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Godspell: A Musical Based on the Gospel According to St. Matthew
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Godspell (1973) More at IMDbPro »Godspell: A Musical Based on the Gospel According to St. Matthew (original title)

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Godspell -- Clip: Day by day

Overview

User Rating:
6.5/10   2,289 votes »
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Director:
Writers:
David Greene (screenplay) and
John-Michael Tebelak (screenplay) ...
(more)
Contact:
View company contact information for Godspell on IMDbPro.
Release Date:
24 August 1973 (Denmark) See more »
Genre:
Tagline:
Godspell comes to the screen ! See more »
Plot:
An adaption of the musical, in a modern-day song-and-dance recreation of the Gospel of St. Matthew. Full summary » | Add synopsis »
Awards:
2 nominations See more »
User Reviews:
Rejoice in the beautiful city. See more (89 total) »

Cast

  (complete, awaiting verification)

Victor Garber ... Jesus
Katie Hanley ... Katie
David Haskell ... John / Judas
Merrell Jackson ... Merrell
Joanne Jonas ... Joanne
Robin Lamont ... Robin
Gilmer McCormick ... Gilmer
Jeffrey Mylett ... Jeffrey

Jerry Sroka ... Jerry

Lynne Thigpen ... Lynne
Daniel Levans ... Ballet Rehearsal Dancer (uncredited)
Joe Madden ... Homeless Man (uncredited)
Burt Richards ... Garment Salesman (uncredited)
John-Michael Tebelak ... Pharisee Monster (voice) (uncredited)

Directed by
David Greene 
 
Writing credits
David Greene (screenplay) and
John-Michael Tebelak (screenplay)

John-Michael Tebelak (book from the musical play "Godspell: A Musical Based on the Gospel According to St. Matthew")

Produced by
Edgar Lansbury .... producer
Kenneth Utt .... associate producer
 
Cinematography by
Richard G. Heimann (director of photography) (as Richard Heimann)
 
Film Editing by
Alan Heim 
 
Production Design by
Brian Eatwell 
 
Art Direction by
Ben Kasazkow  (as Ben Kazazkow)
 
Set Decoration by
John Godfrey 
 
Costume Design by
Sherrie Sucher 
Susan Tsu (original designs)
 
Makeup Department
Philip Goldblat .... makeup artist (as Phil Goldblatt)
Phyllis Sagnelli .... hair stylist (as Phyliss Sagnelli)
 
Production Management
Paul Ganapoler .... production manager
 
Second Unit Director or Assistant Director
Ron Walsh .... assistant director
 
Art Department
Richard Adee .... property master
Stanley Cappiello .... master scenic artist
 
Sound Department
Jack Fitzstephens .... dubbing editor
Les Lazarowitz .... sound
Emil Neroda .... sound mixer
Elliot Scheiner .... sound recording engineer
Dan Sable .... sound editor (uncredited)
 
Camera and Electrical Department
Howard Block .... camera operator
Dick Mingalone .... camera operator (as Richard Mingalone)
Martin Nallan .... key grip
Frank Schulz .... chief electrician
Tom Volpe .... dolly grip (uncredited)
 
Costume and Wardrobe Department
Joseph W. Dehn .... wardrobe supervisor
Reet Pell .... wardrobe coordinator
 
Editorial Department
Trudy Ship .... assistant editor
Hal Levinsohn .... apprentice editor (uncredited)
Irving Rathner .... negative cutter (uncredited)
 
Music Department
Jesse Cutler .... musician: guitar
Jay Hamburger .... composer: song "By My Side"
Rich LaBonte .... musician: bass (as Richard Labonte)
Steve Manes .... musician: bass
Stephen Reinhardt .... associate musical supervisor
Stephen Reinhardt .... musician: keyboards
Stephen Schwartz .... musician: keyboards
Stephen Schwartz .... songs: music and new lyrics by
Paul Shaffer .... musician: keyboards
Ricky Shutter .... musician: drums and percussion
Don Thomas .... musician: guitar
Anahid Ajemian .... musician: strings (uncredited)
Wayne Andre .... musician: trombone (uncredited)
Norman Carr .... musician: strings (uncredited)
Mickey Gravine .... musician: trombone (uncredited)
Bira Haas .... musician: strings (uncredited)
Michael Kamen .... musician: synthesizer "Alas for You" (uncredited)
Allen Raph .... musician: trombone (uncredited)
Elliot Rosoff .... musician: strings (uncredited)
Irving Spice .... musician: strings (uncredited)
Lou Stone .... musician: strings (uncredited)
 
