The future is set for Tony and Michael - owning a neighbour- hood bar and making deals in the mean streets of New York city's Little Italy. For Charlie, the future is less clearly defined. A small-time hood, he works for his uncle, making collections and reclaiming bad debts. He's probably too nice to succeed. In love with a woman his uncle disapproves of (because of her epilepsy) and a friend of her cousin, Johnny Boy, a near psychotic whose trouble-making threatens them all - he can't reconcile opposing values. A failed attempt to escape (to Brooklyn) moves them all a step closer to a bitter, almost preordained future. Written by
Dave Cook <email@example.com>
When raising money for the film, Martin Scorsese was offered a healthy sum by his mentor Roger Corman on the condition that he shoot the movie with an all-black cast. Scorsese had to turn Corman down. See more »
While it's true that the soundtrack incorrectly lists "Steppin Out" as "Hideaway", by Cream, that's because on the "Live Cream Vol.2" CD, which is where this track came from, the track is mislabeled that way. See more »
It's all bullshit except the pain. The pain of hell. The burn from a lighted match increased a million times. Infinite. Now, ya don't fuck around with the infinite. There's no way you do that. The pain in hell has two sides. The kind you can touch with your hand; the kind you can feel in your heart... your soul, the spiritual side. And ya know... the worst of the two is the spiritual.
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For Most Directors This Would Be Their Peak... For Scorsese It's a START!
MEAN STREETS (4+ outta 5 stars)
Maybe the film doesn't look like so much these days... since most of the story techniques, film stylings and intense performances have been re-done and over-done to the point of cliche... but when I first saw this movie... WHAM! I was blown away! And, now having seen it some half a dozen or more times, I still find it riveting... the dialogue, the camerawork, the way music is utilized... just brilliant! Martin Scorsese directs the first big, big film for Harvey Keitel and Robert DeNiro... they all did great work here... and, incredibly, got even BETTER as years went by. Keitel plays the good Catholic who feels the need to look out for crazy psycho punk Johnny Boy (DeNiro) who is in debt to every loan shark in town... and shows no signs of paying any of them back. Fabulous quotes galore... most of them laden with profanity: "I f*** you right where you breathe!" "What's a mook?" "You don't make up for your sins in church. You do it in the streets. You do it at home. The rest is bulls*** and you know it."
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