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O Lucky Man! (1973)

R  |   |  Comedy, Drama, Fantasy  |  20 June 1973 (USA)
7.9
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Ratings: 7.9/10 from 5,856 users  
Reviews: 73 user | 31 critic

This sprawling, surrealist musical serves as an allegory for the pitfalls of capitalism, as it follows the adventures of a young coffee salesman in Europe. Many actors play multiple roles, giving the film a stagy tone.

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Nominated for 1 Golden Globe. Another 3 wins & 1 nomination. See more awards »

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Cast

Cast overview, first billed only:
...
Mick Travis / Plantation Thief
...
Sir James Burgess / Monty
...
Gloria Rowe / Madame Paillard / Mrs. Richards
...
Mr. Duff / Charlie Johnson / Dr. Munda
...
Patricia Burgess / Casting Assistant
...
Stewart / Prof. Millar / Meths Drinker
Peter Jeffrey ...
Factory Chairman / Prison Governor
Dandy Nichols ...
Tea Lady / Neighbour
Mona Washbourne ...
Neighbour / Usher / Sister Hallett
Philip Stone ...
Jenkins / Interrogator / Salvation Army Major
Mary MacLeod ...
Mary Ball / Salvationist / Vicar's Wife (as Mary Macleod)
Michael Bangerter ...
William / Interrogator / Assistant / Released Prisoner
Wallas Eaton ...
John Stone (Coffee Factory) / Col. Steiger / Prison Warder / Meths Drinker / Film Executive
...
Master of Ceremonies (Nightspot) / Warner / Male Nurse
Bill Owen ...
Supt. Barlow / Insp. Carding
Edit

Storyline

Follows the literal and associated life journey of middle class Brit, Mick Travis, representing the "everyman", as he tries to make his mark in his so far young life. He is able to make great strides in his traditional view of success by being what those in authority want him to be. As such, he achieves in a few weeks what it usually take years for others, namely having his own sales territory - the northeast and ultimately Scotland - for Imperial Coffee. He is also able to garner a plethora of fringe benefits from this job, including women throwing themselves at his feet. But he will ultimately face a struggle in class and authority warfare, which culminates with his encounter with the Burgess family - wealthy Industrialist Sir James Burgess and his daughter Patricia, who Mick wants to marry - the former who is contemplating investing in the shady dealings in Zingara. Mick will also find that the class struggle not only applies in his case in an upward direction, but also in a ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

Smile while you're makin' it. Laugh while you're takin' it. Even though you're fakin' it. Nobody's gonna know...

Genres:

Comedy | Drama | Fantasy | Music

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

Release Date:

20 June 1973 (USA)  »

Also Known As:

A szerencse fia  »

Company Credits

Production Co:

,  »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(opening sequence)| (Eastmancolor)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

In France the title is 'The Best of all Possible Worlds' which is the refrain from 'Voltaire''s novel "Candide", upon which the film is very loosely based. See more »

Goofs

When the crowd at the "orgy" starts calling for "Chocolate Sandwich" Travis' cigarette suddenly appears in his mouth, where it wasn't an instant before. See more »

Quotes

Patricia: Dickie. Ha-ha.
Duke of Belminster: Please, darling. Please.
Patricia: Dickie.
Duke of Belminster: But, you must.
Patricia: Oh, don't go on, Dickie.
Duke of Belminster: I've nev-never been very sure of myself. Not, until I found you.
Patricia: You drink too much.
Duke of Belminster: I know. You're my last chance.
Patricia: Oh, little Dickie.
See more »

Connections

Referenced in Midnight Movies: From the Margin to the Mainstream (2005) See more »

Soundtracks

Pastoral
Written by Alan Price
See more »

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User Reviews

O lucky me, that I was able to see this film...
2 August 2003 | by (Seattle, Washington) – See all my reviews

Great movie, cutting edge yet soft and subtle, with none of the over-the-top excesses of modern-day "American Pie Me Myself and 007 Who Wants to be a Charlie's Angel" Hollywood. I guess that's what I like most about this film, is the awesome power of the movie which you discover is wrapped in nothing more than quiet, unassuming garb. Christ-like in its presentation.

Today's movies are all schlock and junk with wretchitudinal amounts of sex and violence and plastic surgery, back-flipped liked a trained aquarium dolphin across a polished screen just to keep you riveted to the screen and perhaps interspersed with the convenient lull to allow you to go buy that ten-dollar tub of popcorn – which ten dollars could probably feed a family in Kazakhstan (or wherever in the world they're hungry) for at least a day and a half.

But I digress. No, wait, I don't, that's just my whole point. The world is still primarily a hellish sh*t of a place and today's movies from Hollow-wood – great escapist fun though they may be – nevertheless leave you feeling that they offer no exposure to the real world, no chance to ponder, no effort at questioning the path. What is the path? I don't know, nor will this movie definitively answer that question for you, though it will pose the question, and take you on a sometimes brutal, sometimes hilarious thought-provoking journey in the process. You won't have the same experience watching, say "Gigli", now, will you?

Cinematography is remarkably fresh and current looking. I was amazed to see this film was dated thirty years ago, 1973. You won't believe it. Oh, and you do get to see some ample naked breasts here and there, and Malcolm McDowell actually SMILES a few times. And yes, he DOES have eyes like Steve McQueen. "Smile!" "Why? What's there to smile about???" Watch this movie and have a good time, have a good think. And remember, revolution is the opium of the intellectuals.


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