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Paper Moon (1973)

 -  Comedy | Crime | Drama  -  9 May 1973 (USA)
8.2
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Ratings: 8.2/10 from 19,628 users  
Reviews: 108 user | 53 critic

During the Great Depression, a con man finds himself saddled with a young girl who may or may not be his daughter, and the two forge an unlikely partnership.

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(based on the novel: "Addie Pray" by), (screenplay)
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Title: Paper Moon (1973)

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Won 1 Oscar. Another 7 wins & 10 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
Addie / Addie Loggins
...
...
Deputy Hardin / Jess Hardin
P.J. Johnson ...
Imogene (as P. J. Johnson in closing credits)
Jessie Lee Fulton ...
Miss Ollie
James N. Harrell ...
The Minister (as Jim Harrell)
Lila Waters ...
The Minister's Wife
...
Mr. Robertson
Bob Young ...
Gas Station Attendant
Jack Saunders ...
Station Master
Jody Wilbur ...
Cafe Waitress
Liz Ross ...
Yvonne Harrison ...
Ed Reed ...
The Lawman (Bates' Home)
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Storyline

Adapted from the novel, "Addie Pray" (1971) by Joe David Brown, PAPER MOON is the story of Moses Pray and Addie Loggins. With scenery reminiscent of "The Grapes of Wrath," the film is set in the depression-era Midwestern region of the United States. As the movie opens, we see a small group of mourners clustered at a graveside. Among the mourners is Addie, the dead woman's small daughter. Moses Pray -- ostensibly of the "Kansas Bible Company" -- approaches the group, as the service concludes, and two of the elderly women remark that the child bears some resemblance to him and asks if he might be related. "If ever a child needed kin, it's now," one lady says. With no knowledge of who her father is, Addie's only haven is her Aunt's home in St. Joseph, Missouri. Having identified himself as a "traveling man spreading the Lord's gospel in these troubled times," "Mose" is prevailed upon to deliver the helpless child to her Aunt since he's going that way, anyway. Addie, wise beyond her years... Written by MARK FLEETWOOD <mfleetwo@mail.coin.missouri.edu>

Plot Summary | Plot Synopsis

Plot Keywords:

bible | girl | con | missouri | kansas | See All (61) »

Taglines:

As P.T. Barnum put it, "There's a sucker born every minute."

Genres:

Comedy | Crime | Drama

Certificate:

PG | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

9 May 1973 (USA)  »

Also Known As:

Luna de papel  »

Filming Locations:

 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Burton Gilliam had no previous acting experience prior to being cast as Floyd in this film. See more »

Goofs

On several occasions throughout the picture, autos can be seen speeding away, with tires screeching as though on asphalt, even though the vehicles are almost always on dirt roads. See more »

Quotes

[first lines]
The Minister: Judge me, oh Lord, for I have lost in mine integrity. I have trusted also in the Lord, therefore I shall not slide. Examine me, oh Lord, and prove me. Try my reins and my heart, for Thy loving kindness is before mine eyes, and I have walked in Thy truth.
See more »

Crazy Credits

Special thanks to the people in and around Hays, Kansas and St. Joseph, Missouri See more »

Connections

Referenced in Anywhere, USA (2008) See more »

Soundtracks

About a Quarter to Nine
(1935) (uncredited)
Music by Harry Warren
Lyrics by Al Dubin
Performed by Ozzie Nelson and Orchestra
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
It seems slight at first, but with perfect finesse and beauty...a classic
23 July 2010 | by (United States) – See all my reviews

Paper Moon (1973)

Utterly charmed and charming. The story of a father and daughter--the actor and actress O'Neal--echoes the story in the story of a man and a little girl on the road. Yes, they scam and cheat, but they do it with relative innocence. And they are perfectly adorable. The magic between the two is partly good writing, and partly the ease that the two actors already have (or pretend to have) together.

And it's filmed with nostalgic black and white clarity, perfect in a way for the Depression era it portrays, but much more alive and clean than the deep brooding intensity of a real Depression story such as the 1940 Grapes of Wrath. But Peter Bogdanovich is no John Ford, and this is a different kind of tale, with the 1930s as backdrop to a more modern kind of relationship. It has enough subtlety and laughs to make it a classic and a joy. Nothing obviously deep, but yet it sinks in farther than you think.


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