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The Naked Ape (1973)
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Overview
User Rating:
Release Date:
1 August 1973 (USA) moreTagline:
The naked ape is only human.Plot Keywords:
moreUser Comments:
Underrated retro-gem of the Sexual Revolution moreCast
(Complete credited cast)| Johnny Crawford | ... | Lee | |
| Victoria Principal | ... | Cathy | |
| Dennis Olivieri | ... | Arnie | |
| Diana Darrin | |||
| Norman Grabowski | |||
| John Hillerman | |||
| Helen Horowitz | |||
| Robert Ito | |||
| Marvin Miller | |||
| Brett Parker |
Additional Details
Parents Guide:
Add content advisory for parentsRuntime:
85 minCountry:
USALanguage:
EnglishColor:
Color (Technicolor)Aspect Ratio:
1.85 : 1 moreSound Mix:
MonoCertification:
USA:PGFilming Locations:
University of Florida, Gainesville, Florida, USAFun Stuff
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It's beyond me why this movie isn't better regarded, let alone hasn't been released to any home format (legally that is). Produced by Hugh Hefner's Playboy Productions--which, must as you might object to its trademark "bunny" objectifying of women--it takes the theses of Desmond Morris' pop-anthropology book and translates them into a series of pro-sex, but more importantly pro-tenderness and pro-humanism sketches.
Some are cleverly animated (in various styles), others acted out in terms that range from the satiric to the tragic. The non-cartoon segments are primarily acted out by an appealingly goofy, vulnerable if muscled-up (from his juvenile TV stardom days on "The Rifleman) Johnny Crawford, and pert young Victoria Principle. (Stills from her nude scenes here were much later exploited as bogus evidence of a past "softcore" career after she'd achieved fame in the TV series "Dallas.")
"The Naked Ape" is imagined in creative and narrative ways that would never happen again (at least with a generous budget) after the mid-70s. It's conventionally sexy/humorous on the surface. But the overriding message is that the sexes should respect one another, and that mankind's tilt toward warring, macho self-destruction is anything but "natural." It's a beautiful message, one that the film arrives at with an entirely appropriate weight of melancholy and anti-Establishment critique.
A lot of counterculture-relic features from this era have dated badly, but I think this movie--poorly appreciated in the first place--is still forward-thinking, and would earn a larger cult following (the existing one flows from "cut" early-80s TV broadcasts and bootleg videos) if it were released as a legitimate DVD. C'mon, Hugh...this was your baby once, why not let it take some long-delayed toddling steps toward the public?