An Investigation of Murder (1973)
"The Laughing Policeman" (original title)

In San Francisco, one victim in a mass murder is a police detective. His partner and a new partner investigate in the city's seamy side.

Director:

Stuart Rosenberg

Writers:

Thomas Rickman (screenplay), Per Wahlöö (based on the novel "Den skrattande polisen" by),

Stars:

Walter Matthau, Bruce Dern, Louis Gossett Jr.

Cast

Cast overview, first billed only:
Walter Matthau	...	Sgt. Jake Martin SFPD
Bruce Dern	...	Insp. Leo Larsen SFPD
Louis Gossett Jr.	...	Insp. James Larrimore SFPD (as Lou Gossett)
Albert Paulsen	...	Henry Camerero
Anthony Zerbe	...	Lt. Nat Steiner SFPD
Val Avery	...	Insp. John Pappas SFPD
Cathy Lee Crosby	...	Kay Butler
Mario Gallo	...	Bobby Mow, Snitch
Joanna Cassidy	...	Monica, Beth's Roomate
Shirley Ballard	...	Grace Martin
William Hansen	...	Mr. Schwermer, Bus Vicitm
Don Borisenko	...	Det. Mike Collins (as Jonas Wolfe)
Paul Koslo	...	Duane Haygood, Drug Pusher
Louis Guss	...	Gus Niles / Andrew Medford - Bus Victim
Frances Lee McCain	...	Prostitute (as Lee McCain)

Storyline

A policeman is among the victims when the passengers of a late-night bus are machine-gunned. With only one semi- conscious survivor and no other witnesses, the detectives try to learn from the identities of the dead why this happened and who the killer could be. Climax includes excellent chase.

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Plot Keywords:

killer | bus | detective | mass murder | city | 

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Taglines:

Race against time and a killer in

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Genres:

Crime | Drama | Thriller

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Certificate:

R

Details

Country:

USA

Language:

English

Release Date:

23 January 1974 (Sweden)

Also Known As:

An Investigation of a Murder

Filming Locations:

1727 Laguna Street, San Francisco, California, USA

Company Credits

Production Co:

Twentieth Century Fox Film Corporation

Technical Specs

Runtime:

112 min

Sound Mix:

Mono (Westrex Recording System)

Color:

Color

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

In the original screenplay, Martin was supposed to laugh at the end, true to the film's title. This idea was abandoned, either by director Stuart Rosenberg or Walter Matthau during shooting.

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Goofs

The Anthony Zerbe character is Lieutenant "Styner" according to his desk nameplate, but "Steiner" in the closing credits.

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Quotes

Sgt. Jake Martin SFPD: I want you to help me follow Henry Camarero for a few days, that's all.
Insp. Leo Larsen SFPD: Why?
Sgt. Jake Martin SFPD: Well he knows me from the original Teresa investigation...
Insp. Leo Larsen SFPD: [cutting off Jake] No, I mean why do you suddenly need me for anything? You've been doing this all by yourself all along. I've seen you. You never even bothered to show me the picture you showed the man upstairs just now.
Sgt. Jake Martin SFPD: Evans was following Gus Niles, right? Well I think Niles wanted Evans to follow him.
Insp. Leo Larsen SFPD: You mean you think he was setting the kid up?
Sgt. Jake Martin SFPD: That's ...
[...]

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Connections

Referenced in Mikey and Nicky (1976)

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Soundtracks

"You Make Me Feel So Young"
(uncredited)
Music by Josef Myrow
Played on the radio in the car

User Reviews

Unjustly obscure police depiction

For some reason, this crime drama is almost completely overlooked. Even though it has it's faults, it is mostly a terrific examination of a police investigation. (In fact, in Australia, it was titled "Investigation of a Murder" which is far more apt a title than what it is here.) Matthau plays a police detective whose partner has been gunned down in a mass murder aboard a city bus. He is paired with Dern to find out if there's a connection between the massacre and the policeman's presence on the bus. They form an uneasy alliance (due to their clashing personalities and styles of working) and attempt to solve the baffling case. Gossett makes a strong impression as a fellow detective, though his character sort of drifts out of the picture at some point. Crosby and Cassidy have small, early roles as women who were affected by the murders. What's brilliant about the film is the wondrous verisimilitude and almost complete authenticity of the settings and performances. Only occasionally, can someone be caught "acting". Most of the time, the camera acts in an almost documentary fashion, eavesdropping on the various events and conversations. This type of gritty, realistic, matter-of-fact film is simply not made anymore today. The comparatively simple bus massacre is more striking and vivid than any of the overdone action scenes that litter all of today's films. There's a stark quality to the production that fits it well. Where the film strays is in it's endless cop vignettes which don't always have anything to do with the plot and which distract from, rather than enhance, the story. It's as if the writers tried to include too much from the source novel and wound up muddying the waters of the primary story. This also makes the film hard to follow at times. What's priceless is the display of the unmistakably tacky clothes and furnishings of the 1970's. There are also amusing glimpses into the San Francisco gay bar scene with real patrons displaying their faces (sometimes made up in drag) before the camera. Matthau says little in the film, but holds the attention with his various personal demons and conflicts. He chews gum incessantly and listens to standards on his radio to keep his emotions in check. Dern, as a more lively sort, is a great counterpoint and holds his own nicely. The mystery winds up being not all that big a mystery at all, but there's still a decent payoff with a "French Connection-esquire" car chase through San Francisco.