Flying from his enemies in the Catholic Church, the free thinking philosopher, poet and scientist Giordano Bruno (1548-1600) has found some protection in Venice. But the Roman Inquisition, ... See full summary »

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Cast

Cast overview, first billed only:
...
Giordano Bruno (as Gianmaria Volonte)
Hans Christian Blech ...
Sartori
Mathieu Carrière ...
Orsini
Renato Scarpa ...
Fra Tragagliolo
Giuseppe Maffioli ...
Arsenalotto
José Quaglio
Mark Burns ...
Mario Bardella
Massimo Foschi ...
Fra Celestino
Corrado Gaipa
Hans Caninenberg
Amerigo Alberani
...
Fosca
Pier Giovanni Anchisi ...
(as Piero Anghisi)
Giancarlo Badessi
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Storyline

Flying from his enemies in the Catholic Church, the free thinking philosopher, poet and scientist Giordano Bruno (1548-1600) has found some protection in Venice. But the Roman Inquisition, fearing his influence in Europe, wants to bring him on trial for 'heresy'. Written by fa404748 (Gent, Belgium)

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Biography | Drama

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Release Date:

29 November 1973 (Italy)  »

Also Known As:

Der Mönch von San Dominico  »

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User Reviews

 
The true story of the passion of Giordano Bruno, from his return to Venice in 1593 to his execution.
17 July 2015 | by (Sweden) – See all my reviews

This is nothing less than a formidable film of almost excruciating force and power in its overwhelmingly correct realism in depicting the tremendous passion of this the greatest of free-thinkers, his denouncement by his best friend and host and the horrible inhumanity of the bureaucracy of the inquisition. When once in the hands of the inquisition, the system was simply so constructed, that it was impossible to get out again - no revocation could help, and all that Venice could do, being after all a republic out of papal control, was to wash their hands and hand the case over to others, leading to a constantly more desperately dwindling spiral of a process to perdition. Gian Maria Volonte is magnificent as Bruno, he couldn't have been made more convincing in his increasingly desperate argument and protests, showing also his very human sides, while the chief merit of the film is its marvellous visual language, often turning the film into pure expressionism, aided by the at times overwhelmingly apt music by Ennio Morricone. This is more than a film, it's an inspired passion of a film, showing Italian historical realism at its best. I didn't know this film existed before I stumbled upon it searching for something else, and starting to watch it there was nothing else to do but to see it through till the end. It should be made more widely known, and it is a good match and complement to the Neil Jordan's Borgia films last year.


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