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14 user 14 critic

Tidal Wave (1973)

Nippon chinbotsu (original title)
PG | | Thriller, Sci-Fi, Drama | May 1975 (USA)
Racked by earthquakes and volcanos, Japan is slowly sinking into the sea. A race against time and tide begins as Americans and Japanese work together to salvage some fraction of the ... See full summary »

Directors:

, (uncredited)

Writers:

, (novel) (as Sakyô Komatsu) | 1 more credit »
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Cast

Cast overview, first billed only:
...
Ambassador Warren Richards
Keiju Kobayashi ...
Dr. Tadokoro (D-1 Project Leader)
Rhonda Leigh Hopkins ...
Fran
Hiroshi Fujioka ...
Onodera Toshio (Submarine Wadatsumi Pilot)
...
Prime Minister Yamamoto
Ayumi Ishida ...
Abe Reiko
Shôgo Shimada ...
Watari (Political Fixer)
...
Narita
Andrew Hughes ...
Australian Prime Minister
Nobuo Nakamura ...
Japanese Ambassador to Australia
...
Prime Minister's Chauffeur
Takeshi Yamamoto
...
(US version)
...
(US version)
Hideaki Nitani ...
Dr.Nakata (Cognitive Science D-2 Project Leader)
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Storyline

Racked by earthquakes and volcanos, Japan is slowly sinking into the sea. A race against time and tide begins as Americans and Japanese work together to salvage some fraction of the disappearing Japan. Written by Concorde - New Horizons (with permission).

Plot Summary | Add Synopsis

Taglines:

The ultimate disaster See more »

Genres:

Thriller | Sci-Fi | Drama

Certificate:

PG | See all certifications »
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Details

Country:

Language:

Release Date:

May 1975 (USA)  »

Also Known As:

Tidal Wave  »

Company Credits

Production Co:

,  »
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Technical Specs

Runtime:

(extended print)

Sound Mix:

(Westrex Recording System)

Color:

(Eastmancolor)

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

Haruo Nakajima's final movie role before his death. See more »

Connections

Referenced in Corman's World: Exploits of a Hollywood Rebel (2011) See more »

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User Reviews

 
Excellent effects and Tetsuro Tamba performance in otherwise slow-going film

Overall one's reaction to this film will rely on how interested they are in geology and plate tectonics. There are several points in this film where it grinds to a halt and we are "treated" to a lecture about how the earth's crust and mantle work and why the destruction of Japan is so imminent. While ostensibly quite boring, this actually perked up my attention as the whole scenario seems quite plausible. Japan is in fact in a precarious geologic position and could indeed one day (albeit over the course of millions of years) fall away into the Japan Trench.

This movie asks you to accept a huge what-if scenario for if continental drift could suddenly accelerate to cataclysmic rates. Fortunately this film also does a pretty good attempt to simulate this, relying heavily on Teruyoshi Nakano's brilliant pyrotechnic effects.

The real show-stopper comes about 40 minutes into the film with the out-of-nowhere 15-minute earthquake that strikes Tokyo and kills over 3 million people. What a bodycount! I think it had to be the largest in any film up to that point. Lots of quality shots of oil refineries exploding, cars crashing, people running around on fire, and even some surprisingly graphic gore when glass shards rain down on civilians. This sequence (along with the film in general) is aided immeasurably by one of Tetsuro Tamba's best performances ever as the stoic, yet prone-to-outburst prime minister.

Unfortunately this mid-movie sequence is the high point of the film. The climax is clumsily structured and not very exciting at all, instead deciding to focus on two married evacuees being separated. Quite disappointing. At least the film maintains a level of earnest seriousness which can draw you in even though there is little or no character development... much like VIRUS did seven years later. Also it asks some good questions such as whether a nation deserves to exist when the land underneath it ceases to be... or what human life (when we're not talking about a few, but 100 MILLION) is really worth.

Overall though, this film is a bit talky and poorly structured, but personally I was quite intrigued and not bored... and the mid-movie destruction and mayhem (as only the Japanese can deliver) was well-worth the price of admission. Also, refreshingly for Toho films of the time, there are no annoying children and no attempts at humor. Zero.


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