The Exorcist (1973)

User Rating:

8.1/10   

Director:

William Friedkin

Writers:

William Peter Blatty (written for the screen by)
William Peter Blatty (novel)

Release Date:

26 December 1973 (USA)

Genre:

Drama | Horror | Thriller

Tagline:

Something beyond comprehension is happening to a little girl on this street, in this house. A man has been called for as a last resort to try and save her. That man is The Exorcist.

Plot:

When a teenager is possessed by a mysterious entity, her mother seeks the help of two priests to save her daughter.

Plot Keywords:

Priest | Actress | Faith | Washington D.C. | Psychiatrist

Awards:

Won 2 Oscars. Another 12 wins & 14 nominations

Cast

Ellen Burstyn	...	Chris MacNeil
Max von Sydow	...	Father Merrin
Lee J. Cobb	...	Lt. Kinderman
Kitty Winn	...	Sharon
Jack MacGowran	...	Burke Dennings
Jason Miller	...	Father Karras
Linda Blair	...	Regan
Reverend William O'Malley	...	Father Dyer (as Reverend William O'Malley S.J.)
Barton Heyman	...	Dr. Klein
Peter Masterson	...	Dr. Barringer - Clinic Director (as Pete Masterson)
Rudolf Schündler	...	Karl
Gina Petrushka	...	Willi
Robert Symonds	...	Dr. Taney
Arthur Storch	...	Psychiatrist
Reverend Thomas Bermingham	...	Tom - President of University (as Reverend Thomas Bermingham S.J.)
Vasiliki Maliaros	...	Karras' Mother
Titos Vandis	...	Karras' Uncle
Wallace Rooney	...	Bishop Michael
Ron Faber	...	Chuck - Assistant Director / Demonic Voice
Donna Mitchell	...	Mary Jo Perrin
Roy Cooper	...	Jesuit Dean
Robert Gerringer	...	Senator at Party
Mercedes McCambridge	...	Demon (voice)
rest of cast listed alphabetically:
William Peter Blatty	...	Producer (uncredited)
Mary Boylan	...	First Mental Patient (uncredited)
Richard Callinan	...	Astronaut (uncredited)
Mason Curry	...	(voice) (uncredited)
Eileen Dietz	...	Pazuzu's Face (uncredited)
Joanne Dusseau	...	Senator's Wife (uncredited)
Yvonne Jones	...	Bellevue Nurse (uncredited)
John Mahon	...	Language Lab Director (uncredited)
Reverend John Nicola	...	Priest (uncredited)
Vincent Russell	...	Subway Vagrant (uncredited)

Directed by
William Friedkin

Writing credits
William Peter Blatty		(written for the screen by)
William Peter Blatty		(novel)

Produced by
William Peter Blatty	....	producer
Noel Marshall	....	executive producer
David Salven	....	associate producer

Original Music by
Steve Boeddeker		(2000)

Cinematography by
Owen Roizman		(director of photography)

Film Editing by
Norman Gay
Evan A. Lottman		(as Evan Lottman)

Casting by
Louis DiGiaimo		(as Louis DiGiamo)
Nessa Hyams
Juliet Taylor

Production Design by
Bill Malley

Set Decoration by
Jerry Wunderlich

Costume Design by
Joseph Fretwell III		(as Joe Fretwell)

Makeup Department
William A. Farley	....	hair stylist (as Bill Farley)
Dick Smith	....	makeup artist

Production Management
William Kaplan	....	production manager: Iraq sequence

Second Unit Director or Assistant Director
Terence A. Donnelly	....	first assistant director
Alan R. Green	....	second assistant director (as Alan Green)

Art Department
Charles Bailey	....	assistant art director
Joseph M. Caracciolo	....	property master (as Joe Caracciolo)
Edward Garzero	....	master scenic artist (as Eddie Garzero)
Gene Lauritzen	....	construction coordinator (uncredited)

