| Giancarlo Giannini | ... | Antonio Soffiantini 'Tunin' | |
| Mariangela Melato | ... | Salomè | |
| Eros Pagni | ... | Giacinto Spatoletti | |
| Pina Cei | ... | Madame Aïda | |
| Elena Fiore | ... | Donna Carmela | |
| Giuliana Calandra | |||
| Isa Bellini | |||
| Isa Danieli | ... | Prostitute | |
| Enrica Bonaccorti | ... | Prostitute | |
| Anna Bonaiuto | ... | Prostitute | |
| Anita Branzanti | ... | Prostitute | |
| Maria Sciacca | ... | Prostitute | |
| Anna Melato | ... | Prostitute | |
| Gea Linchi | ... | Prostitute | |
| Anna Stivala | ... | Prostitute | |
| Josiane Tanzilli | ... | Prostitute | |
| Valeria Piaggio | ... | Prostitute | |
| Franca Salerno | |||
| Roberto Herlitzka | ... | Pautasso | |
| Anna Maria Dossena | |||
| Mario Nandi | |||
| Maria Capparelli | |||
| Gianfranco Barra | |||
| Lina Polito | ... | Tripolina | |
| Lorenzo Piani | |||
| Luigi Antonio Guerra |
Directed by | |||
| Lina Wertmüller | |||
Writing credits(in alphabetical order) | ||
| Lina Wertmüller | writer | |
Produced by | |||
| Billy 'Silver Dollar' Baxter | .... | executive producer | |
| Romano Cardarelli | .... | producer | |
| Herbert R. Steinmann | .... | executive producer | |
Original Music by | |||
| Nino Rota | |||
| Carlo Savina | |||
Cinematography by | |||
| Giuseppe Rotunno | |||
Film Editing by | |||
| Franco Fraticelli | |||
| Fima Noveck | |||
Art Direction by | |||
| Gianni Giovagnoni | |||
Costume Design by | |||
| Enrico Job | |||
Second Unit Director or Assistant Director | |||
| Gianni Arduini | .... | first assistant director | |
Other crew | |||
| Peter Fernandez | .... | voice director: English version | |
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| Christ Stopped at Eboli | Seven Beauties | Malèna | Three Brothers | Fellini's Roma |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb Italy section |
Giannini is hilarious as a dim-witted hayseed anarchist, who, en route to assassinate Mussolini falls in love. An exuberant, vital, full throttle feast of a film, mostly set in a lusciously decadent Roman brothel, where Wertmuller, (who also wrote the very witty script) successfully directs the extraordinary (and excellently acted) characters through wild changes of mood, and juggles powerful politics, tender romance, horrible farce and tragedy with exceptional flair. Rotunno's photography is delicious; the unusually potent period atmosphere is splendidly captured by Enrico Job (Mr Wertmuller) and the music by Rota/Savina is perfect. Wertmuller at her most accessible.