A team consisting of a physicist, his wife, a young female psychic and the only survivor of the previous visit are sent to the notorious Hell House to prove/disprove survival after death. ... See full summary »
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A masked killer, wearing World War II U.S. Army fatigues, stalks a small New Jersey town bent on reliving a 35-year-old double murder by focusing on a group of college kids holding an annual Spring Dance.
In the 13th century there existed a legion of evil knights known as the Templars, who quested for eternal life by drinking human blood and committing sacrifices. Executed for their unholy ... See full summary »
Amando de Ossorio
María Elena Arpón
A team consisting of a physicist, his wife, a young female psychic and the only survivor of the previous visit are sent to the notorious Hell House to prove/disprove survival after death. Previous visitors have either been killed or gone mad, and it is up to the team to survive a full week in isolation, and solve the mystery of the Hell House. Written by
Early in the film, in her and her husband's bedroom, Ann Barrett is seen holding the novel "Sentimental Education" by 19th century French author Gustave Flaubert. The novel was no doubt deliberately chosen for her to hold by the filmmakers since much of the novel is about passion, sex, and desire, making it fit in well with the highly sexualized and erotic nature of much of the film. It also foreshadows her later scenes and hints at her repressed sexuality. See more »
When Ben removes the glass of wine out of Belasco's hand, Belasco's fingers move. See more »
Under-rated, unduly over-shadowed, and quite rightly the most notoriously scary and deadly place (billed by American author, Richard Matheson, as "The Mt. Everest of all Haunted Houses" in his novel on which this British interpretation is based). The Author, in his attempt to write the be-all and get-all of all Gothic adventures, threw everything conceivable into the mix; cannibalism, sexual deviance, drug induced homicidal and suicidal tendencies, and a walloping ending which explains the mystery of this heretofore unsolved monster of a puzzle. Even in Hough's film, with a serviceable Matheson script, the basic formula remains intact; the smug para-psychologist, the traumatised evangelist, the cautionary medium and 'smug's' sexually frustrated wife, all come to the doorstep of Belasco House, and enter at their own risk. If you read the novel first, then the film will come to mean much more, and is better appreciated.
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