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The Exorcist (1973)

 -  Horror  -  26 December 1973 (USA)
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When a teenage girl is possessed by a mysterious entity, her mother seeks the help of two priests to save her daughter.

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Title: The Exorcist (1973)

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Won 2 Oscars. Another 14 wins & 14 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
...
...
...
...
...
Father Dyer (as Reverend William O'Malley S.J.)
Barton Heyman ...
...
Dr. Barringer - Clinic Director (as Pete Masterson)
Rudolf Schündler ...
Karl
Gina Petrushka ...
Willi
Robert Symonds ...
Dr. Taney
Arthur Storch ...
Psychiatrist
Thomas Bermingham ...
Tom - President of University (as Reverend Thomas Bermingham S.J.)
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Storyline

A visiting actress in Washington, D.C., notices dramatic and dangerous changes in the behavior and physical make-up of her 12-year-old daughter. Meanwhile, a young priest at nearby Georgetown University begins to doubt his faith while dealing with his mother's terminal sickness. And, book-ending the story, a frail, elderly priest recognizes the necessity for a show-down with an old demonic enemy. Written by Andrew Harmon <aharmon@erols.com>

Plot Summary | Plot Synopsis

Taglines:

The Scariest Movie Of All Time Has Returned. In The Version _You've Never Seen Before_. See more »

Genres:

Horror

Motion Picture Rating (MPAA)

Rated R for strong language and disturbing images | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

| | | | |

Release Date:

26 December 1973 (USA)  »

Also Known As:

The Exorcist: The Version You Haven't Seen Yet  »

Box Office

Budget:

$8,000,000 (estimated)

Opening Weekend:

$8,175,666 (USA) (22 September 2000)

Gross:

ESP 1,343,229,032 (Spain) (29 June 2001)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (director's cut)

Sound Mix:

(1979 re-release)| (director's cut)| (director's cut)| (original release)| (director's cut)

Color:

(Metrocolor)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

William Friedkin had to take an all-British crew to film in Iraq because the US had no diplomatic relations with Iraq at that time. They were allowed to film on conditions that included teaching Iraqi filmmakers advanced film techniques as well as how to make fake blood. See more »

Goofs

When Father Karras visits his mother at her house, he removes his collar and places it edge-wise on the shelf. In the next shot, the collar is lying down at a different angle. See more »

Quotes

[first lines]
Boy: [in Arabic] They've found something... small pieces.
See more »

Crazy Credits

There are no opening credits after the title. Although it is commonplace now, it was unheard of in 1973. See more »

Connections

Referenced in Geometria (1987) See more »

Soundtracks

Ramblin' Man
(uncredited)
Written by Dickey Betts
Performed by The Allman Brothers Band
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Unmatched brilliance
28 March 2000 | by (Chicago) – See all my reviews

There is a reason for the hysteria and mystique surrounding THE EXORCIST. And it's called genius.

Never have I seen a film matched in shock, terror, writing, or performances. This isn't a horror movie. The film itself is both a moving and terrifying drama that takes a realistic look at what would actually happen if a young girl were possessed in modern America. William Peter Blatty's script is amazing, bringing depth to the characters, and presenting the mystery of faith that they all deal with. Is Regan possessed? Is she insane? And most importantly, Is there a God? In the course of two hours, we see a sweet and innocent young girl become a cross masturbating, head spinning, murderous, creature. We see a successful actress overcome skepticism to save her daughter, and we see a brilliant psychiatrist struggle with his devotion to God as a priest.

Friedkin's direction is marvelous, with wonderful uses of light, dark, and color throughout the film. Jason Miller (as Damien Karras) is beautifully subtle in his first film acting role. Max Von Sydow and Lee J. Cobb provide engaging supporting performances as the experienced priest who senses his impending doom, and a detective who senses something sinister is at work. Ellen Burstyn gives a brutally honest performance as a grief stricken woman trying to save her daughter. And most of all, a 12-year-old Linda Blair gives one of the most terrifying, convincing, and beautiful performances ever shown on film. Her range of emotion and connection to Regan are astonishing. She deserved that Oscar!

THE EXORCIST presents to us the mystery of faith in it's most raw form--the battle of good and evil. It is an incomparable masterpiece of film, done without the aid of computers and special effects. It relies on story and performances to give us a marvelous and terrifying piece of work. In the end, it makes us ask ourselves what we believe, and keeps us wondering and shuddering at exactally what might be out there.


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