There's something pretty grisly going on under London in the Tube tunnels between Holborn and Russell Square. When a top civil servant becomes the latest to disappear down there Scotland ... See full summary »
Students have been going missing from the local college, and the one person who knows what's happened to them is Dr. Noller, a rogue biologist. Not satisfied with the pace of natural selection in driving evolution, Noller wants to push things further by creating his own genetically engineered creations. Having already created some amazing specimins by mixing the DNA of plants and animals, the doctor has now set his sights higher, and want to work on modifying humans, as well. Written by
Jean-Marc Rocher <firstname.lastname@example.org>
According to Tom Baker, while filming he and Willie Ingram, who went by the stage name "Popeye" for his strange ability to make his eyes pop far out of their sockets, used to frequent a bar across the street between shooting scenes. During one such outing a waitress made it clear through her attitude that she didn't approve of Baker, who is white, being friends with Ingram who is black. So to get back at her Ingram would make his eyes pop out when she would pass the table causing her to completely freak out, and then go back to normal while he and Baker would pretend nothing happened as she tried to point it out to other waitresses and patrons. See more »
Gruesome, grotesque, grim British horror which must have slipped through on the Censor's day off.
This is a totally bizarre British horror film which deserves cult status of the highest order - I can't believe that this didn't have problems with the censor, it is a disturbing, nasty piece of work and should undoubtedly have cult status.
'The Mutations' has Donald Pleasence as a Frankenstein-inspired scientist, Prof Nolter, who in-between his lecturing is trying to fuse humans with plantlife, to create a creature which has the strengths of both species. The nature of the film is introduced early, with a travelling funfair complete with freaks ( played by real-life freaks as in Tod Brownings early classic ), and a hideously ugly normal-sized man, who moonlights as Prof Nolter's assistant.
The film has so many points of interest its difficult to know where to start
the similarities to 'Freaks' are acknowledged with a feast scene which
includes the line "He's one of us - we accept you". The freaks are also shown to have more humanity than the other characters, although they do turn on their tormenter in the end, in a scene similar to the climactic chase in 'Freaks'.
There are also ideas and scenes close to the French classic 'Eyes without a Face'; Pleasance portrays a character similar to Pierre Brasseur's mad doctor, both living in a secluded mansion complete with pack of mad dogs.
As if all this were not enough, we are also treated to Julie Ege as the screaming heroine, showing of her acting limitations and bodily curves very nicely - special applause for the nude bath scene.
'The Mutations' is a real shocker, which viewed today has a strong impact - far more so than more famous 'shocking' films, like 'The Devils' and the earlier 'Peeping Tom', both of which viewed now seem relatively tame.
While not raising the film to any artistic height - it is a cheap 'B' Movie in all production areas - the film should really be seen by all film fans, and given its deserved status as a heavyweight of the gutter-horror genre.
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