A fake Fabergé egg and a fellow agent's death lead James Bond to uncover an international jewel-smuggling operation, headed by the mysterious Octopussy, being used to disguise a nuclear attack on N.A.T.O. forces.
Several British agents have been murdered and James Bond is sent to New Orleans, to investigate these mysterious deaths. Mr. Big comes to his knowledge, who is self-producing heroin. Along his journeys he meets Tee Hee who has a claw for a hand, Baron Samedi the voodoo master and Solitaire and her tarot cards. Bond must travel deep inside New Orleans, through marshy grass and on water as he completes his mission. Written by
This is the first time in the Bond series that a rock song was used as a main title song. The Paul McCartney and Linda McCartney song charted in the USA on 7 July 1973 and peaked at the No. #2 spot where it stayed for three weeks. In the UK it debuted on 9 July 1973 and went to No. #9. McCartney paid for the orchestra used for the song from his own pocket. Rolling Stone magazine accused McCartney of selling out to the establishment when it was announced that he would be providing the theme song to this film. As it transpired, McCartney became the first artist to be nominated for a Best Song Academy Award for this title track. The soundtrack album charted in the USA on 28 July 1973 and topped at No. #17. See more »
Kananga hits Solitaire across the face with such force that she falls to the ground. In the next scene when Solitaire is looking up there is no mark on her face, not even a red mark, and no bruise is present later. See more »
[translating for Hungarian delegate]
... was so ably pointed out by the Secretary General in his opening remarks. But - and I must emphasize this point - no formula can or will ever cover each case. For instance...
[audio feed is unplugged]
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The End of Live and Let Die James Bond will return in The Man with the Golden Gun See more »
A new era for James Bond, and a fairly effective and enjoyable opening film.
Live and Let Die ushers in Roger Moore as the new James Bond. Prior to this movie, Bond had been played most often by Sean Connery, with the one exception being George Lazenby's short-lived stint in 1969 (On Her Majesty's Secret Service). Moore is very different to Connery and Lazenby. He plays Bond as a more relaxed, charming, humorous character. Over the years, many people have said that the Moore incarnation of Bond lacks the brutality of Connery's and the hard masculinity, but actually Moore is not the kind of actor to do Bond in that manner. He's merely playing to his own strengths, and creating a Bond that is akin to his acting style. I feel that Roger makes a perfectly likable 007, admittedly different to the character of the novels, but still a rousing screen hero.
The story has James Bond sent to solve the killing of three British agents. One was killed in New York, one in New Orleans, and the third on a voodoo-practising Caribbean island. Bond's starts his mission in New York, where he runs across a nasty black gangster named Mr Big and his gorgeous, tarot-reading accomplice Solitaire (Jane Seymour). Bond heads down to the Caribbean, where he "connects" Mr Big with a drug-smuggling big-shot named Dr Kananga. Then it's off to New Orleans, where Bond discovers that Kananga's master plan is to provide huge amounts of free heroin to the junkies of the world, creating a massive drug-reliant population and setting himself up as a supplier with a worldwide monopoly on the drug trade.
The title song, sung by Paul McCartney and Wings is one of the best of the series, a lively and powerful tune which fits the style and period of the film perfectly. Yaphet Kotto is a decent bad guy (his death scene at the end is both funny and memorable); Seymour is superb as the Bond girl (probably the best of the bunch apart from Barbara Bach in The Spy Who Loved Me). There are good set pieces as we have grown to expect from the Bond series, most notably a spectacular boat chase around the Louisiana bayous, a scene involving a bunch of hungry crocodiles, and a slick sequence featuring Bond's escape from corrupt island police aboard a slow and lumbering double decker bus. The film has some negatives, but not too many. The character of Baron Samedi doesn't fit in the film (check out that ludicrous closing shot, which seems to be hinting that Samedi is somehow immortal), and Clifton James's brash southern cop is an immature and irritating character who might just as well have been left out of the final cut. On the whole this is a good start to the Moore era, though. One point of interest:- Live and Let Die also features a scene in Bond's house at the very start..... only once before have we seen where Bond lives, and that was at the start of Dr No.
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