Young Terry Lambert returns home from serving a prison term for a gang-rape he was forced to participate in. He seeks revenge on his lawyer and the girl who framed him. But his real problem...
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Sixteen years after Ruby Claire's gangster boyfriend was shot and killed by four associates, a series of gruesome murders takes place at the drive-in movie theatre she now owns. Meanwhile, ... See full summary »
A TV station employee takes a camera crew out to an abandoned factory to investigate a purported snuff film that was made there, only to end up running for her life when a small, fetus-like creature murders her crew.
The year is 1990. An alien species makes contact with Earth through radio transmission, notifying of an imminent visit. Alien ship crash lands on Mars, and a rescue team is sent out from ... See full summary »
An old Gothic cathedral, built over a mass grave, develops strange powers which trap a number of people inside with ghosts from a 12th Century massacre seeking to resurrect an ancient demon from the bowels of the Earth.
Feodor Chaliapin Jr.
Young Terry Lambert returns home from serving a prison term for a gang-rape he was forced to participate in. He seeks revenge on his lawyer and the girl who framed him. But his real problem is his overbearing mother, whose boarding house he resides in and who keeps bringing him glasses of chocolate milk. One of her boarders, Lori, becomes attracted to him. However, while he was serving his prison sentence, Terry developed an interest in rough, violent sex, and gory death. Now, one by one, some of the town's women pop up dead. Written by
Cindy Williams had a lengthy commute. While filming 'The Killing Kind', shot in the Larchmont area of Los Angeles, Williams was also working on The Conversation (1974), which was shot in San Francisco. See more »
Have you ever been so bored that it actually made you sick? I mean sick!
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Relentless tale of loneliness and murderous desire
Love it, love it, love it. This genuinely compelling tale is an unsung classic of horror & exploitation cinema, and one of Harrington's finest films. It has recently (Fall 2007) been released on DVD for the first time, barring one poor quality cheapie version referenced in another review here. Very exciting to see a decent quality print of it for the first time. The tone of The Killing Kind seems really unusual to a modern viewer because it is slow, quiet, and meditative - not what we have come to expect from a horror film. The story centers on a desperately lonely single mother (Thelma) with inappropriate feelings for her son (Terry), who for his part is tormented by his own thwarted desires and the aggression of the women around him. Southern and Savage give powerful performances and the dynamic between them is intense. Harrington said that Southern tried to upstage the other actors, but was herself intimidated by Savage. Their tension adds to the believability of their twisted relationship. Luana Anders is fantastic as the clinically depressed, sexually frustrated spinster next door. Ruth Roman, with her caftan and 3-packs day voice, is also perfect casting. Special props to Marjorie Eaton as Mrs. Orland.
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