Pinky is an awkward adolescent who starts work at a spa in the California desert. She becomes overly attached to fellow spa attendant, Millie when she becomes Millie's room-mate. Millie is ... See full summary »
Two convicts break out of Mississippi State Penitentiary in 1936 to join a third on a long spree of bank robbing, their special talent and claim to fame. The youngest of the three falls in ... See full summary »
A down on his luck gambler links up with free spirit Elliot Gould at first to have some fun on, but then gets into debt when Gould takes an unscheduled trip to Tijuana. As a final act of ... See full summary »
In the middle of the night, private eye Philip Marlowe drives his friend Terry Lennox to the Mexican border. When Marlowe returns home police are waiting for him and learns that Terry's wife Sylvia has been killed. He's arrested as an accessory but released after a few days and is told the case is closed since Terry Lennox has seemingly committed suicide in Mexico. Marlowe is visited by mobster Marty Augustine who wants to know what happened to the $350,000 Lennox was supposed to deliver for him. Meanwhile, Marlowe is hired by Eileen Wade to find her husband Roger who has a habit of disappearing when he wants to dry out but she can't find him in any any of his usual haunts. He finds him at Dr. Veringer's clinic and brings him. It soon becomes obvious to Marlowe that Terry's death, the Wades and Augustine are all somehow interconnected. Figuring out just what those connections are however will be anything but easy. Written by
Robert Altman decided that the camera should never stop moving, and put it on a dolly. However, the camera movements would counter the actions of the characters so that the audience would feel like a voyeur. See more »
A toothpick suddenly disappears from Morgan's (Warren Berlinger) mouth while he is driving Marlowe home from jail. See more »
Oh. Hi, Mr. Lennox. Say, you're up kinda late.
Come on, lay it on me.
Okay. Let's see, I didn't - Barbara Stanwyck, I've been working on Barbara Stanwyck.
[as Barbara Stanwyck]
'I don't understand. I don't understand it at all. I've never understood it, Walter. I just don't understand why I don't understand it all. I don't...
Okay, just remember that and you'll be alright.
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I can say, without feeling too stupid, that is my favourite film of all time.
It has it all, firstly an incredibly brave screenplay that brought Raymond Chandler forward a generation after Bogart's best attempts to turn the great author into an insomnia remedy.
The casting of Elliot Gould as Marlowe is a stroke of genius - this Marlowe is undoubtedly very cool, but his 'coolness' comes from his idiosyncrasies, nerdy quirks and inability to fit into defined social circles. Sterling Hayden's performance, for me out-does his work on Dr Strangelove and can be added to Jack Nicholson in The Shining, Hoffman in Midnight Cowboy and Brando in The Godfather as one of the finest examples of character acting you will ever come across. His 'Hemingwayesque' alcoholic rages are violent, visceral and disturbing and yet he contains a brittle fragility that draws you to his performance.
The shining light though is Altman. Not only did he get the best career performances out of his finely assembled ensemble (did Gould, Hayden or Van Pallant ever do better?), but also produced one of the best shot films of all time. Only bettered in this era by Coppola's The Conversation (not a bad film to come second to).
On top of all this is an overwhelming sense of the auteur, the soundtrack, camera work and acting performances all combine to create a synthesis of near perfect cinema.
Turn your computer off, run out of the house and rent/steal or buy this film. Watch it, you won't be disappointed.
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