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Godspell (1973)

Godspell: A Musical Based on the Gospel According to St. Matthew (original title)
G | | Musical | 1973 (UK)
An adaption of the musical, in a modern-day song-and-dance recreation of the Gospel of St. Matthew.

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Writers:

(screenplay), (screenplay) | 1 more credit »
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2 nominations. See more awards »

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Cast

Complete credited cast:
...
Katie Hanley ...
Katie
David Haskell ...
John / Judas
Merrell Jackson ...
Merrell
Joanne Jonas ...
Joanne
Robin Lamont ...
Robin
Gilmer McCormick ...
Gilmer
Jeffrey Mylett ...
Jeffrey
...
Jerry
...
Lynne
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Storyline

A modern-day version of the gospels, opening with John the Baptist calling a disparate group of young New Yorkers from their workaday lives to follow and learn from Jesus. They form a roving acting troupe that enacts the parables through song and dance, comedy, and mime. Jesus' ministry ends with a last supper, his Crucifixion in a junkyard, and, the following morning, his body being carried aloft by his apostles back into the world of the living on the streets of New York. Written by Steven Dhuey <sdhuey@mail.soemadison.wisc.edu>

Plot Summary | Add Synopsis

Taglines:

The Gospel according to today. See more »

Genres:

Musical

Certificate:

G | See all certifications »
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Details

Country:

Language:

| |

Release Date:

1973 (UK)  »

Also Known As:

Godspell  »

Box Office

Budget:

$1,300,000 (estimated)
 »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

Stephen Schwartz: seated at the diner counter. Katie serves him a cup of coffee. See more »

Goofs

At the end of "All For The Best", Joanne moves her arm the wrong way and quickly corrects herself. See more »

Quotes

Pharisee Monster: Now, we know you are an honest man. Give us your ruling on this: are we, or are we not permitted to pay taxes to the Roman emperor?
John: Why, you hypocrites, I...!
[Jesus and Merrell restrain him]
Jesus: [to Pharisee Monster] Show me the money in which the tax is paid.
[the Pharisee Monster spits coins at Jesus, who picks one up]
Jesus: Whose head is on here, whose inscription?
Pharisee Monster: Caesar's!
Jesus: Well, then, pay Caesar was is due Caesar, but pay God what is due God!
See more »

Crazy Credits

The end credits include an infinity frames effect. A sixteen second film of a busy street is shown, and then the right and bottom of the frame is frozen in a sideways capital L. This then becomes the frame for the next iteration of the film, which in turn leaves its right and bottom edges as a frame for the next film. Over the frames and film are played thumbnails of the actors, then credit cards and finally a credit scroll. See more »

Connections

Referenced in Slums of Beverly Hills (1998) See more »

Soundtracks

On The Willows
(uncredited)
Written by Stephen Schwartz (based on Psalm 137)
Performed by Stephen Reinhardt, Rich LaBonte (as Richard LaBonte), and Victor Garber
See more »

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User Reviews

 
Still moving
10 April 2004 | by (Kew Gardens, NY) – See all my reviews

Saw this in its original release, on a spring afternoon school trip to a large movie theater on Long Island, which is sadly gone now, like most large single movie theaters. I was so moved by this film that i wore out the soundtrack within a couple of years.

And speaking of buildings being gone, it's so poignant now to see the World Trade Center in this film while it was nearing its completion. With the cast singing the end of the song "All For The Best" on top of one of the towers, how eerie to think that spot doesn't exist anymore. (Also strange that in the beginning of the film, as John the Baptist wheels his cart off the Brooklyn Bridge, the camera pans to show the skyline, and with the Twin Towers there, there's a sound segue to the street scenes...and it's the sound of a jet engine!)

But maybe its appropriate that this film has moments of the Twin Towers in its infancy. Not only in the beginning, in the gorgeous first shot from under the Brooklyn Bridge, and in the song segment...but also when Jesus is on the pier and speaks away from everyone, and the Towers are there again in the shot behind him to the right.

In an odd way, this movie that always meant a lot to me, and count me in as one of the non-religious people out there...its one of the ONLY ways i can see the World Trade Center and feel happy. What other films that shot right at the Twin Towers have the life-affirming qualities that "Godspell" has? I don't know of any, to be honest.

And on that note, I always push this film to people, as one of the outstanding New York movies. Except for the mansion scene...you're at all these exterior locales, with New York empty of people...and to this very day, Manhattan comes alive with memories of this film when i come to a certain location. (Bethesda Fountain was first viewed by me in this film...so every time i go there, one guess what comes to mind.)

Watching it as an adult far from 1973, do I think the film would have aged better with less goofy voices from the performers? Sure. Could the film have been a little longer with the excised songs from the original song still in? You bet, and it still wouldn't have been longer than 105 minutes. Is the ending still one of THE best endings I've seen in a movie musical? Hands down, yes. How brilliant. No stage version of "Godspell" could have done that. Jesus' teachings still matter to many people in the modern day. (And yeah...get past the 1973 fashions and cars...all those scenes of modern NY in the beginning, and the last shot, still hold true today.)

Lastly, for those who were shell-shocked by Mel Gibson's film...i say use this as an alternative. Religious faith needs some smiles and toe-tapping now and then.....


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