Charlie Kohler is a piano player in a bar. The waitress Lena is in love with him. One of Charlie's brother, Chico, a crook, takes refuge in the bar because he is chased by two gangsters, ... See full summary »
Some time after "Baisers Volés", Antoine Doinel (Jean-Pierre Léaud) and Christine Darbon (Claude Jade) are married and Antoine works dying flowers, and Christine is pregnant and gives ... See full summary »
Many women are attending Bertrand Morane's burial. They are all the ones that 40 years old engineer loved. Flashback : Bertrand's life and love affairs, told by himself while writing an ... See full summary »
Antoine Doinel is now more than thirty. He divorces from Christine. He is a proofreader, and is in love with Sabine, a record seller. Colette, his teenager love, is now a lawyer. She buys ... See full summary »
Pierre Lachenay is a well-known publisher and lecturer, married with Franca and father of Sabine, around 10. He meets an air hostess, Nicole. They start a love affair, which Pierre is hiding, but he cannot stand staying away from her.
At the beginning of the 20th century, Claude Roc, a young middle-class Frenchman meets in Paris Ann Brown, a young Englishwoman. They become friends and Ann invites him to spend holidays at... See full summary »
The shooting of "Je vous presente Pamela" (may I introduce Pamela) begins. This is the story of en English married wife falling in love and running away with the father of her French husband. Will be simultaneously shown the shooting, the behavior of the people (including the technical team) on the set, and a part of their private life (a factor of complication)... Written by
As Severine (Valentina Cortese) has more and more trouble remembering her lines (blowing several takes), Ferrand eventually writes her lines on pieces of paper that can be stuck up on the set out of sight of the camera, so that she can read them. It doesn't really work here. However, Truffaut used the same trick for himself when he was having trouble remembering his English lines in Close Encounters of the Third Kind (1977). See more »
During the filming of the car crash scene, when the stunt man backs up the car driving through the the open door, and when he jumps free as the "driverless" car supposedly heads for the cliff where it will crash, someone else is visible inside the car, actually driving. See more »
The Godfather is showing all over Nice, and it's killing the other movies.
See more »
This film is dedicated to Lillian and Dorothy Gish. See more »
A classic love poem to filmmaking, witty, elegant, humane and entrancing
Many movies have been made about moviemaking but none surpass Day for Night (La Nuit Américaine) for its humanity, its warmth and its genuine feel for Director François Truffaut's approach to his art and craft. The film follows Truffaut, in effect playing himself, as he makes a somewhat banal little romance called "Meet Pamela" (Je Vous Présente Pamela) with Jacqueline Bisset, Jean Pierre Aumont, Valentina Cortese (who was nominated for and should have won the Academy Award for Best Supporting Actress) and Jean-Pierre Léaud. It conveys the chaos of filmmaking process in front of and behind the camera and behind the scenes.
There are occasional false notes - the production manager's wife who insists on being on the shoot and watches disapprovingly as the cast and crew move in and out of each other's rooms, as funny as she is, simply doesn't ring true to the film - but in so many more cases, the details, the emotions, the mad combination of giddiness, passion and meticulousness that are needed to make a film, are captured so as to make you forget the slightly dated early 70s look. And Jacqueline Bisset is timelessly stunning in this film.
Minor notes: The movie launched the film career of Nathalie Baye as the continuity girl - her first major role; Graham Greene, the great English novelist (The Quiet American, Brighton Rock, etc.) had an uncredited cameo as the Insurance Agent - Truffaut directed the scene but did not know who the actor was until after the shot was in the can; Maurice Séveno, who appears briefly as a TV reporter, was a well-know French TV news anchor in the 60s and 70s; the score by Georges Delerue, who collaborated on many Truffaut movies, is lovely without being cloying.
30 of 36 people found this review helpful.
Was this review helpful to you?