Sound Department
Randle Akerson	....	dialogue editor (2000 re-release)
Randle Akerson	....	sound editor (2000 re-release)
Noah Blough	....	sound editor (2000 re-release)
Andrew Bock	....	assistant sound editor: 2000 rerelease
Steve Boeddeker	....	sound designer: theatrical re-release
Fred J. Brown	....	sound effects editor (as Fred Brown)
Richard Burton	....	sound editor (2000 re-release)
Susan Demskey	....	first assistant sound editor (2000 re-release) (as Susan Demskey-Horiuchi)
Matthew Dettmann	....	foley artist (2000 re-release) (as Matt Dettmann)
Richard Duarte	....	foley mixer (2000 re-release)
Jean-Louis Ducarme	....	sound: Iraq sequence
Bob Fine	....	special sound effects
Dana LeBlanc Frankley	....	adr assistant (2000 release) (as Dana LeBlanc)
Gonzalo Gavira	....	special sound effects
Gary A. Hecker	....	foley artist (2000 re-release) (as Gary Hecker)
David C. Hughes	....	sound effects editor: re-release
Richard King	....	supervising sound editor (2000 re-release)
Robert Knudson	....	dubbing mixer (as Buzz Knudson)
Hal Landaker	....	sound consultant
James Matheny	....	sound editor (2000 re-release)
Ron Nagel	....	special sound effects (as Ron Nagle)
Christopher Newman	....	sound (as Chris Newman)
Timothy Nielsen	....	sound effects editor: re-release
Mark Pappas	....	foley editor (2000 re-release)
Mark Pappas	....	sound editor (2000 re-release)
Gary Rizzo	....	sound re-recording mixer (2000 special edition)
Doc Siegel	....	special sound effects
Donald Sylvester	....	sound editor: 2000 rerelease
Ross Taylor	....	sound effects editor
Robert Ulrich	....	adr supervisor (2000 re-release)
Robert Ulrich	....	supervising adr editor (2000 re-release)
Kerry Dean Williams	....	adr editor (2000 re-release) (as Kerry Williams)
Linda Yeaney	....	first assistant sound editor: 2000 rerelease
Sean England	....	machine room operator: 2000 re-release (uncredited)
Sharron Miller	....	sound editor (uncredited)
Michael Minkler	....	sound re-recording mixer (2000 re-release) (uncredited)
Ken Nordine	....	special sound effects (uncredited)

Special Effects by
Marcel Vercoutere	....	special effects
Rick Baker	....	special effects assistant (uncredited)

Visual Effects by
Jennifer Law-Stump	....	2000 special edition digital effects artist: Pacific Title Digital
Marv Ystrom	....	optical effects
Martin Hall	....	paint/roto artist (uncredited)
Matt Linder	....	digital compositor: restoration (uncredited)

Stunts
Steven Burnett	....	stunts (uncredited)
Linda R. Hager	....	stunt double (uncredited)
Anne Miles	....	stunts (uncredited)
Chuck Waters	....	stunts: Jason Miller (uncredited)

Camera and Electrical Department
Richard Quinlan	....	gaffer (as Dick Quinlan)
Ed Quinn	....	key grip (as Eddie Quinn)
Josh Weiner	....	still photographer
Billy Williams	....	director of photography: Iraq sequence
Gary Muller	....	second assistant camera (uncredited)
Kelvin Pike	....	camera operator: iraq sequence (uncredited)
Tom Priestley Jr.	....	assistant camera (uncredited)
Robert Schoenhut	....	camera operator (uncredited)
David Wynn-Jones	....	focus puller (uncredited)

Costume and Wardrobe Department
Bill Beattie	....	wardrobe: men's
Aldo Cipullo	....	jewelry designer: Cartier, New York
Florence Foy	....	wardrobe: ladies'

Editorial Department
John C. Broderick	....	supervising film editor (as Jordan Leondopoulos)
Michael Goldman	....	assistant film editor (as Michal Goldman)
Terry Haggar	....	color timer (special edition)
Ross Levy	....	assistant film editor: Iraq sequence
Craig McKay	....	assistant film editor
Bob McMillian	....	color consultant (as Robert M. McMillian)
Darrin Navarro	....	assistant editor (theatrical re-release)
Jonathan Pontell	....	assistant film editor
Ray Sabo	....	negative cutter (special edition)
Bud S. Smith	....	editor: Iraq sequence (as Bud Smith)

