group of wealthy New Mexico cattle barons--his sole purpose being to bring down his old friend Billy the Kid.

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Nominated for 1 BAFTA Film Award. Another 3 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Eno
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Poe
Richard Bright ...
Holly
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Maria
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Howland
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Storyline

It's 1881 in New Mexico, and the times they are a'changing. Pat Garrett, erstwhile travelling companion of the outlaw Billy the Kid has become a sheriff, tasked by cattle interests with ridding the territory of Billy. After Billy escapes, Pat assembles a posse and chases him through the territory, culminating in a final confrontation at Fort Sumner, but is unaware of the full scope of the cattle interests' plans for the New West. Written by Ed Sutton <esutton@mindspring.com>

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Taglines:

Best of enemies. Deadliest of friends.


Motion Picture Rating (MPAA)

Rated R for western violence and sexuality/nudity | See all certifications »

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Details

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Release Date:

31 August 1973 (Hong Kong)  »

Also Known As:

Pat Garrett and Billy the Kid  »

Filming Locations:


Box Office

Budget:

$4,638,783 (estimated)
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Company Credits

Production Co:

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Technical Specs

Runtime:

(1988 restored) | (2005 DVD Special Edition) | (Cut theatrical)

Sound Mix:

Color:

(Metrocolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

In the original script, Pat Garrett and Billy the Kid never met onscreen until the film's conclusion. See more »

Goofs

When Cody is lying on a bed, his left arm is over the rifle, with his hand hanging from the bed, and his right hand is leaning on his left shoulder. In the next shot, when Poe touches him, his left hand is holding the rifle and his right hand leaning on the bed. See more »

Quotes

Lemuel: Yo'ant yo'self a Wo-man?... One come in there from Albuquerque around the cat house over... name is Bertha... 'got a ass on her like a forty dollar cow 'n' a tit - I'd like to see that thing filled full o' tequila. You know something? You can't beat that, can ya'?
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Connections

Referenced in The 100 Greatest War Films (2005) See more »

Soundtracks

Knockin' on Heaven's Door
Written by 'Bob Dylan'
Performed by 'Bob Dylan'
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User Reviews

One of the best contemporary westerns made
16 March 2002 | by (United Kingdom) – See all my reviews

Opening with the gunning down of Pat Garrett in 1909, we flash back to 1881 where Garrett has been hired to bring his ex-partner in crime Billy the Kid to justice. The story unfolds against a backdrop of a west that is moving forward, driven by businessmen (represented by Chisum) leaving behind the 'old ways'.

Of modern (ie after 50's and 60's) westerns Once Upon a Time in the West stands out as the best. However I feel that this film covers similar themes, of the death of the cowboy way and passing of times. The story is not really a duel between Pat and Billy but more a look at times changing around them – with Garrett changing with them and Billy trying to remain still. The story is well told with plenty of good characters, great setups and interesting dialogue. The relationships and the look at the old west 'code' easily hold the interest.

Peckinpah does plenty of good work here – for example intercutting the killing of Garrett with the killing of chickens etc, making it visually clever too. However his best move is the use of Bob Dylan's score – it could have been intrusive and made the film feel tacky and like it tries too hard to be hip. Instead the score works well and gives the film a soulful feel.

The cast is not only superb but deep with talent. Coburn is as good as ever as Garrett, struggling to move with times he doesn't approve of. Kristofferson is good, but his character of Billy is not well developed, but he still has a strong role to play. The support cast is full of famous faces from Westerns and a few actors just starting out – slim Pickens, Chill Wills, Jack Elam, Luke Ashew, Charles Martin Smith, Harry Dean Stanton and a good part for Bob Dylan.

If you're watching it – make sure you've got the restored version that adds 15 minutes and uses the score better. The director's version makes more of the role of Boss Chisum and fills the story out with playful brothel scenes and delivers a few more cameos. It makes a big difference to the film and lifts the story above being Garrett versus Billy the Kid.

Overall an excellent western from one of the greats at this type of thing.


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