| Photos (See all 29 | slideshow) | Videos (see all 4) |
| Robert De Niro | ... | Johnny Boy | |
| Harvey Keitel | ... | Charlie | |
| David Proval | ... | Tony | |
| Amy Robinson | ... | Teresa | |
| Richard Romanus | ... | Michael | |
| Cesare Danova | ... | Giovanni | |
| Victor Argo | ... | Mario (in opening credits) (as Vic Argo) | |
| George Memmoli | ... | Joey | |
| Lenny Scaletta | ... | Jimmy | |
| Jeannie Bell | ... | Diane | |
| Murray Moston | ... | Oscar (as Murray Mosten) | |
| David Carradine | ... | Drunk | |
| Robert Carradine | ... | Boy With Gun | |
| Lois Walden | ... | Jewish Girl | |
| Harry Northup | ... | Soldier | |
| Dino Seragusa | ... | Old Man | |
| D'Mitch Davis | ... | Cop | |
| Peter Fain | ... | George | |
| Juli Andelman | ... | Girl At Party (as Julie Andleman) | |
| Robert Wilder | ... | Benton | |
| Ken Sinclair | ... | Sammy | |
| Jaime Alba | ... | Young Boy #1 | |
| Ken Konstantin | ... | Young Boy #2 | |
| Nicki 'Ack' Aquilino | ... | Man On Docks (as Nicki 'Ack' Aquilino) | |
| B. Mitchel Reed | ... | Disc Jockey (as B. Mitchell Reed) | |
| rest of cast listed alphabetically: | |||
| Vincent Price | ... | Verden Fell (archive footage) (uncredited) | |
| Catherine Scorsese | ... | Woman on Landing (uncredited) | |
| Martin Scorsese | ... | Jimmy Shorts (uncredited) | |
Directed by | |||
| Martin Scorsese | |||
Writing credits | ||
| Martin Scorsese | (screenplay) and | |
| Mardik Martin | (screenplay) | |
| Martin Scorsese | (story) | |
Produced by | |||
| E. Lee Perry | .... | executive producer | |
| Jonathan T. Taplin | .... | producer | |
Cinematography by | |||
| Kent L. Wakeford | (director of photography) (as Kent Wakeford) | ||
Film Editing by | |||
| Sidney Levin | (as Sid Levin) | ||
Production Management | |||
| Paul Rapp | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Ron Satlof | .... | second assistant director (as Ron Satloff) | |
| Russell Vreeland | .... | first assistant director | |
| Paul J. Crossey | .... | dga trainee (uncredited) | |
Art Department | |||
| Bill Bates | .... | prop master | |
| Doyle Hall | .... | assistant visual consultant | |
| David Nichols | .... | visual consultant | |
| William Sandell | .... | assistant art director (uncredited) | |
Sound Department | |||
| Walter Goss | .... | re-recording mixer | |
| Charles Grenzbach | .... | re recording mixer (as Bud Grenzbach) | |
| Donald F. Johnson | .... | sound mixer (as Don Johnson) | |
| Kenneth Schwarz | .... | boom operator (as Kenny Schwarz) | |
| John Wilkinson | .... | re-recording mixer (as John K. Wilkinson) | |
Special Effects by | |||
| Bill Balles | .... | special effects (as Bill Bales) | |
Stunts | |||
| Bill Catching | .... | stunt coordinator (as Bill Katching) | |
Camera and Electrical Department | |||
| Norman Gerard | .... | additional photography | |
| John Murray | .... | key grip | |
| Pat O'Mara | .... | assistant cameraman | |
| Bobby Petzoldt | .... | gaffer | |
| Gene A. Talvin | .... | camera operator (as Gene Talvin) | |
| Bill Young | .... | best boy | |
| Harry Young | .... | second assistant cameraman | |
| Alec Hirschfeld | .... | additional photographer (uncredited) | |
Costume and Wardrobe Department | |||
| Norman Salling | .... | wardrobe | |
Editorial Department | |||
| George Trirogoff | .... | assistant editor | |
Other crew | |||
| Joe Cupcake | .... | assistant to producer | |
| Peter Fain | .... | production coordinator | |
| Cornelia McNamara | .... | clothing consultant | |
| David Osterhout | .... | production coordinator: second unit | |
| Neil Rapp | .... | assistant to producer | |
| Bobbie Sierks | .... | script supervisor (as Bobby Sierks) | |
| Chris Thompson | .... | production secretary | |
| George Toth | .... | animal trainer | |
| Sandra Weintraub | .... | pre-production and post-production coordinator | |
| Pamela Williams | .... | assistant to producer | |
| Dale Bell | .... | production crew: New York City (uncredited) | |
| Mitchell Block | .... | production crew: New York City (uncredited) | |
Thanks | |||
| Paul Almond | .... | special thanks | |
| Frank Aquilino | .... | special thanks (as Frankie Aquilino) | |
| Nicki 'Ack' Aquilino | .... | special thanks (as Nicki 'Ack' Aquilino) | |
| Frankie Bananas | .... | special thanks | |
| Dale Bell | .... | special thanks | |
| Mitchell Block | .... | special thanks | |
| Dean Bojorquez | .... | special thanks | |
| Larry the Box | .... | special thanks (as Larry The Box) | |
| Hooter Brown | .... | special thanks | |
| Jay Cocks | .... | special thanks | |
| Brian De Palma | .... | special thanks | |
| Norman Garey | .... | special thanks | |
| Jenny Goldberg | .... | special thanks | |
| Alec Hirschfeld | .... | special thanks | |
| Robert Kahn | .... | special thanks (as Dr. Robert Kahn) | |
| Richard Katz | .... | special thanks | |
| John Krauss | .... | special thanks | |
| Angelo Lamonea | .... | special thanks | |
| James McCalmont | .... | special thanks (as Jim McCalmont) | |
| Bill Minkin | .... | special thanks | |
| Michael Mislove | .... | special thanks | |
| Nancy Nigrosh | .... | special thanks | |
| Lee Osborne | .... | special thanks | |
| Sally Red | .... | special thanks | |
| Bill Saluga | .... | special thanks (as Billy Saluga) | |
| William Sandell | .... | special thanks (as Bill Sandell) | |
| Catherine Scorsese | .... | special thanks | |
| Brad Shattuck | .... | special thanks | |
| George Smith | .... | special thanks | |
| Edward Stable | .... | special thanks | |
| Dita Sullivan | .... | special thanks | |
| Brian Swain | .... | special thanks | |
| Harry J. Ufland | .... | special thanks (as Harry Ufland) | |
| Anna Uricola | .... | special thanks | |
| Dominic Vaccaro | .... | special thanks | |
| Fred Vaccaro | .... | special thanks | |
| Roger Vreeland | .... | special thanks | |
| Barbara Weintraub | .... | special thanks | |
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| City of God | Who's That Knocking at My Door | Freeway | Goodfellas | Romeo Is Bleeding |
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This film has been overshadowed with all the praise heaped on other Martin Scorcese/Robert De Niro films, but this is a classic which is as good as Casino or Goodfellas. It's more rough around the edges and less tightly plotted than those films, but less cold hearted, and De Niro and Keitel are amazing in these early roles. The sense of tension and danger towards the end, when the situation is spinning out of control, is done perfectly. You can see the influence of this in the films of Danny Boyle and especially Quentin Tarantino. A must for Scorcese/De Niro fans.