The Exorcist
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6 items from 2005


'The Exorcist' Author Sues Over Second Prequel

7 June 2005 | WENN | See recent WENN news »

The Exorcist author William Blatty is suing a film production company for allegedly failing to fulfil an agreement to pay him $750,000 for this year's Dominion: A Prequel To The Exorcist. According to trade paper Hollywood Reporter, Blatty filed suit in Los Angeles Superior Court on Friday, claiming Morgan Creek Production guaranteed him a fee if they made a second sequel to the original 1973 horror classic. Blatty states he was paid $930,000 for the first sequel - Exorcist: The Beginning - last year, which stemmed back from an October 1996 agreement. Blatty alleges he hasn't received any money regarding Dominion, which hit cinemas last month. »

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Dominion: Exorcist

6 June 2005 | The Hollywood Reporter | See recent The Hollywood Reporter news »

You could say the devil made them redo it.

It isn't often a movie is remade before the first one even hits theaters, but such is the curious case of the prequel to the granddaddy of all demonic possession pictures.

Unhappy with the original Paul Schrader take, Morgan Creek threw more money at Renny Harlin, who goosed the atmospherics but failed to generate the requisite chills with last year's Exorcist: The Beginning, which managed to scare up a tepid $42 million domestically.

Now moviegoers are getting a chance to judge Schrader's effort for themselves, and it's a safe bet that the majority will quickly understand why the suits had their fears about the awkwardly titled "Dominion: Prequel to the Exorcist."

While the William Wisher and Caleb Carr story line and character motivations are easier to follow, the Schrader variation is awfully dull, with scant evidence of the sort of things that make horror movies attractive -- like mounting suspense and spine-tingling creepiness and, oh yeah, the element of horror.

Instead Schrader, who took on the production after original director John Frankenheimer fell ill, serves up a discourse on that ages-old battle between God and the devil over the human soul with all the sustained tension of a Discovery Channel program.

As in the Harlin film, Swedish actor Stellan Skarsgard plays Father Lankester Merrin, a priest (played in his older years by Max von Sydow in the original Exorcist) who underwent a crisis of faith at the hands of the Nazis from which he never recovered.

Trading his collar for a sturdy pair of boots, Merrin has been working as an archaeologist in British East Africa, where he has unearthed an ancient Byzantine church that has been preserved in its entirety.

Working under the watchful eye of Father Francis (played here by Gabriel Mann), a young priest who has been dispatched to ensure that the contents of the pristine structure are accorded the proper religious respect, Merrin unwittingly unleashes a whole lot of hurt when it is discovered, too late, that beneath the church lies the still-potent remnants of an ancient crypt where satanic rituals had been routinely conducted.

Given that Warner Bros. Pictures is throwing Dominion up against another movie prequel going by the name of "Star Wars: Episode III -- Revenge of the Sith," that church isn't the only thing to be buried.

An actor who conveys just the right amount of genuine decency and a world-weary remorse, Skarsgard is ideally cast as Merrin, but here, as with the Harlin version, he's again surrounded by several weak performances, not to mention some laughably inept CGI.

On paper, it might have been easy to see the attraction of a prequel that would expand on the 1973 film's reference to Merrin's having once performed an exorcism in Africa. But in the dominion of the horror film, an intriguing backstory won't suffice.

It might also have those moody Moroccan locations and acclaimed cinematographer Vittorio Storaro on the payroll, but this inert take on the classic William Peter Blatty material can't even exorcise the doldrums, let alone the demons.

Dominion: Prequel to The Exorcist

Warner Bros. Pictures

Morgan Creek Prods.

Credits:

Director: Paul Schrader

Producer: James G. Robinson

Executive producers: Guy McElwaine, David Robinson

Screenwriters: William Wisher and Caleb Carr

Director of photography: Vittorio Storaro

Production designer: John Graysmark

Editor: Tim Silano

Costume designer: Luke Reichle

Music: Trevor Rabin, Angelo Badalamenti, Dog Fashion Disco.

