Serious, hard-working student James T. Hart faces the rigors of his first year at Harvard Law School. The pressure to succeed is tremendous and some of the students form study groups while also spending a great many hours studying. Hart's greatest challenge is contract law and his professor, Charles W. Kingsfield Jr. Using the Socratic method, Kingsfield challenges his students with questions demanding accuracy and creativity in their responses and often humiliating those who are unable to respond. As the school year progresses, Hart faces many challenges but befriends Susan Fields - unaware that she has a connection that affects their relationship. Finally, Hart accommodates himself to whatever might come his way, accepting a new set of priorities in his life. Written by
The American Film Institute website states that John "Houseman was only approached [to play Professor Kingsfield] after East Coast locations were decided upon and the producers had visited Juilliard School for the Arts, where Houseman had established the acting program, looking to cast the roles of students". See more »
During Kingsfield's cocktail party Bottom's character finds out his love interest is Kingsfield's daughter and is understandably perturbed. As she approaches him, he looks to walk out the door. At that point Hart nearly runs into Edward Herman's character (Thomas) but calls him 'Ed'! Oops. See more »
Story of Bottoms and cohorts trying to make it through first year of Harvard Law. Of anything I ever saw this is the one movie that made me want to go to law school. It's one of those treasured movies I feel like I lived; I actually used to set my watch, sit back and smile before my exams just like my boy Timothy. Bottoms perfectly captures the feel of a smart, hip and modest kid from the sticks trying to hang tough in the pressure cooker. Houseman was a behind-the-scenes movie guy who became an overnight sensation with his portrayal of the brilliant, caustic Professor Kingsfield. Wagner is hauntingly beautiful as Bottom's elusive love interest. I don't know how someone first viewing this film today would look at it, but it still has a classic, timeless quality for me and I highly recommend it.
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