Music Department
Harry Bee	....	composer: "Beginnings"
Robert Garrett	....	music editor (2000 re-release)
Eugene Marks	....	music editor (as Gene Marks)
Jack Nitzsche	....	composer: additional music
Hamburg State Opera	....	performers: "The Devils of Loudon"
Orchestra of the Cracow Philharmonia	....	performers: "Polymorphia"
Ken Nordine	....	vocal coach: Linda Blair (uncredited)

Other crew
Reverend Thomas Bermingham	....	technical advisor (as Reverend Thomas Bermingham S.J.)
Norman E. Chase M.D.	....	technical advisor: Professor of Radiology, New York University Medical Center
Anne Mooney	....	production office coordinator
Reverend John Nicola	....	technical advisor (as Reverend John Nicola S.J.)
Reverend William O'Malley	....	technical advisor (as Reverend William O'Malley S.J.)
Dan Perri	....	title designer
Nicholas Sgarro	....	script supervisor (as Nick Sgarro)
Albert M. Shapiro	....	administrative assistant (as Albert Shapiro)
Arthur I. Snyder M.D.	....	technical advisor
Herbert E. Walker M.D.	....	technical advisor
Eileen Dietz	....	double: Regan MacNeil (uncredited)

Production Companies

• Hoya Productions

Distributors

• Warner Bros. Pictures (1973) (USA) (theatrical)
• Warner Bros. Pictures (2000) (USA) (theatrical) (director's cut)
• Warner Bros. (2001) (Argentina) (theatrical) (director's cut)
• Warner Bros. (2001) (Czech Republic) (theatrical)
• Warner Bros. (1974) (West Germany) (theatrical)
• Warner Bros. (1974) (France) (theatrical)
• Warner Bros. (1974) (UK) (theatrical)
• Warner Bros. (1998) (UK) (theatrical) (re-release)
• Warner Bros. (1974) (Japan) (theatrical)
• Warner Bros. (1974) (Netherlands) (theatrical)
• Warner Bros. (2001) (Netherlands) (theatrical) (director's cut)
• Warner Sogefilms A.I.E. (2001) (Spain) (theatrical) (director's cut)
• Argentina Video Home (2001) (Argentina) (VHS)
• Columbia Broadcasting System (CBS) (1980) (USA) (TV) (broadcast premiere)
• Varus Video (19??) (Russia) (VHS)
• Warner Home Video (2001) (Switzerland) (DVD) (director's cut)
• Warner Home Video (19??) (Netherlands) (VHS)
• Warner Home Video (2000) (Netherlands) (DVD)
• Warner Home Video (2001) (Netherlands) (VHS) (director's cut)
• Warner Home Video (1992) (USA) (VHS)
• Warner Home Video (1998) (USA) (DVD)
• Warner Home Video (2000) (USA) (DVD)
• Warner Home Vídeo (19??) (Brazil) (VHS)
• Warner Home Vídeo (2001) (Brazil) (DVD)

Special Effects

• Pacific Title (additional visual effects) (special edition)

Other Companies

• Révillon  furs (as Revillon)
• Cartier  jewelry (as Cartier New York)
• International Alliance of Theatrical Stage Employees (IATSE)  this picture made under the jurisdiction of (as I.A.T.S.E.)
• Panavision  photographic equipment

Also Known As:

The Exorcist 2000 (Australia) (cable TV title)
The Exorcist: The Version You Haven't Seen Yet (USA) (recut version)
The Exorcist: The Version You've Never Seen (USA) (promotional title)
William Peter Blatty's The Exorcist (USA) (reissue title)

MPAA:

Rated R for strong language and disturbing images. (edited version in 2000)

Runtime:

122 min | 132 min (director's cut)

Country:

USA

Language:

English | Latin | Greek | French | German | Arabic

Color:

Color (Metrocolor)

Aspect Ratio:

1.85 : 1

Sound Mix:

