Honest and hard-working Texas rancher Homer Bannon has a conflict with his unscrupulous, selfish, arrogant and egotistical son Hud, who sank into alcoholism after accidentally killing his brother in a car crash.
Adapted from the novel, "Addie Pray" (1971) by Joe David Brown, PAPER MOON is the story of Moses Pray and Addie Loggins. With scenery reminiscent of "The Grapes of Wrath," the film is set in the depression-era Midwestern region of the United States. As the movie opens, we see a small group of mourners clustered at a graveside. Among the mourners is Addie, the dead woman's small daughter. Moses Pray -- ostensibly of the "Kansas Bible Company" -- approaches the group, as the service concludes, and two of the elderly women remark that the child bears some resemblance to him and asks if he might be related. "If ever a child needed kin, it's now," one lady says. With no knowledge of who her father is, Addie's only haven is her Aunt's home in St. Joseph, Missouri. Having identified himself as a "traveling man spreading the Lord's gospel in these troubled times," "Mose" is prevailed upon to deliver the helpless child to her Aunt since he's going that way, anyway. Addie, wise beyond her years... Written by
MARK FLEETWOOD <firstname.lastname@example.org>
When Addie sets up Trixie for cheating on Mose at the hotel, Addie leaves Trixie's room 235 and returns to her room. The room number on Addie's door is also 235. See more »
Judge me, oh Lord, for I have lost in mine integrity. I have trusted also in the Lord, therefore I shall not slide. Examine me, oh Lord, and prove me. Try my reins and my heart, for Thy loving kindness is before mine eyes, and I have walked in Thy truth.
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Special thanks to the people in and around Hays, Kansas and St. Joseph, Missouri See more »
As cute and sharp as it's 9-year-old star Tatum O'Neal, Paper Moon is a bona-fide gem that says that, one way or another, we're all con artists. The acting is wonderful (Ryan O'Neal was never better), the cinematography is exceptional and it's to the eternal credit of director Bogdanovich and his writer Alvin Sargeant that the caper never sinks into mushiness. By avoiding the earnestness that pervades so many Depression Era tales and perfectly balancing character with situation, it rolls along so merrily that you don't realise how touching it is until the very end.
Having (criminally) never seen Paper Moon before, I suspect that it must have had more than a passing influence on a great many other movies, including my all-time favourite Midnight Run. Watching it is an experience to be savoured and treasured, and one that I'm looking forward to repeating time and again.
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