Running away from the police, Aden goes to the desert where he meets an uncivilized man who has a special link with Mother-Earth. He ends up by convincing the hermit to come along with him into another desert... the big town!
At the end of the Spanish civil war, Fando, a boy of about ten, tries to make sense of war and his father's arrest. His mother is religious, sympathetic to the Fascists; his father is ... See full summary »
The Spanish Civil War, as experienced by the town of Villa Ramiro. The local count and his Fascist nephews ally with the rebels; the count's son, indifferent to politics at the outset, ... See full summary »
A feature-length narrative animated film from one of the directors of Fimfárum 2. Mysterious and extraordinary stories of loneliness. What all can happen during one night in one city? Do ... See full summary »
The names of the characters are pronouns. She is a teacher, with his father dead just three days ago. Faced with this situation, He intends to take care of her while He is alive. This is the beginning of an odd relationship.
A dreamy, absurdist fantasy film based on Indonesian legends. Asa is the daughter of a seer. To escape her mother's clutches, she lives hidden in a forest. One day, she is collected by a dog, who turns out to be a man sent by her mother.
When his mother dies, the police want to talk to Aden Rey, but Aden, a guilt-ridden epileptic, has left for the desert. There he comes upon Marvel, a noble savage. Aden, Marvel, and Marvel's goat become companions through travels, a wedding, an examination of Aden's role in his mother's passing, a trial, additional deaths, and various meals. There are also flashbacks to Aden's childhood and his relationship to his mother. Meanwhile, the police step up their efforts to find Aden. Written by
I WILL WALK LIKE A CRAZY HORSE (Fernando Arrabal, 1973) **
This was my third Arrabal movie after VIVA LA MUERTE (1971) and THE GUERNICA TREE (1975); all three were released as a DVD Collection by Cult Films – however, I came to own all of them via alternate formats…which, frankly, saved me from doling out my hard-earned cash for the set (especially since I only really liked THE GUERNICA TREE)!
To be honest, Arrabal has here reconfirmed himself an exponent of the kind of Surrealism which I find hollow, ostentatious and positively grating – much like the work of his contemporary Alejandro Jodorowsky (though in his case I’m 50/50, as at least I’m partial to two of the four films I’ve watched so far). Mind you, as I’ve said more often than I care to remember, my all-time favorite film-maker is Luis Bunuel – perhaps Cinema’s foremost Surrealist – and the art form itself is one I feel to be most congenial to the language of film…but not when it resorts to emetic, shocking-for-shock’s sake detail (such as the pointless images here of ejaculation, scatology, various sexual perversions, and ending with cannibalism)!
What little plot there is concerns a murder mystery, which then develops into a chase when the victim’ own son is somehow targeted as the perpetrator; the unsubtly-named Police Inspector Gay follows the handsome anti-hero into the desert, where the latter meets a magically-endowed dwarf. In spite of the danger, the man returns to the city (Paris) and takes the little man along: the latter’s incongruity with his surroundings – he’s a shepherd who never caught up with the modern world – is fairly perceptive and, even if the midget’s behavior is generally nothing short of obnoxious, this constitutes just about the only tolerable aspect of an otherwise grossly self-indulgent film. For what it’s worth, everything comes to a head when one character takes over the personality of the other!
Incidentally, given the number of ‘humiliating’ scenes she appears in, it’s baffling how a respected actress like Emmanuelle Riva (playing the mother) allowed herself to be involved with this kind of extreme stuff! And, just as much of a paradox is the fact that, for all his intended savagery and pointed irreverence, Arrabal gives the film a curiously polished look – which is accompanied besides by a quite agreeable soundtrack (highlighting gibberish children’s vocals)…
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