The future is set for Tony and Michael - owning a neighbour- hood bar and making deals in the mean streets of New York city's Little Italy. For Charlie, the future is less clearly defined. A small-time hood, he works for his uncle, making collections and reclaiming bad debts. He's probably too nice to succeed. In love with a woman his uncle disapproves of (because of her epilepsy) and a friend of her cousin, Johnny Boy, a near psychotic whose trouble-making threatens them all - he can't reconcile opposing values. A failed attempt to escape (to Brooklyn) moves them all a step closer to a bitter, almost preordained future. Written by
Dave Cook <firstname.lastname@example.org>
As Teresa is getting out of bed when she is with Harvey Keitel's character, in one shot the blanket covering her is pulled off nearly completely, yet in the next shot it covers her again, before being pulled off once again. See more »
You don't make up for your sins in church. You do it in the streets. You do it at home. The rest is bullshit and you know it.
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Mean Streets was a brilliant early film by Martin Scorsese. It was his first ever collaboration with Robert DeNiro. Their very successful partnership has produced some of the best movies ever made: Taxi Driver, Raging Bull, Goodfellas, and Casino. It also helped launch Harvey Keitel to stardom.
Keitel as Charlie and DeNiro as Johnny Boy deliver great performances. Scorsese's direction is strong. Even close to 30 years ago, these three men show the talent which would eventually place them among the very best in the business. Scorsese uses a great selection of popular music in Mean Streets and that has become a trademark of his.
Mean Streets easily ranks with Scorsese's best. 9/10
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