A triangle of friendship, love, sex, and, perhaps, murder. Minou is newly married to Peter, a businessman in debt as he works to bring a new product to market. They met through Dominique, ... See full summary »
Pier Paolo Capponi,
Someone is killing off nubile real estate agents. A psychologist doing a therapy talk show begins getting calls from the perpetrator, and cooperates with the police to try and stop him. ... See full summary »
A baby sitter is stuck watching over a young brat on Halloween night who keeps playing vicious pranks on her. To add to her trouble the boy's deranged father has escaped from an asylum and is planning on making a visit.
THE FLOWER WITH THE PETALS OF STEEL (Gianfranco Piccioli, 1973) ***
Being a latter-day entry in Carroll Baker's Italian giallo tenure, coupled with its essential lack of reputation (probably ascribed to the involvement of an obscure director one of only three he helmed), I was surprised to learn that the title under review was held in higher esteem by the "Cult Filmz" website than the American star's renowned collaborations with Umberto Lenzi; in hindsight, I agree with this estimation, since I had always found that series of movies average at best (though, in all fairness, I still have one more to check out i.e. SO SWEET SO PERVERSE  and which I will do presently). Incidentally, despite her top billing, Baker is not the protagonist of the film in fact, she is just one among a bevy of fetching females with whom leading man Gianni Garko interacts (in more ways than one) throughout. This suggests a reasonably convoluted plot line and, in fact, the revelation offered here is among the wildest (as the whole resolves itself with a bit of lesbian underwater sex!) I have seen within this genre though I felt the added ironic twist (which sees the culprits not getting away with it after all) unwarranted and a miscalculation! For the record, two other unexpected elements here are the sheer fact that a surgeon would allow himself such an impossibly intricate love life, which would surely prevent him from functioning properly within his chosen and ultra-delicate profession, and also that the (hardly handsome) cop on the trail of the assassin would fall for one of the suspects, the not-so-young-anymore Baker (whose drop in stature in this case eventually numbers her among the murder victims themselves)! While the film maintains a frustratingly unhurried pace albeit offset by a good Marcello Giombini score along the way, like I said earlier, the premise is woolly enough to keep one engrossed trying to unravel it!; by the way, the subject of the Argento-like title is the weapon that unwittingly brings about the original killing (which party's face is cleverly concealed until the climax).
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