Many women are attending Bertrand Morane's burial. They are all the ones that 40 years old engineer loved. Flashback : Bertrand's life and love affairs, told by himself while writing an ... See full summary »
Antoine Doinel joined the army but has just been discharged. The film tells his reunion with Christine Darbon, the girl he was in love with before the beginning of the film, and his ... See full summary »
Just after boarding a train, much to the surprise of his fellow passengers, a man pours a bucket of water over a young girl on the platform. Over the next few hours he explains (and we see ... See full summary »
The shooting of "Je vous presente Pamela" (may I introduce Pamela) begins. This is the story of en English married wife falling in love and running away with the father of her French husband. Will be simultaneously shown the shooting, the behavior of the people (including the technical team) on the set, and a part of their private life (a factor of complication)... Written by
As the director Ferrand (Francois Truffaut) and the Cinematographer Walter (Walter Bal) are looking over promo stills of Julie Baker (Jacqueline Bisset), one remarks that he remembers her "from that movie with the car chase". This is an inside reference to the fact that five years earlier Bisset played the role of Steve McQueen's girlfriend in Bullitt (1968), a film featuring a groundbreaking car chase. See more »
When Ferrand is talking to Julie in her room, his left ear appears without a hearing aid for a second. See more »
You see, I've made a terrible discovery. You can be desperately in love with someone you despise, whose every gesture, word and thought you detest!
What right have you to say that? Say you made a mistake but never be ashamed of having loved. By despising Liliane, you're merely degrading yourself.
Maybe you're right. Anyway, my love affairs have always ended badly. I thought women were magic.
Of course they're not magic. Or men are too. Everyone's magic, and no one is.
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This film is dedicated to Lillian and Dorothy Gish. See more »
La Nuit américaine (1973) or Day for Night as it's also known, is a classic film about making films. Whereas Fellini's 8 1/2 focuses on the inner creative process of the film director, Day for Night focuses on the practical details of physically making the film. We see the often absurd process Ferrand (the director played by director Francois Truffaut) and crew engage in to create a film.
The director must constantly answer questions about every detail of props, sets, camera, lighting, costumes and at the same time engage in a constant delicate negotiation with the actors. In one scene Ferrand is frustrated as he tries to direct a cat: "Listen, it's very simple. We'll stop and begin shooting again when you find me a cat who knows how to act!" Ferrand tells the actors whatever they need to hear to keep them going. He strokes some egos and treat others as children as he negotiates the turmoil of their personal lives when it affects their performance in the film. The whole process of making the film is a controlled chaos with many details and even the story constantly changing. Towards the end of the making of the film, one of the actors die, making it necessary to do a last-minute re-write. Day for Night is an entertaining film that shows the good, the bad and the ugly of making a film. While the technology and process has changed a bit since this film was made, the core of the story is as relevant today as it was then.
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