A multi-layered satire of race relations in America. Live-action sequences of a prison break bracket the animated story of Brother Rabbit, Brother Bear, and Preacher Fox, who rise to the ... See full summary »
An animated feature which begins, ends and occasionally combines with, live-action filmed on location. A white dropout struggles to create comics and animated films, drawing inspiration from the harsh, gritty world around him. Still sharing his run-down apartment with his middle-aged parents, an oafish slob of an Italian father and a ditzy nut-case of a Jewish mother, he is ridiculed and looked down upon by his friends, hypocrites who run with violent gangs and the Italian Mafia, and a shallow Black girl who makes her living downtown with the pimps and pushers. This cartoonist gets a chance to pitch a film idea to a movie mogul, but the story proves too outrageous: a far-future Earth, destroyed by war and pollution, where a mutant antihero challenges and kills God. Complications ensue when the cartoonist's parents react in irrational ways to his various involvements. Written by
The album cover for the soundtrack to George and Ira Gershwin's legendary opera, "Porgy and Bess" hangs on the wall of Michael's bedroom. See more »
What makes you happy? What makes you happy? Where do you go? Where do you go? Where do you hide? Where do you hide? Who do you see? Who do you see? Who do you trust? Who do you trust? Who do you screw? Who do you screw? What kills the pain? What kills the pain? Game up, game win. Bug around, set it straight. Transaction. Play it hard, hurts so bad. Gotta win. Everyone loses. Everthing loses. Gotta win big. Sick and tired of losing. Where does it all go? Where does it all go? Where ...
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I positively love animation, and I loved Heavy Traffic. In fact it ties with American Pop as my personal favourite of Ralph Bakshi's films, with Hey Good Lookin' and Coonskin not far off. The story is personal, with some fun and often moving moments, for me this is one of Bakshi's least vague movies story-wise. The satire is satire that really bites hard and all the better for it and the characters have a lot of likability. The soundtrack always has been one of my things-to-look-for in animated movies and here it is wonderful, beautiful but also moody and atmospheric. And then there is the animation, it has a charming rough-around-the-edges look to it with enough of Bakshi's style evident, and the backgrounds look gorgeous. Overall, personal and interesting, one of Bakshi's very best. 9/10 Bethany Cox
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