Sam Whiskey is an all-round talent, but when the attractive widow Laura offers him a job, he hesitates: he shall salvage gold bars, which Laura's dead husband stole recently, from a sunken ... See full summary »
Ernest 'Stick' Stickley returns from prison, and very soon he gets involved with his old friend in a drug-running deal that goes sour. Hired by a rich investor, he tries to walk the line, ... See full summary »
Ex-CIA hit-man running from his past (Malone) finds just how difficult it is to retire when he runs accross a small town controlled by mercenaries and a family that's resisting their ... See full summary »
When call-girl Della gets caught in the middle of a drug bust at a hotel where she was meeting a trick, she is held hostage by a robber that busted in on the drug agents and the drug ... See full summary »
Tom Sharky is a narcotics cop in Atlanta who's demoted to vice after a botched bust. In the depths of this lowly division, while investigating a high-dollar prostitution ring, Sharky ... See full summary »
This is the tale of a sculptor named David who has a major womanizing problem. He goes to seek help from a psychiatrist, Marianna, to cure him of his obsession with women. His story of ... See full summary »
It's the frontier of the American west. Shortly after being released from prison where he was serving a sentence for murder, Jay Grobart leads a band of three other men - Dawes, Billy Bowen and an Indian named Charlie Bent - in robbing a train of its Wells Fargo cargo of $100,000. In their escape from the scene, they are forced out of circumstance to take along a young woman, against her will, she who is traveling by herself on horseback. She is Mrs. Willard Crocker - Catherine - who they can tell is wealthy. Although they do not let her go, she vows that she will not tell the authorities about them as she, like them, is running away. As Jay, the leader, embarks on his next mission - to fulfill the reason he stole the money - he has the problems of managing the three men, Dawes and Billy in particular who are solely out for their own selfish wants which now includes their carnal wants with Catherine, and making sure Catherine does not escape. But as they spend more time together and ... Written by
In December 1972, screenwriter William W. Norton was contracted to re-write Eleanor Perry's script. Norton's work is uncredited on this movie. His alleged filing of a grievance with the Writer's Guild of America for the inclusion of a screen credit apparently failed due to a delay in the filing of his complaint. See more »
During the opening credits Catherine is riding "side saddle" but her legs are both on the right side of the horse, which is the "wrong" side for an English ladies' saddle. The film is flopped in this shot as later she has her legs on the proper side. See more »
A western that is equal or better than others westerns of its era. A strong cast with excellent performances by Jack Warren and Lee J. Cobb, it is the only Burt Reynolds movie I like. The scenery is outstanding and all the characters fit nicely in the roles and are believable. It reminds me of McCabe and Mrs. Miller but with more action The plot although not unique has its moments as the dynamics of the "gang" are played out. Burt has never been better and clearly missed his calling as a western hero, he plays the strong silent type much better than road he went down in his career.
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