| Andrew Prine | ... | Andre | |
| Manuela Thiess | ... | Simone (as Manuella Thiess) | |
| Sherry Alberoni | ... | Sheri | |
| Gyl Roland | ... | Corrine | |
| Sheila Bromley | ... | Mrs. Baynes (as Shiela Bromley) | |
| Gil Lamb | ... | Mr. Alvarez | |
| Al Cormier | ... | Sheriff Stanford | |
| Chuck Niles | ... | Derek Moore | |
| Jennifer Ashley | ... | Flower Child | |
| Laura Campbell | ... | Laura | |
| Sonja Dunson | ... | Sonja | |
| Karen Fredrik | ... | Karene (as Karene Fredrik) | |
| Lin Henson | ... | Lin | |
| Jolene Lontere | ... | Crazy Girl | |
| Jeane Manson | ... | Jean (as Jean Manson) | |
| Leslie Oliver | ... | Leslie | |
| Marlene Tracy | ... | Marlene | |
| Byrd Holland | ... | Club Manager | |
| Nick Archondo | ... | 1st Deputy | |
| Billy Holms | ... | 2nd Deputy | |
| Bernie Schwartz | ... | 1st Hunter | |
| Bill Conway | ... | 2nd Hunter | |
| David Miller | ... | Highway Patrolman | |
| rest of cast listed alphabetically: | |||
| Jerald Cormier | ... | Andre's Father (uncredited) | |
Directed by | |||
| Alan Rudolph | |||
Writing credits | ||
| Jerald Cormier | (story) (as Gerald Cormier) | |
| Roman Valenti | (screenplay) | |
Produced by | |||
| Marvin Almeas | .... | associate producer | |
| Jerald Cormier | .... | producer (as Gerald Cormier) | |
| Shirlee F. Jamail | .... | executive producer | |
| Alan Rudolph | .... | producer | |
Original Music by | |||
| Tommy Vig | |||
Cinematography by | |||
| E. Lynn | (director of photography) | ||
Art Direction by | |||
| Bill Conway | |||
Makeup Department | |||
| Byrd Holland | .... | special makeup effects creator | |
| Douglas J. White | .... | special makeup effects creator (as Douglas White) | |
Production Management | |||
| John Patrick Graham | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Edward D. Markley | .... | assistant director (as Eddie Markley) | |
Art Department | |||
| Al Cormier | .... | property master | |
| Stephane Goulet | .... | property designer (uncredited) | |
Sound Department | |||
| Frank A. Coe | .... | sound effects editor | |
| John Vincent | .... | sound mixer | |
Visual Effects by | |||
| Byrd Holland | .... | visual effects creator | |
| Douglas J. White | .... | visual effects creator (as Douglas White) | |
Stunts | |||
| David Keith | .... | stunts | |
Camera and Electrical Department | |||
| Brink Brydon | .... | best boy | |
| Daniel Dayton | .... | still photographer (as Dan Dayton) | |
Costume and Wardrobe Department | |||
| Allan A. Apone | .... | wardrobe (as Allen Apone) | |
Editorial Department | |||
| Thomas Penick | .... | assistant film editor (as Tom Penick) | |
Music Department | |||
| Frank A. Coe | .... | music editor | |
| Tommy Vig | .... | conductor | |
Other crew | |||
| Joan Cormier | .... | assistant to producer | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb USA section |
From the acclaimed director of "The Moderns" and "Choose Me" we have a timeless, heartwarming tale of a deranged man living in rural Nevada who kidnaps stranded female motorists (which there seem to be an inordinate amount of for rural Nevada) and, bullwhip in hand, trains them to perform in his private circus, all the while his father who has been turned into deformed monster by radiation from nuclear tests runs amuck.
As other reviewers have noted there is a definite lack of nakedness in this movie alternatively titled "Barn of the Naked Dead", but a lot of bare breasts and female buttocks would only distract from the real (and perhaps only) reason to see this movie--Andrew Prine. Andrew Prine was second only to David Hess when it came to portraying sick psychopaths in 70's drive-in movies, but where Hess's psychos were just flat-out creeps, Prine's could be hilariously funny (even though it wasn't always clear whether the actor himself was in on the joke as he always seemed to take these roles VERY seriously). While this is far from his best work, Prine is always fun to watch.
This movie might also have a bit of "car wreck" appeal considering that it is loudly rattling skeleton in the closet of esteemed director Alan Rudolph. It has an incredibly ridiculous ending that can perhaps only be explained by Prine and the three female leads all walking off the set before the final scene leaving Rudolph to completely pull something out of his. . .well, see it and tell me where it came from. It's hard to believe that anybody would make a movie like this, let alone the otherwise respectable Rudolph.
Addendum: this movie was recently re-releaesed on DVD by Johnny Legend with brief nude scenes of overweight actresses that (partially) justify the alternate title.