Cast:

Father Merrin: Stellan Skarsgard

Father Francis: Gabriel Mann

Rachel Lenso: Clara Bellar

Cheche: Billy Crawford

Sergeant Major: Ralph Brown

Jomo: Israel Aduramo

MPAA Rating: R

Running time -- 116 minutes »

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'Exorcist' author sues over sequel

3 June 2005 | The Hollywood Reporter | See recent The Hollywood Reporter news »

The Exorcist author William Blatty has sued Morgan Creek Productions for allegedly failing to pay him an agreed-upon fee for a recent sequel to the franchise. Blatty, in a suit filed Friday in Los Angeles Superior Court, seeks $750,000, the amount he was reportedly guaranteed if the studio made a second sequel to the original 1973 release. According to Blatty's attorneys, payment for sequels was covered in an October 1996 settlement agreement, which called for a $930,000 payment for a first sequel and a $750,000 payment for each subsequent release. Blatty contends that he was paid for the first sequel, 2004's Exorcist: The Beginning, but not the second, the recently released Dominion: A Prequel to the Exorcist. Morgan Creek could not be reached for comment. »

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Schrader puts 'Exorcist' tale in perspective

29 March 2005 | The Hollywood Reporter | See recent The Hollywood Reporter news »

BRUSSELS -- Director Paul Schrader insists that, if nothing else, his Hollywood odyssey has been unique in film history. Speaking at the premiere of his ill-fated Exorcist prequel at the Brussels International Festival of Fantastic Film, Schrader noted that "film schools will now have the easiest example of a compare-and-contrast question." Said Schrader: "In that sense, this is an asterisk in the history of cinema." Schrader had been brought in to shoot Exorcist: The Beginning after the original director, the late John Frankenheimer, fell ill. But producer Morgan Creek felt Schrader's version was too tame. They shelved it on delivery and hired Renny Harlin to reshoot the entire movie, which came out last year. After almost two years in Hollywood purgatory, Schrader allowed himself a moment of vindication at the Brussels Festival, which ended Saturday. »

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Schrader puts 'Exorcist' tale in perspective

29 March 2005 | The Hollywood Reporter | See recent The Hollywood Reporter news »

BRUSSELS -- Director Paul Schrader insists that, if nothing else, his Hollywood odyssey has been unique in film history. Speaking at the premiere of his ill-fated Exorcist prequel at the Brussels International Festival of Fantastic Film, Schrader noted that "film schools will now have the easiest example of a compare-and-contrast question." Said Schrader: "In that sense, this is an asterisk in the history of cinema." Schrader had been brought in to shoot Exorcist: The Beginning after the original director, the late John Frankenheimer, fell ill. But producer Morgan Creek felt Schrader's version was too tame. They shelved it on delivery and hired Renny Harlin to reshoot the entire movie, which came out last year. After almost two years in Hollywood purgatory, Schrader allowed himself a moment of vindication at the Brussels Festival, which ended Saturday. »

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Reeves Targeted by Spooky Warner Bros. Ghosts

16 March 2005 | WENN | See recent WENN news »

Keanu Reeves and director Francis Lawrence were overcome with fear when supernatural forces disrupted shooting on a vital Constantine scene. The cast and crew had gathered in sound stage 16 at Warner Bros' Hollywood lot to work on the spooky blockbuster, but were soon desperate to leave the building when paranormal activity started to arise. And it was particularly terrifying for all present - because they were all aware of the spooky forces that had tormented movie-makers working on The Exorcist and Poltergeist. Lawrence tells Britain's Empire magazine, "It was strange. There was this one set that we worked on that got weird. We were on Warner Bros sound stage 16, and we'd built theses two rooms, the physiotherapy and hydrotherapy rooms - they're a huge part of the ending of the movie. "And one half of it, the physiotherapy side, just got weird. We were there for six weeks in this room, and people were getting sick, or didn't feel good or got angry. There was just something about that room." »

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6 items from 2005


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