A fake Fabergé egg and a fellow agent's death lead James Bond to uncover an international jewel-smuggling operation, headed by the mysterious Octopussy, being used to disguise a nuclear attack on N.A.T.O. forces.
Several British agents have been murdered and James Bond is sent to New Orleans, to investigate these mysterious deaths. Mr. Big comes to his knowledge, who is self-producing heroin. Along his journeys he meets Tee Hee who has a claw for a hand, Baron Samedi the voodoo master and Solitaire and her tarot cards. Bond must travel deep inside New Orleans, through marshy grass and on water as he completes his mission. Written by
Roger Moore's mother was a great fan of silent star Richard Dix. Moore was able to get Dix's son a small part in "Live and Let Die". Robert Dix plays the agent who is murdered at his own New Orleans funeral in the pre-credits teaser. His voice is dubbed by Shane Rimmer. See more »
When Bond follows the limo out of the parking deck, he ends up on the street, all alone on the sidewalk. However, when he hails a cab in the following shot, all of a sudden spectators along the sidewalk are reflected in the side windows of the cab. See more »
[translating for Hungarian delegate]
... was so ably pointed out by the Secretary General in his opening remarks. But - and I must emphasize this point - no formula can or will ever cover each case. For instance...
[audio feed is unplugged]
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The End of Live and Let Die James Bond will return in The Man with the Golden Gun See more »
And none the worse for it, since every Bond film needs a fresh spin on the same old formula. Roger Moore's first outing as JB is, in equal measures, comical and action-packed. You'll never get bored. But it's definitely the weirdest Bond ever with loads of utterly bizarre moments.
It begins with M turning up at JB's house in the early hours while he's pumping some Italian agent for information (don't you just love his initialled dressing gown). Before sending him to America to investigate a Harlem pimp known as Mister Big he delivers some gadgets from Q-Branch, including a very useful watch. Q himself, or Major Boothroyd if you want to call him by his proper name, doesn't make any appearance in this one.
Standing out like a Muslim in an airport, almost every single black person JB encounters in Harlem is on Mister Big's payroll. And they've got a seemingly endless bag of tricks to play on him. The funny thing about Moore is that he's very proper and British and doesn't think anything of walking into a tough Harlem bar while dressed up like the Duke of Edinburgh. His stunned reactions when they mess with his head are seriously funny.
The action then moves to Lousiana and a savage Caribbean island as JB uncovers a massive heroin plot. There's a particularly long speedboat chase across a bayou where JB encounters Sheriff J.W. Pepper, the most stereotypical southern redneck ever. Think of Texas Businessman from The Simpsons and you get the idea. JB also gets to dodge a hundred hungry Gators and do, many times over, Solitaire, Mister Big's Tarot card reader.
I'm not sure what kind of formidable villain uses a Tarot card reader to help him do business but when you also surround yourself with a hook-handed maniac called Tee-Hee, a quiet fat guy called Whisper and a seemingly unkillable voodoo high priest called Baron Samedi then you really do become a serious baddie. Right? He even goes on a big speech about how his master plan works before attempting to kill JB slowly. Obviously this makes much more sense than just shooting him right away. When will they learn?
Despite being the oldest actor to debut as Bond (at 46), Moore does look younger than Connery. And while Sean was gruff and Scottish, Moore is perpetually calm and refined, even in the face of danger (fingers being chopped-off, snake in the bath, being eaten by gators/sharks). Everything that the British once thought they were. He has a certain sarcastic edge that the other Bond actors lacked. While some of his films may have been the sillier of the franchise, Moore has always been my favorite. And the massive revolver and holster he uses at the end is so much more masculine than the usual, wimpy as hell, Walther PPK.
And, as much as I am no fan of Paul McCartney, you gotta love that theme song! Exciting and iconic at the same time. And also yet another juxtaposition in the weirdest Bond movie ever.
MI6, Harlem, Pimps, Paul McCartney, Gators, Heroin, Voodoo, Snakes, Sharks, Clairvoyance, Rednecks, Afros, Fake Afros, Fillet of Soul, Human Scarifice, Scarecrows and a small-headed man in a Top-Hat who lost a fight with chickens. Is this a Bond film or did the whole world just go insane?
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