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Dr. Victor Frankenstein creates his creature, who escapes into the countryside to find that humanity has only pain and sorrow for him. But a psychic link between created and creator draws ... See full summary »
Baron Frankenstein is once again working with illegal medical experiments. Together with a young doctor, Karl and his fiancée Anna, they kidnap the mentally sick Dr. Brandt, to perform the ... See full summary »
In the beginning of the movie you see a woman getting raped by a man-creature of some sort. The movie takes place years later when the child that was a result of that rape is on the rampage... See full summary »
A dead and frozen Baron Frankenstein is re-animated by his colleague Dr. Hertz proving to him that the soul does not leave the body on the instant of death. His lab assistant, young Hans, ... See full summary »
Christopher Isherwood and Don Bachardy published their original version of the screenplay for this film because they were so unhappy with the way it had turned out. The published script differs from the final film in a number of ways. They were also unhappy with casting - they had requested that Jon Voight be offered the part of Victor Frankenstein - and their hope that John Boorman would be hired as director was also dashed. See more »
When Frankenstein dissolves the severed arm with acid, the arm as first shown at the beginning of the scene is significantly different in appearance than the one which is shown actually being dissolved. See more »
Dr. Victor Frankenstein:
[to the Creature, viciously]
Are you satisfied now? Have you punished me enough for giving you life?
[he calms down, then:]
Dr. Victor Frankenstein:
I've wronged you, I know. I, I disowned you. I wanted to destroy you. How can I blame you for anything that you've done? Poor creature... you're as weary of life as I am. If only I could rid mankind of us both. I'm a weak human, I can't stay long in this terrible place. But your iron body will keep you alive against your will. You'll be all alone here. That would be too ...
[...] See more »
A two part television movie which claimed to tell, for the first time anywhere, the genuinely faithful tale of the man who made a creature, exactly as its writer, teenaged Mary Shelley, first concocted it. Well, it may be helpful going in to be forewarned that this isn't really the "true story," but it comes close and what matters most is that it's a good film, albeit one that's three hours long.
In this version, young Victor Frankenstein (Leonard Whiting) is a medical student thirsting for knowledge, which he gets from the wildly eccentric Dr. Henry Clerval (David McCallum). Clerval has devised a method of restoring dead insects back to life, and his greatest achievement comes when he reanimates a man's severed arm. Frankenstein teams up with Clerval and they are just about to proceed with the ultimate experiment of assembling a complete man from dead bodies and making it live, when Henry dies and Victor is forced to work alone (I'll bet you never knew it wasn't all Frankenstein's idea). The final product is a perfectly attractive male creation (Michael Sarrazin) who has been given Clerval's brain and instantly bonds with Victor, his creator. Frankenstein begins to neglect his fiancé Elizabeth (Nicola Pagett) while taking the time to refine his new Adam. Unbeknownst to Victor, before Clerval died he tried to warn Frankenstein that the animation process performed on the first severed arm was actually reversing itself and the flesh was deteriorating. In a short period of time, the once-handsome creature begins to show signs of his skin rotting and upon witnessing this, Frankenstein suddenly loses all interest in his creation and abandons him. The rest of the film carries on with the scorned monster's journey to punish his master. He meets up with a nasty and cunning former associate of Clerval, the elder Dr. Polidori (James Mason), who blackmails Frankenstein into constructing a female named Prima (played by Jane Seymour).
This is a lush and well-crafted Victorian period piece, and the story of unrequited love between the creature and his creator is at the core of it. For those who up till now have only been familiar with the classic Boris Karloff image of the flat-headed monster with big boots and bolts in his neck, this is something else entirely. It's touching but also horrifying at times, with a good cast. In addition to Michael Sarrazin's sympathetic work as the creature, David McCallum's obsessive Clerval and James Mason's unscrupulous Polidori (presumably the Ernest Thesiger character in this one) are the best performances. *** out of ****
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