'Social Suicide' is an investigative thriller examining what it really takes to get noticed on the Internet today. Loosely based on Romeo and Juliet, the police investigate what happened to... See full summary »
The Spanish explorer Pizarro captures the Inca god-chief Atahualpa and promises to free him upon the delivery of a hoard of gold. But Pizarro finds himself torn between his desire for ... See full summary »
Dr. Victor Frankenstein creates his creature, who escapes into the countryside to find that humanity has only pain and sorrow for him. But a psychic link between created and creator draws ... See full summary »
Frankenstein, a young medical student, trying to create the perfect human being, instead creates a misshapen monster. Made ill by what he has done, Frankenstein is comforted by his fiancée ... See full summary »
J. Searle Dawley
Through the childhood and the adolescence of Giacomo Casanova (from his memoirs), this is a description of how people live in the Venice of the 18th century: customs, habits, medecine, ... See full summary »
Maria Grazia Buccella,
A pop musical loosely based on 'Nicholas Nickleby', Smike! is the story of a group of restless school-children who go back in time to the world of Charles Dickens and see for themselves ... See full summary »
The character 'Dr. Polidori' is not taken from Mary Shelley's novel, but was a real life acquaintance of hers. He started to write "The Vampyre" in the same weekend that she got the idea to write "Frankenstein". The actual Polidori served as Lord Byron's doctor at the time, who mockingly referred to him as 'Pollydori', just like Clerval does in this TV adaptation. See more »
When Frankenstein dissolves the severed arm with acid, the arm as first shown at the beginning of the scene is significantly different in appearance than the one which is shown actually being dissolved. See more »
Dr. John Polidori:
What a model parent you've been! You loved your creature so long as it was pretty but when it lost its looks, Hah! That was another matter! So much for your dainty conscience.
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I first saw this film on television at age 12 or 13, in black-and-white (we didn't have a color television at the time). I recall it being shown in two parts, but even in black and white and at a young age I could see it was a rather lavish production. The cast is excellent. I found the entire story fascinating and I was mesmerized by it. As with most television films of that era (prior to home video recording technology) I was afraid I'd never see it again. I was oh-so-pleasantly surprised when it was run on a premium cable network in 1997 while I was living in California! Watching it in color made it even more fascinating than before. It is certainly a departure from more "traditional" treatments of this story, which makes it even more of a true gem captured on film! The viewer receives a more graceful, romantic treatment of a fascinating story.
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