A young, unwed, pregnant girl is made an offer she can't refuse. Marry a rich young man with a wealthy estate to please his dying mother, and she'll be well taken care of. What she doesn't ... See full summary »
Tina Ona Paukstelis,
There's something pretty grisly going on under London in the Tube tunnels between Holborn and Russell Square. When a top civil servant becomes the latest to disappear down there Scotland ... See full summary »
A high school transfer student, pushed to the edge by a trio of brutal bullies, resorts to murder to reclaim the school from oppression, and later turns against the students wanting to fill the vacuum of their oppressors.
Alvin Lee's car seen at the beginning of the film is a French Citroen Traction Avant made from 1934 - 1957. See more »
Lila... oh yes, you cannot kill me. I am the unkillable. My spirit is the strongest ever. No matter by which name I am called, I am recognised as the most powerful in the hearts of all.
See more »
The late and sorely missed Cheryl Smith stars as Lila, the lovely pubescent daughter of a notorious gangster, who is being fostered by a kind-hearted minister. Unaware of her father's whereabouts and concerned for his well-being, she receives a letter indicating that he lays ailing in a mapped location, and should she choose to visit him, then she must do so alone. Thus begins Lila's dark odyssey...from the minute she steps away from the familiar safety of her front door, her nest of childhood innocence is given way to a bleak and frightening world fraught with drunks, strumpets, and lecherous men...but a corporeity of a far more uncanny and sinister nature awaits her at her journey's end...the mysterious letter she received was a siren-song luring her to the incommunicado home of Lemora, a vampiress with an appetence for the blood of youths. This ancient, statuesque creature resides with her cackling old charlady and a mottle of emaciated children in a dark swampland where savage ghouls prowl the night.
The bizarre nexus ensuingly forged between Lemora and Lila is simultaneously horrific and erotically charged...the small-framed, willowy Lila futilely resisting, though apprehensively drawn to, the imposing and mysterious Lemora. It's an arousing 'butch/femme' dynamic which works well, and is illustrated more intricately than most examples of the gratis lesbiana inclusive to vampire cinema.
An artfully executed celestial nightmare with subtexts touching on religious hypocrisy and elegiac loss of innocence, LEMORA demonstrates perfectly how integrity, creativity, and resourcefulness can compensate heartily for dearth of funds in a motion picture production.
9 of 12 people found this review helpful.
Was this review helpful to you?