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Live and Let Die (1973)

007 is sent to stop a diabolically brilliant heroin magnate armed with a complex organization and a reliable psychic tarot card reader.

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Nominated for 1 Oscar. Another 2 wins & 2 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Tee Hee (as Julius W. Harris)
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'M'
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Roy Stewart ...
Quarrel
Lon Satton ...
Strutter
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Storyline

Several British agents have been murdered and James Bond is sent to New Orleans, to investigate these mysterious deaths. Mr. Big comes to his knowledge, who is self-producing heroin. Along his journeys he meets Tee Hee who has a claw for a hand, Baron Samedi the voodoo master and Solitaire a tarot card reader. Bond must travel to New Orleans, and deep into the Bayou. Written by simon

Plot Summary | Plot Synopsis

Plot Keywords:

coffin | british | heroin | 007 | cards | See All (175) »

Taglines:

Roger Moo7re is James Bond See more »


Certificate:

PG | See all certifications »

Parents Guide:

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Details

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Language:

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Release Date:

27 June 1973 (USA)  »

Also Known As:

Ian Fleming's Live and Let Die  »

Box Office

Budget:

$7,000,000 (estimated)

Gross:

$35,400,000 (USA)
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Company Credits

Production Co:

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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

Paul McCartney's iconic theme song for the film almost wasn't used. After McCartney submitted the song, Harry Saltzman said he liked it, but wanted it to be sung by someone else, preferably a black female artist. McCartney told producers he'd only sell the song for the movie if he and his band Wings were allowed to perform it for the film. Salzman had passed on producing A Hard Day's Night (1964) and came to quip that he didn't want to turn down McCartney a second time. However, Saltzman would subsequently say that he much preferred Brenda Arnau's version of the song, also heard during the movie. See more »

Goofs

The instant before Baron Samedi is thrown into the casket of snakes, it can be seen that the casket clearly consists only of immobile replicas and not live snakes (venomous or otherwise). See more »

Quotes

[first lines]
UN Translator: [translating for Hungarian delegate] ... was so ably pointed out by the Secretary General in his opening remarks. But - and I must emphasize this point - no formula can or will ever cover each case. For instance...
[audio feed is unplugged]
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Crazy Credits

The End of Live and Let Die James Bond will return in The Man with the Golden Gun See more »

Connections

Featured in The Nation's Favourite Bond Song (2015) See more »

Soundtracks

Just A Closer Walk With Thee
(uncredited)
Traditional
Arranged by Milton Batiste
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Frequently Asked Questions

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User Reviews

 
Lean, mean, but lacklustre
31 October 2005 | by (Edinburgh, Scotland) – See all my reviews

Roger Moore's debut as 007 was a bit wan but, in retrospect, probably his best outing. He looked pretty lean and mean for a 45 year-old. For a British audience, Moore (The Saint, The Persuaders) was the natural successor to Sean Connery.

Director Guy Hamilton makes this an expertly staged but somehow lacklustre affair. While the background voodoo theme is suitably bizarre, the main McGuffin about drugs smuggling is rather under-whelming for a Bond movie. Yaphet Kotto is a potentially strong baddie but has too little to do amid the familiar carnage and boat chases. And the introduction of the series' first out-rightly comic character in Sheriff JW Pepper presaged the self-defeating lapse into self-spoofing the films would increasingly take.

Nor does a heavy-handed score by Beatles producer George Martin help. Unlike regular Bond composer John Barry's music, Martin's is ponderous, overlaid onto the action rather than organic to it.

Still, Paul McCartney's blistering title-song really jolts Bond into the 70s. And Live and Let Die does have one of the best jokes in the entire series, in the opening sequence when a CIA agent, watching a New Orleans jazz funeral, innocently asks a nondescript fellow bystander: "Who's funeral is it…?"


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