Other crew
Sammy Bayes .... choreographer
Arthur Eckstein .... title designer
Nina Faso .... assistant to producer
Belle Halpern .... script supervisor
Joanne Jonas .... assistant choreographer
Peter Kean .... assistant to producer
Adeline Leonard Seakwood .... production office coordinator (as Adeline Leonard)
John-Michael Tebelak .... creative consultant
George Devins .... timpani (uncredited)
Corky Hale .... harp: "Beautiful City" (uncredited)
Darrell Jonas .... production office coordinator (uncredited)
Charles Macey .... banjo: "All for the Best" (uncredited)
Hugh McCracken .... lead guitar: "Prepare Ye" (uncredited)
Ralph S. Singleton .... production assistant (uncredited)
Chayim Tamar .... shofar: "Prepare Ye" (uncredited)
 
Thanks
Joseph Beruh .... acknowledgment: produced on the stage by
Stuart Duncan .... acknowledgment: produced on the stage by
Edgar Lansbury .... acknowledgment: produced on the stage by
 
Crew believed to be complete


Production CompaniesDistributorsOther Companies

Additional Details

Also Known As:
"Godspell: A Musical Based on the Gospel According to St. Matthew" - USA (original title)
See more »
Runtime:
103 min
Country:
Language:
Color:
Color (TVC)
Aspect Ratio:
1.33 : 1 See more »
Sound Mix:
Certification:
Canada:G (Manitoba/Nova Scotia/Quebec) | Canada:PG (Ontario) | Finland:K-12 | Sweden:Btl | USA:G

Did You Know?

Trivia:
The Cherry Lane Theatre, site of the Prodigal Son scene, was where the play "Godspell" opened off Broadway in 1971.See more »
Goofs:
Miscellaneous: The concept that New York City is magically empty of people (other than Jesus and his disciples) is messed up only once - during the baptism scene on Bethesda Terrace, a man in the background of Central Park Lake can be seen frantically trying to row his boat out of the camera's view (he is visible in 3 separate shots). Additionally, the concept of the city being empty resembles turning our lives over to Christ.See more »
Quotes:
Jesus:Well, I have a question to ask you. Answer it, and I will tell you by whose authority I act. The Baptism of John - was it from God, or was it from man?
Pharisee Monster:[thinking] If we say "from God", then he will say, "Then why did you not believe?" But if we say "from men", the people will be angry, for they took John as a prophet.
[to Jesus]
Pharisee Monster:We do not know.
Jesus:Then neither will I tell you by whose authority I act!
See more »
Movie Connections:
Referenced in My Best Friend's Birthday (1987)See more »
Soundtrack:
We Beseech TheeSee more »

FAQ

This FAQ is empty. Add the first question.
3 out of 4 people found the following review useful.
Rejoice in the beautiful city., 26 January 2004
Author: florafairy from Los Angeles

Although I have had the soundtrack to this movie since I was a little girl (and LOVED it), I only just rented it and I was pleasantly surprised at how relevant this supposedly "dated" film still seems. In using real NYC locations, this film wisely eschewed a hokey fantasy-carnival setting that the "vaudeville troupe" feel of the stage play might have suggested (and "The Fantasticks" later went with). I was particularly moved by the use of Bethsaida Fountain (recently used in "Angels in America"), and the visual reference to the Statue of Liberty during the line "you are the light of the world." As a "New York movie," this has got to rank right up there with "Annie Hall" or "Moonstruck." While I don't believe that the historical Jesus skipped and bounced when he was preaching, Victor Garber's Christ continues the tradition that Jesus was both human and divine, the incarnation of Love. It's a very thoughtful, nuanced performance. For me, as a twentysomething, it's very moving to see a representation of Jesus around my age (because, of course, in the Bible Jesus disappears between the ages of 12 and 30). And, for the record, the typing of Jesus as a clown dates to the Medieval mystery plays.

I was most struck by David Haskell's performance as John/Judas. This character both loves Jesus best and questions him the most, and in that, I think, represents the polarities of belief that everyone goes through, no matter their faith. Haskell is the strongest singer in the cast and has a sort of smoldering intensity that would not be expected of a young stage actor. The rest of the ensemble makes up in enthusiasm and vocal verve what they may lack in camera experience. They present the parables of Jesus in a way that is easy to understand but not blasphemous... Jesus says "Rejoice" but he makes no bones about the punishment for sin, either. In sum, "Godspell" is campy and dated, yes, but it's altogether a pleasant piece... in times like these, I daresay we need a smiling Jesus more than we need Mel Gibson's bloody, tortured Christ.

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A GREAT movie...from an atheistic point of view flour-girl
Last scene - location mje2k
Why does Jesus resemble that of a Clown in this Film? jakjus
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