Adapted from the novel, "Addie Pray" (1971) by Joe David Brown, PAPER MOON is the story of Moses Pray and Addie Loggins. With scenery reminiscent of "The Grapes of Wrath," the film is set in the depression-era Midwestern region of the United States. As the movie opens, we see a small group of mourners clustered at a graveside. Among the mourners is Addie, the dead woman's small daughter. Moses Pray -- ostensibly of the "Kansas Bible Company" -- approaches the group, as the service concludes, and two of the elderly women remark that the child bears some resemblance to him and asks if he might be related. "If ever a child needed kin, it's now," one lady says. With no knowledge of who her father is, Addie's only haven is her Aunt's home in St. Joseph, Missouri. Having identified himself as a "traveling man spreading the Lord's gospel in these troubled times," "Mose" is prevailed upon to deliver the helpless child to her Aunt since he's going that way, anyway. Addie, wise beyond her years... Written by
MARK FLEETWOOD <email@example.com>
As P.T. Barnum put it, "There's a sucker born every minute."
Did You Know?
The film is set in 1935 and there are multiple references to bootlegging. Although national Prohibition was repealed in 1933 by the 21st Amendment, the Amendment did not legalize liquor: it left regulation of liquor to the states. Kansas did not legalize the sale of cereal malt beverage (also known as 3.2 beer) until 1937, and the first post-Prohibition legalization of alcoholic liquor did not occur until the state's constitution was amended in 1948. See more
Judge me, oh Lord, for I have lost in mine integrity. I have trusted also in the Lord, therefore I shall not slide. Examine me, oh Lord, and prove me. Try my reins and my heart, for Thy loving kindness is before mine eyes, and I have walked in Thy truth.
Special thanks to the people in and around Hays, Kansas and St. Joseph, Missouri See more
Referenced in Anywhere, USA
(It Will Have to Do) Until the Real Thing Comes Along
Written by Mann Holiner
, Alberta Nichols
, Sammy Cahn
, Saul Chaplin
and L.E. Freeman
Performed by Leo Reisman and His Orchestra
Vocal by Larry Stewart See more