Back home, Glauco, an industrial designer, finds his wife in bed with a serious headache. She has left him dinner but it is cold and Glauco decides to prepare himself a gourmet meal. While ... See full summary »
Roberto has a new job as the teacher at a nursery school. The first child he meets is Gianluigi, who's mute. Roberto is spirited, bringing a TV into class, then a donkey. He takes children ... See full summary »
Francesca De Sapio,
A 40 years old man, Alfonso, finally succeeds to marry a virgin, educate, beautiful and very catholic woman. But soon she, Regina, starts stressing him because she wants to be pregnant. ... See full summary »
The film celebrates the 100th anniversary of the birth of cinema. It presents the technical and artistic evolution of the motion pictures. We move from mute to sound, from black-and-white ... See full summary »
Four successful middle-aged men Marcello, a pilot; Michel, a television executive; Ugo, a chef; and, Philippe, a judge go to Philippe's villa to eat themselves to death. After the first night, Marcello insists that women should join them. Three prostitutes make it through a day or two; Andrea, a local school teacher, stays to the end. The villa, the food, and a Bugati roadster are essential props. Written by
The film was originally shown unlicensed in the UK at the Curzon Cinema in Mayfair, and led pro-censorship campaigner Mary Whitehouse to bring a prosecution against the film under the Vagrancy Act (accusing the cinema owners of "keeping a disorderly house"). The case was thrown out and led censor James Ferman to extend the Obscene Publications Act to cover films, thus preventing movies with 'artistic merit' from suffering prosecution. The film was eventually passed fully uncut for video in 1994. See more »
After Philippe says to Nicole "actor incombit probatio", a crew member can be seen in the mirror. See more »
An extraordinary movie. Sad and depressing but shot through with black humour.
'La Grande Bouffe' (aka 'Blow-Out') is an extraordinary movie, the kind of movie you just can't imagine getting made these days. While shot through with black humour it is very sad and depressing, and for me just as bleak as say, 'Leaving Las Vegas'. Instead of alcohol these dissatisfied men decide to kill themselves using food. Marcello Mastroianni is the best known of the four stars but Michel Piccoli (Belle De Jour), Ugo Tognazzi and and Philippe Noiret are equally impressive. The acting from all four is first rate and really makes the premise believable. Director Marco Ferreri went on to make the Bukowski adaptation 'Tales Of Ordinary Madness' another uncompromising, f*cked up and beautiful movie. I highly recommend both films which are difficult viewing, but worth the effort.
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