The future is set for Tony and Michael - owning a neighbour- hood bar and making deals in the mean streets of New York city's Little Italy. For Charlie, the future is less clearly defined. A small-time hood, he works for his uncle, making collections and reclaiming bad debts. He's probably too nice to succeed. In love with a woman his uncle disapproves of (because of her epilepsy) and a friend of her cousin, Johnny Boy, a near psychotic whose trouble-making threatens them all - he can't reconcile opposing values. A failed attempt to escape (to Brooklyn) moves them all a step closer to a bitter, almost preordained future. Written by
Dave Cook <firstname.lastname@example.org>
As Teresa is getting out of bed when she is with Harvey Keitel's character, in one shot the blanket covering her is pulled off nearly completely, yet in the next shot it covers her again, before being pulled off once again. See more »
Look... I'll give ya $20 to hold ya for now.
What, are ya kidding? $20 doesn't pay the interest for 2 hours. Now, with a vig, it's almost $3000.
$3000? Shit, you charge a guy from the neighborhood $1800 vig? One day he's late with his payments.
Whatta ya think I am, his father?
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This film has been overshadowed with all the praise heaped on other Martin Scorcese/Robert De Niro films, but this is a classic which is as good as Casino or Goodfellas. It's more rough around the edges and less tightly plotted than those films, but less cold hearted, and De Niro and Keitel are amazing in these early roles. The sense of tension and danger towards the end, when the situation is spinning out of control, is done perfectly. You can see the influence of this in the films of Danny Boyle and especially Quentin Tarantino. A must for Scorcese/De Niro fans.
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