A filming of the 1990 Rolling Stones "Steel Wheels" concert that traveled Europe. This was filmed in the IMAX process, which allows the film to be projected in a size ten times the size of a regular 35mm projected image.
Live versions of the songs, filmed in an old Pompeii amphitheater. Songs included are Echoes (split into 2 parts), Careful with that axe, Eugene, A saucerful of secrets, One of those days, ... See full summary »
Chas, a violent and psychotic East London gangster needs a place to lie low after a hit that should never have been carried out. He finds the perfect cover in the form of guest house run by... See full summary »
This fly-on-the-wall documentary follows the Rolling Stones on their 1972 North American Tour, their first return to the States since the tragedy at Altamont. Because of the free-form ... See full summary »
In 1972, the Stones bring their Exile on Main Street tour to Texas: 15 songs, with five from the "Exile" album. Mick Jagger, Keith Richards, Mick Taylor, Charlie Watts, and Bill Wyman on a small stage with three other musicians. Until the lights come up near the end, we see the Stones against a black background. The camera stays mostly on Jagger, with a few shots of Taylor. Richards is on screen for his duets and for some guitar work on the final two songs. It's music from start to finish: hard rock ("All Down the Line"), the blues ("Love in Vain" and "Midnight Rambler"), a tribute to Chuck Berry ("Bye Bye Johnny"), and no "Satisfaction." Written by
1972 shows the Stones in their PRIME. The actual "stage show" is not as good as 4 Flicks but the playing is incredible.
The entire band is awesome. Mick Taylor steals the show (as he did throughout 1972-73). Highlights for Mick are Gimmie Shleter, Love in Vain and YCAGWYW. His solos are beyond belief. At this point Mick Taylor was probably the most fluid, brilliant guitarist in ALL of R&R.
Keith has moments as well. Bye Bye Johnnie is fantastic. Fans that are familiar with the recent Keef will be surprised how well he plays (without the sloppiness of recent years). He also does not cut corners in 1972. Listen to all the detailed chords he hits (for example on Tumblin Dice) vs 4 FLicks.
The only negatives: all the songs are played faster than normal and the set list is short.
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