This retelling of the classic tale of James Hilton's Utopian lost world plays out uneasily amid musical production numbers and Bacharach pop music. While escaping war-torn China, a group of... See full summary »
The battle of the sexes and relationships among the elite of Britian's industrial Midlands in the 1920s. Gerald Crich and Rupert Berkin are best friends who fall in love with a pair of ... See full summary »
Chinese stowaway Mei Li (Miyoshi Umeki) arrives in San Francisco with her father to meet her fiancé, wealthy nightclub owner Sammy Fong (Jack Soo), in an arranged marriage, but the groom ... See full summary »
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Young George Matcham visits his uncle Lord Nelson and the vulgar Lady Hamilton. With the clear eyes of youth, he measures Nelson's stature and notes his feet of clay. And yet, Nelson is a ... See full summary »
James Cellan Jones
This retelling of the classic tale of James Hilton's Utopian lost world plays out uneasily amid musical production numbers and Bacharach pop music. While escaping war-torn China, a group of Europeans crash in the Himalayas, where they are rescued and taken to the mysterious Valley of the Blue Moon, Shangri-La. Hidden from the rest of the world, Shangri-La is a haven of peace and tranquility for world-weary diplomat Richard Conway. His ambitious brother, George, sees it as a prison from which he must escape, even if it means risking his life and bringing destruction to the ancient culture of Shangri-La. Written by
Marg Baskin <firstname.lastname@example.org>
In a 1975 magazine interview with Rona Barrett, producer Ross Hunter acknowledged the failure of his film. "When we hired Bacharach and David to write the songs, we didn't know they were on the verge of dissolving their partnership. When they finally delivered the music, we were already deep into preproduction. We knew it was a bum score, but we couldn't do anything about it." See more »
The library at Shangri-La is supposed to be a repository for the world's great literature. A number of "Readers Digest Condensed Books" on its shelves. See more »
I was 19 or 20, years old at the time and living in Salt Lake City, Utah and I still remember the new dome theater, called the century 21. Layback chairs that rocked and a new sound system, large screen and huge open space between the screen and the packed theater. We felt all the excitement of a new preview screening of a film. Ta da da daa da ta da dada dada... I can still hear the opening music ringing trumpet and the crash of cymbals. I loved the interplay of characters and the filmed vistas. I know Peter Finch and Luv and Sally had some trouble with the lip-sink but hey, this was a feel good, go feel better about things film! What I regret is the way they cut the meaningful heart out of it, showed the cut version and then called it a flop. I saw the cut version and I can see it lost its view of the vision it had in the preview edition. Yes I wince a bit at Peter's effort to make love through music but, you know I didn't see it that way when I left the theater. when they surveyed us as we left I regret any comment I made that may have altered the original. I liked it then and still see it while I listen to the music on my LP. Most of my family has heard me sing much of the sound track and I can use the films monologues in our games of "what movie is this". I wish a director's cut on DVD was available. It is available on VHS but its not quite the same. I would particularly like a full serious lord of the rings style commentary about its origins, struggles and triumphs. Picky people should leave things well enough alone. Bring it back!!!!
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