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London, 1965: Like many other youths, Jimmy hates the philistine life, especially his parents and his job in a company's mailing division. Only when he's together with his friends, a 'Mod' ... See full summary »
The Cotton Club was a famous night club in Harlem. The story follows the people that visited the club, those that ran it, and is peppered with the Jazz music that made it so famous.
Chas, a violent and psychotic East London gangster needs a place to lie low after a hit that should never have been carried out. He finds the perfect cover in the form of guest house run by... See full summary »
Jenny Lamour wants to succeed in music hall. Her husband and accompanist is Maurice Martineau, a nice but jealous guy. When he knew Jenny is making eyes at Brignon, an old businessman, in ... See full summary »
With dreams of becoming a successful Reggae singer, a young Jamaican man finds corruption from his record producers and the drug pushers they're connected to. Rather than fail his dreams Ivan lets nothing stand in his way, not even the law. Written by
Daniel Jos. Leary
Ivan Martin:
[title song]
and the oppressors are trying to keep me down /T rying to drive me underground / And they think that they have got the battle won / I say, "Forgive them, Lord, they know not what they've done," / For as sure as the Sun will shine / I'm going to get my share now, what's mine and the harder they come, the harder they fall, one and all.
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I was a recent immigrant from the caribbean back in 1973 when this film was released. I was sooo thrilled when it met with such good reviews and commercial success. Years later, as an adult, I had a viewing party for some friends who wanted to see, in general, a different genre of film, and in particular, caribbean films (I highly recommend; "Dancehall Queen, and "The Lunatic" for those interested in island fare.) One friend saw the title and thought it was a "blue" movie. After what seemed like hours of laughter, we settled in to watch. They truly enjoyed it, and I (now grown,) could understand the subtleties and layers sometimes lost on a younger viewer. The gritty look of the film added to and enhanced the entire project. I have had occasion to view it a few more times since then, and it never loses its appeal. I also cry every time I hear Jimmy Cliff sing "White Cliffs of Dover." 'Cross many rivers' if you have to, but see this film.
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I was a recent immigrant from the caribbean back in 1973 when this film was released. I was sooo thrilled when it met with such good reviews and commercial success. Years later, as an adult, I had a viewing party for some friends who wanted to see, in general, a different genre of film, and in particular, caribbean films (I highly recommend; "Dancehall Queen, and "The Lunatic" for those interested in island fare.) One friend saw the title and thought it was a "blue" movie. After what seemed like hours of laughter, we settled in to watch. They truly enjoyed it, and I (now grown,) could understand the subtleties and layers sometimes lost on a younger viewer. The gritty look of the film added to and enhanced the entire project. I have had occasion to view it a few more times since then, and it never loses its appeal. I also cry every time I hear Jimmy Cliff sing "White Cliffs of Dover." 'Cross many rivers' if you have to, but see this film.