The story of King George VI of the United Kingdom of Great Britain and Northern Ireland, his impromptu ascension to the throne and the speech therapist who helped the unsure monarch become worthy of it.
Helena Bonham Carter,
In 19th-century France, Jean Valjean, who for decades has been hunted by the ruthless policeman Javert after he breaks parole, agrees to care for factory worker Fantine's daughter, Cosette. The fateful decision changes their lives forever.
The film version of the Broadway musical comedy of the same name. In the days leading up to July 4, 1776, Continental Congressmen John Adams and Benjamin Franklin coerce Thomas Jefferson ... See full summary »
Peter H. Hunt
Howard Da Silva,
The hit musical based on the life of Evita Duarte, a B-picture Argentinian actress who eventually became the wife of Argentinian president Juan Perón, and the most beloved and hated woman in Argentina.
Based on a concept album project written by Andrew Lloyd Webber and Tim Rice, and the subsequent long-running Broadway performance, this film tells the story of the final 6 days in the life of Jesus Christ through the troubled eyes of Judas Iscariot. Too often mis-labeled a musical, this film is a "rock opera." There are no spoken lines, everything is sung. Written by
Ralf Southard <email@example.com>
The "39 Lashes" scene in Jesus Christ Superstar was so realistic that Ted Neeley's mother walked out on it. Mrs. Neeley had never laid a hand on young Ted in an anything but affectionate manner, and could not bear the sight of her son being whipped and tortured by anyone else, even though she knew it was just acting. See more »
After Jesus finds his apostles asleep, the camera cranes up next to the leaves of a tree. At one point (about 1:00:48 on the DVD) one of the tree twigs swings back and forth rather unnaturally, indicating that the camera has brushed against it in the process of going by. See more »
Then you are a king.
It's you that say I am. I look for truth, and find that I get damned.
And what is 'truth'? Is truth unchanging law? We both have truths. Are mine the same as yours?
See more »
The Lloyd-Webber and Rice musical comes to the screen, and is nothing like the stage show at all. The deserts are real, although the back story is that this is a theatre company, putting on a production in real locations.
The cast are largely session singers and unknowns - Ted Neeley, delicate and high-voiced as Jesus (particularly superb in `Gethsemane'); Carl Anderson, black and doe-eyed as Judas with hot soul vocals, Barry Dennen as Pilate, and Yvonne Elliman as Magdelene with her big number `I Don't Know How To Love Him'.
One loss for those who know the stage version is being removed from the crucifixion preamble, when the ghost of Judas sings `Superstar' - this was all video camera projection in the theatre, while in the movie we are detached observers. But at other times we get uncomfortably close. And the songs survive the transportation to a more realistic setting (except the added `Could We Start Again, Please?' which sounds rather too much like the Coca-Cola theme for comfort).
Best scenes? The one in the temple; Hosanna; and the Pharisees tapping on their scaffolding perches like crows.
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