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The Man Who Loved Cat Dancing (1973)

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Ratings: 6.0/10 from 873 users  
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Western story about a defiant wife who leaves her husband to take up riding with outlaws.

Writers:

(novel), (screenplay), 1 more credit »
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Title: The Man Who Loved Cat Dancing (1973)

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Cast

Complete credited cast:
...
...
...
Harvey Lapchance
...
Dawes
...
Willard Crocker
...
Billy Bowen
...
Dub
Sandy McPeak ...
Ben (as Sandy Kevin)
Larry Littlebird ...
Iron Knife
Nancy Malone ...
Sudie
...
The Chief
Jay Varela ...
Charlie Bent
Owen Bush ...
Conductor
Larry Finley ...
Bartender
Sutero García Jr. ...
Dream Speaker
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Storyline

It's the frontier of the American west. Shortly after being released from prison where he was serving a sentence for murder, Jay Grobart leads a band of three other men - Dawes, Billy Bowen and an Indian named Charlie Bent - in robbing a train of its Wells Fargo cargo of $100,000. In their escape from the scene, they are forced out of circumstance to take along a young woman, against her will, she who is traveling by herself on horseback. She is Mrs. Willard Crocker - Catherine - who they can tell is wealthy. Although they do not let her go, she vows that she will not tell the authorities about them as she, like them, is running away. As Jay, the leader, embarks on his next mission - to fulfill the reason he stole the money - he has the problems of managing the three men, Dawes and Billy in particular who are solely out for their own selfish wants which now includes their carnal wants with Catherine, and making sure Catherine does not escape. But as they spend more time together and ... Written by Huggo

Plot Summary | Add Synopsis

Taglines:

Two women loved him. One died for him. One killed for him.

Genres:

Western

Certificate:

PG | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

31 October 1973 (Sweden)  »

Also Known As:

A férfi, aki szerette a táncoló macskát  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

| (Turner library print)

Sound Mix:

Color:

(Metrocolor)

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

The source novel of the same name by Marilyn Durham was first published in 1972, only one year before this movie was made and released. One reason the movie came out so shortly after the launch of the novel was because scriptwriter Eleanor Perry was able to read the novel pre-release in galley form. Perry took the property to producer Martin Poll who subsequently bought the movie rights in January 1972. Perry wrote the original script for the movie and also received a producer credit. See more »

Goofs

During the opening credits Catherine is riding "side saddle" but her legs are both on the right side of the horse, which is the "wrong" side for an English ladies' saddle. The film is flopped in this shot as later she has her legs on the proper side. See more »

Quotes

Catherine Crocker: Give me the horse and let me go. I won't tell a soul, I promise.
Jay: Why not?
Catherine Crocker: Because I'm running away, too.
Jay: [pauses] Mm hmm.
Jay: [to Billy] Throw her ass on a horse.
See more »

Connections

Referenced in The Cinema Snob: At Long Last Love (2014) See more »

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User Reviews

 
A Western with some depth and sensitivity
19 July 2014 | by (Canada) – See all my reviews

This movie came up tonight on the television and though I had not seen it, I had certainly heard of it. The reviews almost scared me off, but happily I read some favourable ones and and took a chance.

Bert Reynolds gave a first class performance with subtlety, dignity and a quiet strength. His portrayal of a flawed but somewhat principled man with an unfortunate past was excellent and made me want to know more of the back story which I'm sure was in the book. Maybe it is that the book was written Marilyn Durham, and that the screenplay was by Eleanor Perry that gave the movie it's strength and tenderness ?

The treatment of the Shoshone and other First Nation people was very good; they spoke in full sentences with humour intelligence and wit. They came through as the three dimensional people they are instead of the mere shadows that most movies of the time showed them in; something long over due in Hollywood.

There were many good performances here, it is a movie worth seeing and deserves a serious place in the genre.


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