To escape sinful impulses, Ben Harvey, a callow youth, leaves his small town for Chicago in 1910. A pickpocket promptly relieves him of his money, and he nearly starves before Queen Lil ... See full summary »
Andrew Lloyd Webber's CATS, the most famous musical of all time, first exploded onto the West End stage in 1981. 'Memory', one of its many classic songs, became an instant worldwide hit. ... See full summary »
Based on a concept album project written by Andrew Lloyd Webber and Tim Rice, and the subsequent long-running Broadway performance, this film tells the story of the final 6 days in the life of Jesus Christ through the troubled eyes of Judas Iscariot. Too often mis-labeled a musical, this film is a "rock opera." There are no spoken lines, everything is sung. Written by
Ralf Southard <email@example.com>
Tragedy almost struck for real while the Crucifixion was being filmed. The Roman soldier we see nailing Christ to the cross is an Israeli actor who spoke very limited English; consequently, he thought Ted Neeley was actually supposed to have nails hammered through his hands! Just in time, director Norman Jewison saw what was happening and screamed, "NO! NOT IN THE HAND!" See more »
After Jesus finds his apostles asleep, the camera cranes up next to the leaves of a tree. At one point (about 1:00:48 on the DVD) one of the tree twigs swings back and forth rather unnaturally, indicating that the camera has brushed against it in the process of going by. See more »
He's just another scripture thumping hack from Galilee.
The difference is they call him king, the difference frightens me.
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The Lloyd-Webber and Rice musical comes to the screen, and is nothing like the stage show at all. The deserts are real, although the back story is that this is a theatre company, putting on a production in real locations.
The cast are largely session singers and unknowns - Ted Neeley, delicate and high-voiced as Jesus (particularly superb in `Gethsemane'); Carl Anderson, black and doe-eyed as Judas with hot soul vocals, Barry Dennen as Pilate, and Yvonne Elliman as Magdelene with her big number `I Don't Know How To Love Him'.
One loss for those who know the stage version is being removed from the crucifixion preamble, when the ghost of Judas sings `Superstar' - this was all video camera projection in the theatre, while in the movie we are detached observers. But at other times we get uncomfortably close. And the songs survive the transportation to a more realistic setting (except the added `Could We Start Again, Please?' which sounds rather too much like the Coca-Cola theme for comfort).
Best scenes? The one in the temple; Hosanna; and the Pharisees tapping on their scaffolding perches like crows.
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