A young woman arrives at her grandmother's house, which used to be a funeral home, to help her turn the place into a bed-and-breakfast inn. After they open, however, guests begin disappearing or turning up dead.
During an all-girl secret society initiation, one of the new members is killed playing Russian Roulette. Many years later the survivors are invited for a reunion to a lavish estate, which ... See full summary »
A disturbed boy kills his father with his farm tractor and his arm is mangled in the process. He's taken to a mental hospital where he's outfitted with a hook to replace his lost hand and, ... See full summary »
After a boat is discovered with two bodies on it, the story of Jeffrey and Sarah, a brother and sister living in Greece, unfolds. Sarah has just become engaged to nice guy Nikos. Erratic playboy Jeffrey owes a debt to Angelo, a mobster who borrowed money from the syndicate to loan Jeff, but if Jeff is disinherited in his late father's newest will, he won't be able to pay Angelo and Angelo won't be able to pay back the syndicate. Suddenly, people who had contact with the latest will are dying, but just who is really responsible? The wily local police inspector has his suspicions. Written by
According to screenwriter Christopher Wicking, this film was made because George Hamilton was willing to do it. Which was to his advantage because he was about to marry Alana Stewart and thought that it would be nice to have a honeymoon in the sun with all expenses paid by the film company and an acting salary to go with it. See more »
George Hamilton and Luciana Paluzzi are supposed to be brother and sister. She speaks with a thick Italian accent and he speaks like an American. See more »
She's a Cocker Spaniel and a Poodle. Some call her Cockerpoo... but I call her Spadoodle.
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George Hamilton shows why he became more popular for his tan than acting ability with "Medusa," a terribly insipid attempt at a crime thriller with would-be supernatural undertones. The plot...ummmmm...doesn't really make any sense (and not in the good David Lynch way). Okay, imagine Andrezej Zulawski's "Possession," with made-for-TV production values, none of the surreal sh1t, and a bunch of cop-thriller baloney. Set against a Greek backdrop, George (our hero?) plays a character more obnoxious and muggy than what you'd find in a typical "Saturday Night Live" sketch; anyway, he runs afoul of scenery-chewing gangster Cameron Mitchell (whose presence in any movie is like the official stamp of bad taste) who is whacking a bunch of guys(?); George spends the rest of the film running around Greece, wooing (and killing) random females, and finally fleeing to 'Atlantis' on a boat with his unusually devoted sister. Some existential hokum about the body dying, but the soul living forever is tossed in like an afterthought. Blandly directed by Gordon Hessler, "Medusa" is a slow-moving bore, its only amusing moments belonging to Mitchell ("The Toolbox Murders"), who gives an epic bath-house speech that is brilliant in its own head-scratching incoherence.
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