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Charlie Kohler is a piano player in a bar. The waitress Lena is in love with him. One of Charlie's brother, Chico, a crook, takes refuge in the bar because he is chased by two gangsters, ... See full summary »
Some time after "Baisers Volés", Antoine Doinel (Jean-Pierre Léaud) and Christine Darbon (Claude Jade) are married and Antoine works dying flowers, and Christine is pregnant and gives ... See full summary »
Pierre Lachenay is a well-known publisher and lecturer, married with Franca and father of Sabine, around 10. He meets an air hostess, Nicole. They start a love affair, which Pierre is hiding, but he cannot stand staying away from her.
Antoine Doinel is now more than thirty. He divorces from Christine. He is a proofreader, and is in love with Sabine, a record seller. Colette, his teenager love, is now a lawyer. She buys ... See full summary »
At the beginning of the 20th century, Claude Roc, a young middle-class Frenchman meets in Paris Ann Brown, a young Englishwoman. They become friends and Ann invites him to spend holidays at... See full summary »
The shooting of "Je vous presente Pamela" (may I introduce Pamela) begins. This is the story of en English married wife falling in love and running away with the father of her French husband. Will be simultaneously shown the shooting, the behavior of the people (including the technical team) on the set, and a part of their private life (a factor of complication)... Written by
François Truffaut's reason for his character Ferrand wearing a hearing-aid (while never clearly defined as deaf) is partly expressed in a voice-over mentioning a film director is the person everyone in the crew has a question to ask. In later interviews, Truffaut explained the best way he could find to ignore some of those questions was to pass for someone hard of hearing. See more »
When Ferrand is talking to Julie in her room, his left ear appears without a hearing aid for a second. See more »
La Nuit américaine (1973) or Day for Night as it's also known, is a classic film about making films. Whereas Fellini's 8 1/2 focuses on the inner creative process of the film director, Day for Night focuses on the practical details of physically making the film. We see the often absurd process Ferrand (the director played by director Francois Truffaut) and crew engage in to create a film.
The director must constantly answer questions about every detail of props, sets, camera, lighting, costumes and at the same time engage in a constant delicate negotiation with the actors. In one scene Ferrand is frustrated as he tries to direct a cat: "Listen, it's very simple. We'll stop and begin shooting again when you find me a cat who knows how to act!" Ferrand tells the actors whatever they need to hear to keep them going. He strokes some egos and treat others as children as he negotiates the turmoil of their personal lives when it affects their performance in the film. The whole process of making the film is a controlled chaos with many details and even the story constantly changing. Towards the end of the making of the film, one of the actors die, making it necessary to do a last-minute re-write. Day for Night is an entertaining film that shows the good, the bad and the ugly of making a film. While the technology and process has changed a bit since this film was made, the core of the story is as relevant today as it was then.
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