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Godspell (1973)
"Godspell: A Musical Based on the Gospel According to St. Matthew" (original title)

G  |   |  Musical  |  24 August 1973 (Denmark)
6.5
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Ratings: 6.5/10 from 2,376 users  
Reviews: 92 user | 15 critic

An adaption of the musical, in a modern-day song-and-dance recreation of the Gospel of St. Matthew.

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(screenplay), (screenplay), 1 more credit »
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Title: Godspell (1973)

Godspell (1973) on IMDb 6.5/10

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Cast

Credited cast:
...
Katie Hanley ...
Katie
David Haskell ...
John / Judas
Merrell Jackson ...
Merrell
Joanne Jonas ...
Joanne
Robin Lamont ...
Robin
Gilmer McCormick ...
Gilmer
Jeffrey Mylett ...
Jeffrey
...
Jerry
...
Lynne
Edit

Storyline

A modern-day version of the gospels, opening with John the Baptist calling a disparate group of young New Yorkers from their workaday lives to follow and learn from Jesus. They form a roving acting troupe that enacts the parables through song and dance, comedy, and mime. Jesus' ministry ends with a last supper, his Crucifixion in a junkyard, and, the following morning, his body being carried aloft by his apostles back into the world of the living on the streets of New York. Written by Steven Dhuey <sdhuey@mail.soemadison.wisc.edu>

Plot Summary | Add Synopsis

Taglines:

The Gospel according to today. See more »

Genres:

Musical

Certificate:

G | See all certifications »
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Details

Country:

Language:

| |

Release Date:

24 August 1973 (Denmark)  »

Also Known As:

Godspell  »

Box Office

Budget:

$1,300,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(TVC)

Aspect Ratio:

1.33 : 1
See  »
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Did You Know?

Trivia

Victor Garber's first movie. See more »

Goofs

During the baptism scene on Bethesda Terrace, a man on Central Park Lake is visible in 3 separate shots, frantically trying to row his boat out of the scene. See more »

Quotes

Jesus: Consider the lilies of the field. They don't work. They don't spin. Yet I tell you - Solomon in all his splendor was not attired like one of these. Now, if that's how God clothes the grass, which is here today, and tomorrow is thrown unto the fire, will He not all the more clothe YOU?
See more »

Crazy Credits

The end credits include an infinity frames effect. A sixteen second film of a busy street is shown, and then the right and bottom of the frame is frozen in a sideways capital L. This then becomes the frame for the next iteration of the film, which in turn leaves its right and bottom edges as a frame for the next film. Over the frames and film are played thumbnails of the actors, then credit cards and finally a credit scroll. See more »

Connections

Referenced in That '70s Show: Sunday, Bloody Sunday (1998) See more »

Soundtracks

Finale
(incorporating "Prepare Ye" and "Day by Day")
Written by Stephen Schwartz
Performed by Victor Garber and Company
See more »

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User Reviews

 
Rejoice in the beautiful city.
26 January 2004 | by (Los Angeles) – See all my reviews

Although I have had the soundtrack to this movie since I was a little girl (and LOVED it), I only just rented it and I was pleasantly surprised at how relevant this supposedly "dated" film still seems. In using real NYC locations, this film wisely eschewed a hokey fantasy-carnival setting that the "vaudeville troupe" feel of the stage play might have suggested (and "The Fantasticks" later went with). I was particularly moved by the use of Bethsaida Fountain (recently used in "Angels in America"), and the visual reference to the Statue of Liberty during the line "you are the light of the world." As a "New York movie," this has got to rank right up there with "Annie Hall" or "Moonstruck." While I don't believe that the historical Jesus skipped and bounced when he was preaching, Victor Garber's Christ continues the tradition that Jesus was both human and divine, the incarnation of Love. It's a very thoughtful, nuanced performance. For me, as a twentysomething, it's very moving to see a representation of Jesus around my age (because, of course, in the Bible Jesus disappears between the ages of 12 and 30). And, for the record, the typing of Jesus as a clown dates to the Medieval mystery plays.

I was most struck by David Haskell's performance as John/Judas. This character both loves Jesus best and questions him the most, and in that, I think, represents the polarities of belief that everyone goes through, no matter their faith. Haskell is the strongest singer in the cast and has a sort of smoldering intensity that would not be expected of a young stage actor. The rest of the ensemble makes up in enthusiasm and vocal verve what they may lack in camera experience. They present the parables of Jesus in a way that is easy to understand but not blasphemous... Jesus says "Rejoice" but he makes no bones about the punishment for sin, either. In sum, "Godspell" is campy and dated, yes, but it's altogether a pleasant piece... in times like these, I daresay we need a smiling Jesus more than we need Mel Gibson's bloody, tortured Christ.


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