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Day for Night (1973)
"La nuit américaine" (original title)

8.0
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Ratings: 8.0/10 from 12,329 users  
Reviews: 56 user | 62 critic

A committed film director struggles to complete his movie while coping with a myriad of crises, personal and professional, among the cast and crew.

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(original screenplay), (original screenplay), 1 more credit »
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Title: Day for Night (1973)

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Won 1 Oscar. Another 11 wins & 7 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
Alexandre
Dani ...
Jean Champion ...
Bertrand
Alexandra Stewart ...
Stacey
...
...
...
Graham Greene ...
English Insurance Broker
David Markham ...
Doctor Nelson
Bernard Menez ...
Bernard the Prop Man
Nike Arrighi ...
Odile
Gaston Joly ...
Lajoie
Xavier Saint-Macary ...
(as Xavier Macary)
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Storyline

The shooting of "Je vous presente Pamela" (may I introduce Pamela) begins. This is the story of en English married wife falling in love and running away with the father of her French husband. Will be simultaneously shown the shooting, the behavior of the people (including the technical team) on the set, and a part of their private life (a factor of complication)... Written by Yepok

Plot Summary | Add Synopsis

Taglines:

A movie for people who love movies.

Genres:

Comedy | Drama | Romance

Certificate:

PG | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

|

Release Date:

7 September 1973 (USA)  »

Also Known As:

Day for Night  »

Filming Locations:

 »

Box Office

Opening Weekend:

$17,808 (USA) (25 July 1997)

Gross:

$17,808 (USA) (25 July 1997)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

| (Eastmancolor)

Aspect Ratio:

1.66 : 1
See  »
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Did You Know?

Trivia

As the director Ferrand (Francois Truffaut) and the Cinematographer Walter (Walter Bal) are looking over promo stills of Julie Baker (Jacqueline Bisset), one remarks that he remembers her "from that movie with the car chase". This is an inside reference to the fact that five years earlier Bisset played the role of Steve McQueen's girlfriend in Bullitt (1968), a film featuring a groundbreaking car chase. See more »

Goofs

Several takes are wasted trying to get a cat to drink milk from a tray. Eventually Joelle brings in "the studio cat" to do the scene. But the cat that actually drinks the milk is actually a third, different cat. See more »

Quotes

director Ferrand: People used to stare at fires. Now they watch TV. We need to see moving images, especially after dinner.
See more »

Crazy Credits

This film is dedicated to Lillian and Dorothy Gish. See more »

Connections

Referenced in Why (Not) Brazil? (2004) See more »

Soundtracks

Grande Chorale
Georges Delerue
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Delicate but penetrating
24 May 2003 | by (United States) – See all my reviews

La Nuit Américaine is an interesting movie with celebrated French director Francois Truffaut playing a director making a movie. He proves to be a modest and convincing actor himself while patiently weaving a tale about how movies are made and how intense the emotional interactions among those making the movie can be.

Don't give up on this one too soon. It starts slow and seems almost amateurish because of the relatively low-tech way the film within the film is being shot. Truffaut gives us a glimpse of how the production crew works together (and sometimes at odds) while showing us some of the things that can go wrong while making a movie. He begins with the technical details of the production but before long begins to concentrate on the personalities of the movie-makers and their individual stories. Each story is carefully crafted in a somewhat leisurely way almost like the characterizations in a soap opera (without of course the phony drama and mass market sentimentality seen on TV). Truffaut's fine sense of emotional conflict and how conflict might be resolved makes the various stories touching without being maudlin.

Jacqueline Bisset who stars as English actress Julia Baker who plays the title role in the film within the film (May I Introduce Pamela?) doesn't make her appearance until about a fourth of the way in. She is a delight as an actress with a heart of gold recovering from a nervous breakdown married to an older man whom she does indeed love. Jean-Pierre Leaud, whom most viewers will recall as the running boy in Truffaut's The 400 Blows, plays a young and not entirely confident actor who gets jilted by the script girl who runs off with the stunt man during production. Bisset's warm and sisterly befriending of Leaud is, shall we say, entirely French (which gets her into trouble with her husband). This really is a skillful showcasing of Bisset since she gets to play something like an ingenue with her husband and the older woman with Leaud. Be careful you might fall in love with her.

Valentina Cortese in a fine supporting role does a most convincing job of playing the temperamental Italian actress just past her prime who quaffs champagne while working, who forgets her lines and can't find the right door, but when properly indulged gives a great performance.

My problem with this movie is I saw the dubbed version and of course that is disconcerting because one is constantly trying to reconcile the visualized actor with the dubbed one. To see Jacqueline Bisset who is beautifully fluent in both English and French speaking French while at the same time hearing someone else speaking English for her is just a bit too much to take. I understand that the DVD version is in French with subtitles. I would recommend that you get that and not the dubbed video.

Truffaut is the kind of director who allows the audience to penetrate not only his characters to see what makes them tick, but also the stars who play those characters. He does a particularly beautiful job with Bisset who is warm and wise and something close to heroic, and with Leaud whose childishness seems natural and whose pettiness forgivable. Don't believe those reviewers who think this is a slight film. It is carefully crafted and very well thought out and is a fine example of the work of the one of the great directors of the French cinema. See it for Truffaut whose delicate genius is evident throughout.

(Note: Over 500 of my movie reviews are now available in my book "Cut to the Chaise Lounge or I Can't Believe I Swallowed the Remote!" Get it at Amazon!)


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