70 mm 6-Track (1979 re-release) | DTS-ES (director's cut) | Dolby Digital EX (director's cut) | Mono (original release) | SDDS (director's cut)

Certification:

Canada:18 (Nova Scotia) (re-rating) (1998) | Canada:R (Nova Scotia) (original rating) | Canada:R (Ontario) | South Korea:15 | Malaysia:(Banned) | UK:(Banned) (original rating) | Italy:VM14 (director's cut) | Australia:MA (TV rating) | Brazil:14 | Singapore:(Banned) (original rating) | Singapore:R(A) (re-rating) (cut) | Canada:14A (re-rating) | Philippines:R-18 | Brazil:18 (original rating) | Canada:R (video rating) | Portugal:M/16 | Spain:13 | Argentina:16 | Australia:R | Canada:13+ (Quebec) | Canada:14 (Nova Scotia) (2000 re-release) | Canada:18A (Alberta/British Columbia) (2000 re-release) | Canada:AA (Ontario) (2000 re-release) | Canada:R (Manitoba) (also 2000 version) | Chile:14 (re-rating) (2000) | Chile:18 (original rating) | Finland:K-18 | France:-12 (director's cut) | France:-16 (original rating) | Germany:16 (bw) (2001 re-release) | Hong Kong:IIB | Hungary:18 | Iceland:16 | Ireland:18 | Israel:18 | Italy:VM14 (re-release) | Mexico:C | Netherlands:16 (director's cut) | Netherlands:18 (original rating) | New Zealand:R16 | Norway:15 (2000) | Norway:18 | Singapore:M18 (video rating) (cut) | Spain:18 | Sweden:15 | UK:18 (re-rating) (1990) | UK:X (original rating) | USA:R | West Germany:18 (bw)

Filming Locations:

3600 Prospect Avenue, Georgetown, Washington, District of Columbia, USA

Company:

Hoya Productions

Trivia:

John Boorman had been offered the chance to direct, but declined because he felt the storyline was "cruel towards children". He did, however, accept the offer to direct the sequel, Exorcist II: The Heretic (1977).

Goofs:

Continuity: When challenged to set Regan's body free from the bed straps, the devil declines, citing that it would be too disgusting a show of power. Later, he does set her body free from the straps, so they can rise from the bed.

Quotes:

[first lines]
Boy: [in Iraqi language] They've found something... small pieces.

Movie Connections:

Referenced in Naturaleza muerta (2005)

Soundtrack:

Fantasia for Strings

Unmatched brilliance

There is a reason for the hysteria and mystique surrounding THE EXORCIST. And it's called genius.

Never have I seen a film matched in shock, terror, writing, or performances. This isn't a horror movie. The film itself is both a moving and terrifying drama that takes a realistic look at what would actually happen if a young girl were possessed in modern America. William Peter Blatty's script is amazing, bringing depth to the characters, and presenting the mystery of faith that they all deal with. Is Regan possessed? Is she insane? And most importantly, Is there a God? In the course of two hours, we see a sweet and innocent young girl become a cross masturbating, head spinning, murderous, creature. We see a successful actress overcome skepticism to save her daughter, and we see a brilliant psychiatrist struggle with his devotion to God as a priest.

Friedkin's direction is marvelous, with wonderful uses of light, dark, and color throughout the film. Jason Miller (as Damien Karras) is beautifully subtle in his first film acting role. Max Von Sydow and Lee J. Cobb provide engaging supporting performances as the experienced priest who senses his impending doom, and a detective who senses something sinister is at work. Ellen Burstyn gives a brutally honest performance as a grief stricken woman trying to save her daughter. And most of all, a 12-year-old Linda Blair gives one of the most terrifying, convincing, and beautiful performances ever shown on film. Her range of emotion and connection to Regan are astonishing. She deserved that Oscar!

THE EXORCIST presents to us the mystery of faith in it's most raw form--the battle of good and evil. It is an incomparable masterpiece of film, done without the aid of computers and special effects. It relies on story and performances to give us a marvelous and terrifying piece of work. In the end, it makes us ask ourselves what we believe, and keeps us wondering and shuddering at exactally what might be out there.