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The Exorcist (1973)

When a teenage girl is possessed by a mysterious entity, her mother seeks the help of two priests to save her daughter.

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(written for the screen by), (novel)
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Won 2 Oscars. Another 14 wins & 15 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
...
...
...
...
...
Father Dyer (as Reverend William O'Malley S.J.)
Barton Heyman ...
...
Dr. Barringer - Clinic Director (as Pete Masterson)
Rudolf Schündler ...
Karl
Gina Petrushka ...
Willi
Robert Symonds ...
Dr. Taney
Arthur Storch ...
Psychiatrist
Thomas Bermingham ...
Tom - President of University (as Reverend Thomas Bermingham S.J.)
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Storyline

A visiting actress in Washington, D.C., notices dramatic and dangerous changes in the behavior and physical make-up of her 12-year-old daughter. Meanwhile, a young priest at nearby Georgetown University begins to doubt his faith while dealing with his mother's terminal sickness. And, book-ending the story, a frail, elderly priest recognizes the necessity for a show-down with an old demonic enemy. Written by Andrew Harmon <aharmon@erols.com>

Plot Summary | Plot Synopsis

Taglines:

Something beyond comprehension is happening to a girl on this street, in this house . . . a man has been sent for as a last resort. That man is The Exorcist. See more »

Genres:

Horror

Motion Picture Rating (MPAA)

Rated R for strong language and disturbing images | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

| | | | | |

Release Date:

26 December 1973 (USA)  »

Also Known As:

The Exorcist: The Version You Haven't Seen Yet  »

Box Office

Budget:

$12,000,000 (estimated)

Opening Weekend:

£151,714 (UK) (19 June 1998)

Gross:

$204,565,000 (USA)
 »

Company Credits

Production Co:

,  »
Show detailed on  »

Technical Specs

Runtime:

| (director's cut)

Sound Mix:

(1979 re-release)| (director's cut)| (director's cut)| (original release)| (director's cut)

Color:

(Metrocolor)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

During a 1984 reunion of the cast of The Exorcist on Good Morning America (1975), Ellen Burstyn told story of when she was in Tucson, Arizona filming Alice Doesn't Live Here Anymore (1974) and The Exorcist was opening in that city while she was there so she went to see it. She stated that the scene where Regan has her arteriogram was the part where most people fainted (this is the scene where Regan gets an arterial catheter inserted into her neck). After that scene she saw a woman wobbling up the aisle so Ms. Burstyn followed her. When the woman finally fainted, Ms. Burstyn was at her aid, loosening her collar and talking to her. Then the woman began to come to and Ms. Burstyn realized that if this woman opened her eyes and saw her, this might cause the woman to panic. Ms. Burstyn's exact words were that she might think she was in the Twilight Zone or something. So, Ms. Burstyn asked assistance from another person to help the woman recover. See more »

Goofs

In the basement scene where Father Karras visits the Georgetown home rented by Chris, the 2x10 ceiling joists are fairly new looking despite the fact that it is a Federal-style home (c. 1780-1830) revealing it as a built set and not an actual location of that era. See more »

Quotes

[first lines]
Boy: [in Arabic] They've found something... small pieces.
See more »

Crazy Credits

There are no opening credits after the title. Although it is commonplace now, it was unheard of in 1973. See more »

Connections

Referenced in Clifford (1994) See more »

Soundtracks

Tubular Bells
Written by Mike Oldfield
Courtesy of Virgin Records
[Heard during opening and closing]
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Review of The Exorcist.
24 August 2005 | by (United States) – See all my reviews

For as long as I can recall, I've always possessed (no pun intended) an innate feeling that there exists outside the realm of our established dogma things that defy conventional logic. When I was in the sixth grade, I read the book, "The Exorcist," which scared me senseless. The idea that the Devil could infiltrate the delicate core of one's being called a soul absolutely terrified me at such a young age. After seeing the movie, I was speechless. Have been ever since. William Friedkin's transformation of the book to the movie was superb, in my opinion. (Not all adaptations are.) Dick Smith's special effects, in contrast to today's make-up advancements in the film industry, are still able to stand the test of time. The acting was splendid, from Lee J. Cobb & Jason Miller, to Ellen Burstyn and Max von Sydow's limited appearance in the piece. Friedkin's slice-of-life direction enhances the essence of the fear-factor in an oddly subtle fashion, as though the viewer were actually alongside the characters in the film. Lending to the creepiness of the film is the fact that there exists a minimal musical score (Mike Oldfield's "Tubular Bells" does accompany two nuns strolling gingerly down a Georgetown street in autumn, their robes billowing slightly in the wind). The palpability of what happens to a young Linda Blair has astounded me for over three decades. Having been so taken with the notion that inhuman entities DO stalk the earth and have never existed in human form, I've written a couple of novels on the subject matter, myself. I liken the new version that had been released a few years ago to the last nail in the proverbial coffin of effectiveness, making this one of the best horror-genre films of all time. Simply put: I've never seen any film that remotely comes close to what this movie has done to me (in terms of frightening me senseless). Linda Blair's cute Regan MacNeil is utterly transformed into a beast which is flat-out disturbing to behold. The movie has moved me ever since I had seen it at age fourteen, and I suspect will always. Put simply, at age forty-three I still have a difficult time watching it on my own. Great job, Mr. Friedkin and crew!


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