| Richard Benjamin | ... | Tom | |
| Dyan Cannon | ... | Christine | |
| James Coburn | ... | Clinton Green | |
| Joan Hackett | ... | Lee | |
| James Mason | ... | Philip | |
| Ian McShane | ... | Anthony | |
| Raquel Welch | ... | Alice | |
| Yvonne Romain | ... | Sheila Green (as Yvonne Romaine) | |
| Pierre Rosso | ... | Vittorio | |
| Serge Citon | ... | Guido | |
| Roberto Rossi | ... | Captain | |
| Elaine Geisinger | ... | American Wife | |
| Elliot Geisinger | ... | American Husband | |
| Jack Pugeat | ... | Silver Salesman | |
| rest of cast listed alphabetically: | |||
| Maurice Crosnier | ... | Concierge (uncredited) | |
| Martial | ... | Locksmith (uncredited) | |
| Vito Scotti | ... | Various Voices (voice) (uncredited) | |
Directed by | |||
| Herbert Ross | |||
Writing credits | ||
| Anthony Perkins | (written by) & | |
| Stephen Sondheim | (written by) | |
Produced by | |||
| Stanley O'Toole | .... | executive producer | |
| Herbert Ross | .... | producer | |
Original Music by | |||
| Billy Goldenberg | |||
Cinematography by | |||
| Gerry Turpin | |||
Film Editing by | |||
| Edward Warschilka | |||
Production Design by | |||
| Ken Adam | |||
Art Direction by | |||
| Tony Roman | |||
Set Decoration by | |||
| John Jarvis | |||
Costume Design by | |||
| Joel Schumacher | |||
Makeup Department | |||
| Mary Bredin | .... | hair stylist | |
| Harry Frampton | .... | makeup artist | |
| Peter Frampton | .... | makeup artist | |
| Alaine Scemama | .... | hair stylist | |
Production Management | |||
| Stanko Grozdanic | .... | production supervisor | |
| Malcolm Stamp | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Michel Cheyko | .... | assistant director | |
| William C. Gerrity | .... | assistant director | |
Art Department | |||
| Barry Wilkinson | .... | props | |
Sound Department | |||
| David Dockendorf | .... | sound mixer | |
| Derek Holding | .... | sound editor | |
| Richard Oswald | .... | sound editor | |
| Cyril Swern | .... | sound recordist | |
| Dan Wallin | .... | sound re-recording mixer | |
Stunts | |||
| Fred Stromsoe | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Derek V. Browne | .... | camera operator | |
| W.C. 'Chunky' Huse | .... | chief grip | |
| Michael Murchan | .... | rigger (as Mick Murchan) | |
| Bob Penn | .... | still photographer | |
Costume and Wardrobe Department | |||
| Brian Owen-Smith | .... | wardrober | |
| Ron Talsky | .... | costume designer: Raquel Welch | |
| Terry Young | .... | wardrober | |
Editorial Department | |||
| Don Zimmerman | .... | assistant editor | |
Music Department | |||
| Harry King | .... | music editor | |
| Dan Wallin | .... | score mixer | |
Other crew | |||
| George Crawford | .... | stand-by supervisor | |
| Annabel Davis-Goff | .... | continuity | |
| Hunt Downs | .... | publicist | |
| Wayne Fitzgerald | .... | title designer | |
| Nora Kaye | .... | production associate | |
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| I Confess | The Usual Suspects | Strangers on a Train | Basic Instinct | Dial M for Murder |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb USA section |
Superb, darkly comic whodunit with all the pieces right there for you to place. Wicked James Coburn is the cunning movie producer and game-lover inviting to his yacht the failed screenwriter (Richard Benjamin), his alcoholic wife (Joan Hackett, in a sympathetic performance), the catty agent (Dyan Cannon, more wired than ever before), the starlet (Raquel Welch, looking a little out-of-it), the starlet's husband (Ian McShane), and a director down-on-his-luck (James Mason, the calm-head who pays attention to the details). The only trouble with the film is that the first-half (involving a hilarious personality game) is SO good and clever that the murder-mystery second-half lets you down a bit. Still, these characters are a wonderfully tainted, self-absorbed lot and Dyan Cannon's breakdown after someone almost offs her is a wild bit of breakneck acting. I also admired Welch's scene at midnight on the top deck, talking about stealing a coat (she's very seductive and charming, though she continues to whisper her dialogue throughout the film and comes off as slightly dazed). The character conflicts and the reasoning behind who-does-what-to-whom doesn't bear a great deal of scrutiny (and even after several viewings, I'm still not clear on that business regarding the cabin keys); however, the film is extremely entertaining, a verbally exciting match-of-wits by a group of Hollywood hopefuls and burn-outs. ***1/2 from ****